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Example comparision of 'look we have coming to dover' and 'An easy passage' $4.04   Add to cart

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Example comparision of 'look we have coming to dover' and 'An easy passage'

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Example essay achieving 23/30 from the Edexcel mark scheme. Feel free to message me with any questions about the content :)

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  • August 20, 2021
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  • 2021/2022
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Compare the way in which the poets use setting in ‘Look we have coming to dover’ and ‘An easy
passage’

The use of setting in ‘Look We Have Coming To Dover’ by Daljit Nagra is more obvious than
in Julia Copus’s ‘An easy Passage,’ as one of the major themes in the poem is the adjustment
to new environments and the subsequent effect on identity. Nagra utilises setting to reflect
the stability and emotional states of the speaker over time. In contrast ‘An Easy Passage’
begins in media res, rather than with description, and the poem follows the girls
treacherous climb back into her house. Nevertheless, Copus employs setting more subtly,
reflecting the conflict between childhood and adulthood. Furthermore both poems feature
a variety of settings in time, and the way that the future is presented mirrors the poets
attitudes’ to progress in life.
The setting in the poems differ greatly; ‘An easy passage’ is an urban plain environment,
whereas ‘Look We Have Coming To Dover’ focuses on the more natural and recognisable
landscape of the white cliffs of Dover. However, contrary to what the reader expects,
Nagra’s opening can be considered a parody of the often romanticised perspective of the
cliffs, contrasting to the sublime elements of the epigraphs referring to the cliffs with the
triplet, “so various, so beautiful, so new.” In contrast the disconcerting imagery of the “vast
crumble of scummed cliffs” surrounded by “mulch,” connotes decay and hostility which is
further marked by the use of the harsh guttural ‘c’ sound. Additionally, “scummed” is often
a word associated with class and is an example of type of verbal abuse that an immigrant
may face. Conversely, Copus’s description focuses on seemingly mundane and every-day
objects, reflecting the tenuous position of the girl. The “flimsy, hole-punched, aluminium
leaver” highlights the girls unstable and insecure position, both physically as she is climbing
into the house, with the threat of falling, but equally as a teenager “halfway” through her
journey to adulthood, drawing back to the irony of the title.
Despite their clear differences, the environments in both poems are presented as somewhat
oppressive and hostile, this is most obvious in ‘Look We Have Come To Dover.’ Nagra’s use
of pathetic fallacy gives the rain qualities that we may attribute to stereotypical white
nationalist hooligans, as the “thunder unbladders yobbish rain and wind.” The
uncomfortable image of the rain urinating on the migrants, furthers their discomfort in the
unfriendly and unfamiliar new environment. Although it is more subtle, the girls’
surroundings in ‘An Easy Passage’ similarly come across as uncomfortable and unpleasant.
The metaphor of the “square of petrified beach,” juxtaposes the natural world of
imagination and discovery, with the artificial “grains of asphalt” unpleasantly “hot between
her fingers and toes,” illustrating the false appearances of adulthood and the increasing
pressure to grow up.
Yet, there is a sense that both of the characters manage to escape their oppressive
environments. Both poems use the image of the eye to reflect the intrusive nature of their
surroundings, that both characters appear to evade. The house in ‘An Easy Passage’ “exists
only for them, set back from the long grey eyes of the street,” similarly the migrants remain
“unclocked by the national eye.” The verb unclocked referring both to the potential illegal
nature of their work not having to clock in or out, as well as being hidden from the majority

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