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Uitgebreide samenvatting Beeld & Kunst - Storytelling (hoorcolleges)
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  • Course
  • Beeld & Kunst
  • Institution
  • Saxion Hogeschool (Saxion)

Dit document is een zeer uitgebreide samenvatting over alle hoorcolleges uit de reeks 'Beeld & Kunst - Storytelling'. In het document staat alle (extra) informatie die tijdens de lessen gegeven werd. De hoorcolleges zijn volledig meegeschreven om een goed overzicht te krijgen van de leerstof.

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Document information

  • May 18, 2021
  • 36
  • 2019/2020
  • Summary

Subjects

  • beeld en kunst
  • storytelling
  • aristoteles
  • robert mckee
  • mise en scène
  • filmverhaal
  • story
  • dramatische structuur

Written for

  • Saxion Hogeschool (Saxion)
  • Creative Business
  • Beeld & Kunst
All documents for this subject (11)

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MichelleReef

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STORYTELLING




ONDERDEEL VAN BEELD &
KUNST – CREATIVE BUSINESS
Uitgebreide samenvatting

,Beeld & Kunst: Storytelling
Samenvatting
Inhoudsopgave
HC1 ............................................................................................................................................................. 3
HET FILMVERHAAL ................................................................................................................................................................... 3
DRAMA, DRAMATURGIE EN NARRATIVITEIT ........................................................................................................................ 3
ARISTOTELES............................................................................................................................................................................ 3
ELEMENTEN VAN DE TRAGEDIE (ARISTOTELES) .............................................................................................................. 3
PLOT (ARISTOTELES) ............................................................................................................................................................. 4
DRIE DELEN (AKTEN)............................................................................................................................................................... 4
Proloog ................................................................................................................................................................................................... 4
Episode .................................................................................................................................................................................................. 4
Epiloog .................................................................................................................................................................................................... 4
5 BEDRIJVEN ............................................................................................................................................................................. 5
HC2 ............................................................................................................................................................. 6
DE HOOFDPERSOON VOLGENS ARISTOTELES .................................................................................................................. 6
TRAGEDIE: DE KARAKTERS .................................................................................................................................................... 6
Protagonist ........................................................................................................................................................................................... 6
Antagonist ............................................................................................................................................................................................. 6
Tritagonist ............................................................................................................................................................................................. 7
DIËGETISCH VS NON-DIËGETISCH ...................................................................................................................................... 7
HC3 ............................................................................................................................................................. 9
ROBERT MCKEE ...................................................................................................................................................................... 9
STORY (1998) .......................................................................................................................................................................... 9
..................................................................................................................................................................................................... 9
VERHALENDRIEHOEK .............................................................................................................................................................. 9
Arch Plot ................................................................................................................................................................................................ 9
Miniplot ................................................................................................................................................................................................ 10
Antiplot ................................................................................................................................................................................................. 10
DRAMATISCH STRUCTUUR ................................................................................................................................................... 11
STRUCTUUR EN KARAKTERS ............................................................................................................................................... 11
CONFLICT ................................................................................................................................................................................ 12
PROTAGONIST VOLGENS MCKEE ...................................................................................................................................... 12
MEERDERE PROTAGONISTEN ............................................................................................................................................. 12
PREMISSE (MCKEE) ............................................................................................................................................................. 13
CONTROLLING IDEA (MCKEE) ............................................................................................................................................ 13
JOSEPH CAMPBELL ............................................................................................................................................................... 14
- Mythic Structure For Writers ....................................................................................................................................... 14
HC4 ........................................................................................................................................................... 17
DE MORFOLOGIE VAN HET TOVERSPROOKJE.................................................................................................................. 17
Vladimir Propp................................................................................................................................................................................. 17
Methode .............................................................................................................................................................................................. 17
De structuur van het sprookje volgens Propp .............................................................................................................. 18
Critici kwamen tot een aantal basisfuncties .................................................................................................................. 19
Karakters volgens Propp .......................................................................................................................................................... 19
TRANSMEDIA ........................................................................................................................................................................... 20
Crossmediaal VS Transmediaal ........................................................................................................................................... 21
JOHN KEATS ........................................................................................................................................................................... 21
Negative Capabilities .................................................................................................................................................................. 21
Migratory Cues ............................................................................................................................................................................... 21
3 BELANGRIJKE PILAREN (TRANSMEDIA) .......................................................................................................................... 22
Story World ....................................................................................................................................................................................... 22
Publiek ................................................................................................................................................................................................. 22
Technologie ...................................................................................................................................................................................... 22
HC5 ........................................................................................................................................................... 25
CAMERAVOERING .................................................................................................................................................................. 25


1

,Beeld & Kunst: Storytelling
Samenvatting
Vertelperspectief ............................................................................................................................................................................ 25
Kaders .................................................................................................................................................................................................. 25
Angle ..................................................................................................................................................................................................... 26
Beweging............................................................................................................................................................................................ 26
Bewegingsonscherpte ................................................................................................................................................................ 28
Scherptediepte ................................................................................................................................................................................ 28
MISE-EN-SCÉNE ..................................................................................................................................................................... 29
Driepuntsbelichting ....................................................................................................................................................................... 29
Belichting ............................................................................................................................................................................................ 30
HC6 ........................................................................................................................................................... 31
MISE-EN-SCÈNE ..................................................................................................................................................................... 31
MATTE PAINTING .................................................................................................................................................................... 31
BEELDNABEWERKING ........................................................................................................................................................... 31
Chromakeying ................................................................................................................................................................................. 31
CGI ......................................................................................................................................................................................................... 31
Compositie shot.............................................................................................................................................................................. 32
ANIMATIEFILM (MULTIPLANE DISNEY) .............................................................................................................................. 32
BEELDOVERGANGEN (TECHNISCH) ................................................................................................................................... 32
BEELDOVERGANGEN (INHOUDELIJK) ................................................................................................................................ 33
AMERICAN CONTINUITY EDITING ....................................................................................................................................... 33
Amerikaanse stijl............................................................................................................................................................................ 33
Europese stijl ................................................................................................................................................................................... 33
ALFRED HITCHCOCK OVER MONTAGE ............................................................................................................................. 33
180 GRADENREGEL/AXIS OF ACTION ................................................................................................................................ 34
Voorbeeldvraag 180 gradenregel ........................................................................................................................................ 35




2

, Beeld & Kunst: Storytelling
Samenvatting

HC1
Het filmverhaal
Don’t tell them, show them! à Het vertel je niet door de dialogen, maar door scènes.
Over elke seconde is nagedacht.
Dit is een scenario uit Alien. Namen (hoofdletters), gesproken tekst
(ingesprongen), lettertype (Courier 12).
Tegenwoordig is dit lettertype niet meer
verplicht.
De handelingen staan erin, maar dit wordt
eigenlijk gedaan door de regisseur.
Storyboard, wordt gemaakt na het script. à


Drama, dramaturgie en narrativiteit
- Drama: Verhalend verloop, niet per se tragedie. (Wel oorsprong in tragedie:
Aristoteles)
- Dramaturgie: het maken van het verhaal en de spanningsopbouw daarin.
- Narrativiteit: de wijze waarop het verhaal verteld wordt.

Aristoteles (vier eeuwen voor Chr.) schreef theater. In zijn tijd waren er drie genres:
1. Tragedie: eindigt in verdriet
2. Komedie: lach, heeft een goed einde
3. Epos: verhaaltje na verhaaltje na verhaaltje à beschrijft allerlei avonturen van
iemand.
We hebben alleen nog maar het deel van de tragedie in bezit. De andere twee delen
hebben we niet meer. De Griekse geschriften bleven in het Midden-Oosten en kwam
niet naar Nederland, alleen de tragedie is opgedoken. Andere mensen hebben óver
de komedie en epos geschreven, daardoor weten we van hun bestaan.
In West-Europa werden Christelijke teksten bestudeerd, dus zeker geen teksten uit
Griekenland, Italië etc.

Elementen van de tragedie (Aristoteles)
- Schouwspel (wijze waarop er wordt gespeeld, vaak in mooie amfitheaters)
- Liederen en taal (medium)
- Plot, karakter en denken (onderwerp)
o Plot is de ziel van de tragedie en de karakters komen op de tweede plaats.
Het gaan om de handeling!
§ Herkenningen
§ Lijden van de hoofdpersoon
§ Peripetieën (plotselinge ommekeer op basis van onverwachte
samenhang, bijv. in Oedipus)
Oedipus (betekent gezwollen voeten): Volgens het orakel zou het zijn vader
vermoorden en trouwen met zijn moeder. Bediende neem Oedipus mee uit het
koninkrijk maar wil hem niet vermoorden, dus hij laat hem achter. En dan wordt
Oedipus opgevoed door zijn adoptieouders. Ook hier hoorde hij dat hij zijn vader moest
vermoorden en zijn moeder trouwen dus hij ging weer vluchten en op reis.
Er is sprake van peripetie want men ziet uiteindelijk verbanden in het verhaal.




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