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Samenvatting Films maken Hoofdstuk 2 (het shot), 3 (decoupage), 5 (geluid), 6 (licht), 10 (scenario en regie documentaire, alleen interview), 11 (productie)$5.96
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2 (het shot), 3 (decoupage), 5 (geluid), 6 (licht), 10 (scenario en regie documentaire, alleen inter
October 21, 2021
33
2021/2022
Summary
Subjects
film
video
shot
decoupage
interview
scenario
geluid
camera
licht
regie
productie
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Edition:
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Edition:
Written for
Hogeschool Arnhem en Nijmegen (HAN)
CMD - Communication En Multimedia Design
AVC
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By: sterrezoonen • 10 months ago
By: anne68 • 2 year ago
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11e druk
FILMS MAKEN
,Inhoudsopgave
Het shot......................................................................................................................................................... 3
Kaders...................................................................................................................................................................3
Camerastandpunt en perspectief.........................................................................................................................6
Point of view.........................................................................................................................................................6
“Niet in de camera kijken!”..................................................................................................................................6
Beeldcompositie....................................................................................................................................................7
Beeldcompositie voor gevorderden......................................................................................................................7
Lenzen...................................................................................................................................................................8
Zoomen.................................................................................................................................................................8
Camerabewegingen..............................................................................................................................................9
Bewegingen binnen het beeld............................................................................................................................10
Niet geplande shots............................................................................................................................................10
Vorm en inhoud..................................................................................................................................................10
Decoupage................................................................................................................................................... 11
Geschiedenis.......................................................................................................................................................11
Eén of meerdere camera’s?................................................................................................................................11
Plattegrond.........................................................................................................................................................12
Basisprincipes.....................................................................................................................................................12
Decoupage speelfilm..........................................................................................................................................14
Twee decoupagemethoden................................................................................................................................15
Stijl......................................................................................................................................................................16
Storyboards.........................................................................................................................................................17
Shotlist................................................................................................................................................................17
Tips voor de beginner.........................................................................................................................................17
Openingssequentie, titels...................................................................................................................................18
Decoupage documentaire..................................................................................................................................18
Geluid.......................................................................................................................................................... 19
Functies van geluid en muziek............................................................................................................................19
Soorten geluid.....................................................................................................................................................19
Dynamiek............................................................................................................................................................19
Geluidsapparatuur..............................................................................................................................................19
Geluid vooraf......................................................................................................................................................20
Opname..............................................................................................................................................................20
Geluidscontinuïteit..............................................................................................................................................21
Geluid achteraf...................................................................................................................................................21
, Geluidsmontage en nabewerking.......................................................................................................................22
Licht............................................................................................................................................................ 23
Functies van licht................................................................................................................................................23
Licht en video......................................................................................................................................................23
Lichtopbouw fictie..............................................................................................................................................23
Lichtopbouw documentaire................................................................................................................................24
Lampen...............................................................................................................................................................25
Hulpmiddelen......................................................................................................................................................25
Effecten en sfeer.................................................................................................................................................26
Scenario en regie documentatie................................................................................................................... 27
Interview.............................................................................................................................................................27
, Het shot
Kaders
Als je je afvraagt waar de camera moet staan, bedenk je dan waar je als kijker zou gaan staan
om het optimaal te zien.
De plek waar je de camera neerzet, zegt vaak net zo veel als wat er in beeld is. Hoe je iets
filmt, vertelt vaak meer dan wát je filmt.
De drie belangrijkste kaders zijn: medium shot, long shot en close-up.
Naam Afkorting Uitleg Voorbeeld
Extreem total/ ELS Heel klein in beeld
extreme long shot met veel ruimte
eromheen
Groot total/ wijd LS Geheel in beeld
total/ long shot met enige ruimte
eromheen
Totaal/ (medium) MLS Geheel in beeld
long shot, wijd shot
Kneeshot/ - Kruin tot knieën
Amercian shot
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