Summary
Samenvatting Videotechnieken 2 (YC1050)
- Course
- Institution
Samenvatting van het vak videotechnieken 2 gedoceerd door Eline De Becker
[Show more]
Seller
Followmorganvanroey
Reviews received
Content preview
Videotechnieken 2Inhoudsopgave
Les 1: Herhaling......................................................................................................................................................... 3
Kaders ............................................................................................................................................................................ 3
Perspectieven................................................................................................................................................................. 3
Camerabewegingen ....................................................................................................................................................... 3
Diepte creëren door ....................................................................................................................................................... 3
Plannen .......................................................................................................................................................................... 3
Gulden snede ................................................................................................................................................................. 3
Audio.............................................................................................................................................................................. 4
Perche ....................................................................................................................................................................... 4
Decoupage ..................................................................................................................................................................... 4
Manuele settings ........................................................................................................................................................... 4
Hoofdruimte .................................................................................................................................................................. 4
Optische as .................................................................................................................................................................... 4
Belichting ....................................................................................................................................................................... 5
Teams ............................................................................................................................................................................ 5
Les 2: Screenwriting & scenario ................................................................................................................................. 6
Begrippen ...................................................................................................................................................................... 6
Story structure - storytelling .......................................................................................................................................... 7
Basis storytelling ............................................................................................................................................................ 8
Les 3: Brandstory telling ............................................................................................................................................ 9
Les 4: De impact van het beeld, geluid & montage .................................................................................................. 11
De impact van het beeld .............................................................................................................................................. 11
Frame sizes .................................................................................................................................................................. 11
Shots ............................................................................................................................................................................ 11
Handheld/tripod .......................................................................................................................................................... 11
De impact van het geluid ............................................................................................................................................. 11
Mood suggestions........................................................................................................................................................ 11
Music ........................................................................................................................................................................... 11
Continuïteit .................................................................................................................................................................. 11
De impact van montage .......................................................................................................................................... 12
De geschiedenis van montage ..................................................................................................................................... 12
Het Kuleshov effect ...................................................................................................................................................... 12
Les 5: Het montage plan .......................................................................................................................................... 13
1
, Montage technieken L-cut en J-cut .............................................................................................................................. 13
Cut in actie ................................................................................................................................................................... 13
Jumpcuts ...................................................................................................................................................................... 13
Cut away ...................................................................................................................................................................... 13
Cross cut ...................................................................................................................................................................... 13
Timing .......................................................................................................................................................................... 14
Les 6: Regie ............................................................................................................................................................. 15
Regie ............................................................................................................................................................................ 15
Fictie vs docu ........................................................................................................................................................... 15
Merken ........................................................................................................................................................................ 15
Docu 2020 .................................................................................................................................................................... 15
Is dit ook uw zorg? ....................................................................................................................................................... 15
Film stijlen.................................................................................................................................................................... 15
Dramatisch conflict ...................................................................................................................................................... 16
Licht ............................................................................................................................................................................. 16
Akoestiek ..................................................................................................................................................................... 16
Locatie ......................................................................................................................................................................... 16
Les 7: Productie ....................................................................................................................................................... 17
Regisseur ..................................................................................................................................................................... 17
Producer ...................................................................................................................................................................... 17
Productie...................................................................................................................................................................... 17
Job roles .................................................................................................................................................................. 17
Total production process ........................................................................................................................................ 18
Budget ......................................................................................................................................................................... 20
Extra tip ....................................................................................................................................................................... 20
Les 8: Filmgeschiedenis ........................................................................................................................................... 21
Lumière ........................................................................................................................................................................ 21
Meliès .......................................................................................................................................................................... 21
Stomme films ............................................................................................................................................................... 21
Geluid / kleur ............................................................................................................................................................... 21
Animatie ...................................................................................................................................................................... 21
Hollywood .................................................................................................................................................................... 21
Academy Awards ......................................................................................................................................................... 21
Televisie ....................................................................................................................................................................... 22
SFX / VFX ...................................................................................................................................................................... 22
The seven ages of film ................................................................................................................................................. 22
Genres.......................................................................................................................................................................... 22
2
, Les 1: Herhaling
Kaders
o Medium shot/borst shot: basis kader met belangrijkste personage
o Ruim shot (establishing shot): geeft veel informatie over locatie
o Close-up: geeft (subtiele) emotie goed weer
o Extreme close-up: enkel in bepaalde situaties (traumatiseren)
o Over the shoulder shot: geeft meer betrekking, subjectiever shot (maar 1 van gesprekpartners in
beeld)
o Fly on the wall: toont alle gesprekspartners
→ Moet binnen de stijl passen
à Oppassen voor jumpcuts/springers
Perspectieven
o Kikvorsperspectief: held, van laag filmen
o Vogelperspectief: klein/loser
Camerabewegingen
o Pan – Tilt: beweging van het hoofd
o Lift-up /-down: omhoog en omlaag
o Tracking
Diepte creëren door
o Symmetrie en lijnen in architectuur en natuur
o Beweging in de achtergrond
Plannen
Gulden snede
Grid die over beeld gezet wordt en werkt met sterke punten. De punten waar lijnen samenkomen zijn
visueel straffe punten. Daar zet je best de geïnterviewde.
Belangrijk! Persoon links kadreren en interviewer rechts naast camera plaasten → naar interviewer kijken
3
The benefits of buying summaries with Stuvia:
Guaranteed quality through customer reviews
Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.
Quick and easy check-out
You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.
Focus on what matters
Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!
Frequently asked questions
What do I get when I buy this document?
You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.
Satisfaction guarantee: how does it work?
Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.
Who am I buying these notes from?
Stuvia is a marketplace, so you are not buying this document from us, but from seller morganvanroey. Stuvia facilitates payment to the seller.
Will I be stuck with a subscription?
No, you only buy these notes for $4.82. You're not tied to anything after your purchase.
Can Stuvia be trusted?
4.6 stars on Google & Trustpilot (+1000 reviews)
67474 documents were sold in the last 30 days
Founded in 2010, the go-to place to buy study notes for 14 years now