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samenvatting Lessen van Eline H+ lijst met pagina's in combinatie met de namen van de cursus $9.16   Add to cart

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samenvatting Lessen van Eline H+ lijst met pagina's in combinatie met de namen van de cursus

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In dit document kan je de notities zien van de lessen van Eline H. Achteraan het document kan je ook een alfabetische lijst vinden met de namen die in deze notities voorkomen. Dit is een gemakkelijke hulp om het openboek examen (Sem 2) te kunnen afleggen.

Last document update: 3 year ago

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  • August 6, 2021
  • August 25, 2021
  • 56
  • 2020/2021
  • Class notes
  • Eline haentjens
  • 26maart- einde van het schooljaar 2021
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Samenvatting enkel les van Eline H.
(26 maart→ einde 2021) 1e interieurvomgeving




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,Inhoud
2 lessen nog van Hilde ............................................................................................................................ 5
Les 1: Campana Brothers naar de hedendaagse designthema’s (les 26 maart) (los van de cursus) ...... 5
Up-cycling & recycling ......................................................................................................................... 7
Belang van de handen......................................................................................................................... 8
Overweldigd door de Braziliaanse natuur ........................................................................................ 10
Verschil upcycling en recycling? ....................................................................................................... 11
Les 2 april Design art in België (los vd cursus) ...................................................................................... 11
Wat is design art? ............................................................................................................................. 11
Belangrijkste Belgische galerijen....................................................................................................... 11
Voornaamste ontwerpers ................................................................................................................. 14
Bestaat er zoiets al Belgisch design?................................................................................................. 15
Jonge ontwerpers wiens werk hierbij aansluit ................................................................................. 16
Op welke ander plekken kan je design art ontdekken? .................................................................... 17
Plannen voor plaats (video) .............................................................................................................. 18
Toegepast in designwereld (video) ................................................................................................... 19
Flexibiliteit......................................................................................................................................... 20
We wonen kleiner ......................................................................................................................... 20
We verhuizen meer ....................................................................................................................... 20
Duurzaamheid ................................................................................................................................... 21
Voor gebruik.................................................................................................................................. 21
Tijdens gebruik .............................................................................................................................. 21
Na gebruik ..................................................................................................................................... 21
Cocreatie & hacking .......................................................................................................................... 22
Samenwerking............................................................................................................................... 22
Tussen ikea en tom Dixon ............................................................................................................. 22
Met studenten .............................................................................................................................. 22
Met Bemz ...................................................................................................................................... 22
Met brede publiek ........................................................................................................................ 22
Les Modernisme.................................................................................................................................... 23
Inleiding............................................................................................................................................. 23
Art Décoratifs .................................................................................................................................... 24
art deco in de VS ........................................................................................................................... 24
.......................................................................................................................................................... 25
Aërodynamische producten in de VS. ........................................................................................... 25
Consumptie en industrieel design in de VS................................................................................... 25

2

, Arts industriels Modernes en het modernisme ................................................................................ 26
Pavillon de L’esprit Nouveau ........................................................................................................ 26
International style ............................................................................................................................. 28
Modernisme & fascisme ................................................................................................................... 29
Kritiek op de Machine-esthetiek ....................................................................................................... 29
Les Hoofdstuk 6 (1940-1960) ................................................................................................................ 29
Inleiding............................................................................................................................................. 29
Little boy &Fat man........................................................................................................................... 29
Architectuur .................................................................................................................................. 29
Filosofie ......................................................................................................................................... 30
Kledingscode ................................................................................................................................. 30
Organic design................................................................................................................................... 30
MoMA ........................................................................................................................................... 30
Bertoia, Saarinen, Eames .............................................................................................................. 30
Eames in het MoMA...................................................................................................................... 31
Good Design .................................................................................................................................. 32
Scandinavisch design .................................................................................................................... 32
Populair Modernisme ....................................................................................................................... 33
Case Study House Programm ........................................................................................................ 33
The Kitchen Debate ....................................................................................................................... 33
Het moderne kantoor ................................................................................................................... 33
Design als verkoopargument ............................................................................................................ 34
De winkelwagen ............................................................................................................................ 34
Added Value .................................................................................................................................. 34
Design al gadget ............................................................................................................................ 34
Het Marshallplan en de heropbouw van Europa .......................................................................... 34
Jeugdculturen en modesystemen ................................................................................................. 35
Kritiek op het modernisme ............................................................................................................... 35
Peter en Alison Smithson .............................................................................................................. 35
The independent Group ................................................................................................................ 36
‘This is Tomorrow’......................................................................................................................... 36
Jaren 60 ................................................................................................................................................. 36
Inleiding............................................................................................................................................. 36
Pop .................................................................................................................................................... 36
Space age .......................................................................................................................................... 38
Weg werpmaatschappij .................................................................................................................... 39

3

, Vrijheid .............................................................................................................................................. 41
Antidesign en protest........................................................................................................................ 41
Jaren 70 ................................................................................................................................................. 43
Inleiding............................................................................................................................................. 43
Counter Culture en crisis................................................................................................................... 43
De punk beweging................................................................................................................ 43
Oliecrisis ........................................................................................................................................ 44
Postmodernisme ............................................................................................................................... 44
High-tech ........................................................................................................................................... 45
Jaren 80 ................................................................................................................................................. 46
Design is geen slechte kunst ............................................................................................................. 46
Richard Snapper ............................................................................................................................... 47
Borek Sipek ....................................................................................................................................... 47
Post-punk .......................................................................................................................................... 47
Ron Arad, .......................................................................................................................................... 47
Ron Arad, .......................................................................................................................................... 47
Danny Lane ....................................................................................................................................... 48
Phillippe Starck en vertoon ............................................................................................................... 48
Philippe Starck .................................................................................................................................. 48
Philippe Starck, Alessi ...................................................................................................................... 48
Phillipe Starck, Alessi ....................................................................................................................... 48
Philippe Starck .................................................................................................................................. 49
Black Monday.................................................................................................................................... 49
Jaren 90 tot heden ................................................................................................................................ 49
Cocooning ......................................................................................................................................... 49
Minimalisme ..................................................................................................................................... 49
Droog Design en Critical Design ........................................................................................................ 50




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