Geschiedenis beeldende kunst in de Nederlanden II (A000438C)
All documents for this subject (1)
Seller
Follow
kersenboom
Reviews received
Content preview
BK Nederlanden II
INHOUD
Inleiding ................................................................................................................................................... 4
Artistieke uitwisseling ......................................................................................................................... 4
Innovatie.............................................................................................................................................. 4
Italië ......................................................................................................................................................... 4
ca. 1600 ................................................................................................................................................... 5
Michelangelo Merisi da Caravaggio .................................................................................................... 5
Invloed Caravaggio .............................................................................................................................. 5
Utrecht, Caravaggisti ........................................................................................................................... 6
Hendrick ter Brugghen ........................................................................................................................ 6
Gerard van Honthorst ......................................................................................................................... 6
Dirck van Baburen ............................................................................................................................... 6
Jan van Bijlert ...................................................................................................................................... 6
Jan Gerritsz van Bronchorst................................................................................................................. 6
Artistieke uitwisseling: Italiaanse opdrachtgevers .................................................................................. 6
Artistieke uitwisseling: Noordelijke en Zuidelijke Nederlanden ............................................................. 7
Samenwerking ..................................................................................................................................... 7
Rubens vs Rembrandt ............................................................................................................................. 7
Rubens ................................................................................................................................................. 7
Rembrandt........................................................................................................................................... 8
Rubens Italië ........................................................................................................................................ 8
Rembrandt geen Italië reis .................................................................................................................. 9
Rubens (Antwerpen) ........................................................................................................................... 9
Rembrandt vervolg ............................................................................................................................ 10
De zestiende eeuw in de nederlanden .................................................................................................. 13
1566: De Beeldenstorm ......................................................................................................................... 13
Traktaten ........................................................................................................................................... 14
Nederlandse kunstenaars en beelddebatten .................................................................................... 15
Decorum: experimenteren ................................................................................................................ 15
Lichaam ............................................................................................................................................. 15
Architectuur....................................................................................................................................... 15
Houding en gedrag ............................................................................................................................ 16
Impact beeldenstorm en beelddebatten .......................................................................................... 16
1
, Na 1585: nieuwe kansen ................................................................................................................... 16
Ondertussen in Italië ......................................................................................................................... 17
Rederijkers......................................................................................................................................... 17
Lucas de Heere .................................................................................................................................. 17
Lampsonius ........................................................................................................................................ 17
Spanje en Portugal ............................................................................................................................ 17
De Nederlanden ................................................................................................................................ 18
Kunsttheorie in de 17de eeuw ............................................................................................................ 18
Historieschilderkunst in de zuidelijke nederlanden: 1585-1608 ........................................................... 22
Na 1585 ............................................................................................................................................. 22
Rubens leerlingen en epigonen ......................................................................................................... 22
Anthony van Dyck .............................................................................................................................. 23
Jacob Jordaens................................................................................................................................... 23
Minder bekende Rubens-‘leerlingen’ ................................................................................................ 24
In de schaduw van Rubens ................................................................................................................ 26
Succesvolle concurrent...................................................................................................................... 26
Caspar de Crayer ............................................................................................................................... 26
Historieschilders in klein leven .......................................................................................................... 26
Hendrik de Clerck .............................................................................................................................. 26
Hendrik van Balen ............................................................................................................................. 26
Frans II Francken ............................................................................................................................... 26
Caravaggisti in de Zuidelijke Nederlanden ........................................................................................ 27
Theodoor Rombouts.......................................................................................................................... 27
Belangrijkste tendensen in de historieschilderkunst in Z Nederlanden............................................ 27
Historieschilderkunst in de Noordelijke Nederlanden .......................................................................... 27
Amsterdam, Pre-Rembrandtisten ..................................................................................................... 27
Pieter Lastman................................................................................................................................... 28
Jan en Jacob Pynas ............................................................................................................................ 28
Amsterdam, Rembrandts leerlingen ................................................................................................. 28
Amsterdam na Rembrandt ................................................................................................................ 29
Haarlemse maniëristen ..................................................................................................................... 29
Na Haarlemse maniëristen ................................................................................................................ 29
Delft en Den Haag ............................................................................................................................. 29
Johannes Vermeer ............................................................................................................................. 30
Leiden ................................................................................................................................................ 30
Rotterdam laat in de zeventiende eeuw ........................................................................................... 31
2
,Stilleven in noordelijke en zuidelijke nederlanden ............................................................................... 31
De voorlopers markten ..................................................................................................................... 31
Stilleven in Z Nederlanden .................................................................................................................... 31
Stilleven Noordelijke Nederlanden ....................................................................................................... 32
Examen .................................................................................................................................................. 61
Nieuwe technologie en kunst ................................................................................................................ 61
Prentkunst ............................................................................................................................................. 62
Technieken ........................................................................................................................................ 62
Papier................................................................................................................................................. 62
Gravure vs. ets ................................................................................................................................... 63
Houtsnede vs. gravure....................................................................................................................... 63
The (new) Hollstein Dutch & Flemish etchings, engravings and woodcuts 1450-1700 .................... 63
Prentkunst 16e en 17e eeuw .................................................................................................................. 63
Zuidelijke Nederlanden ..................................................................................................................... 63
Noordelijke Nederlanden .................................................................................................................. 64
Antwerpen: Grote uitgevershuizen ................................................................................................... 64
Haarlemse school (ca. 1600) ............................................................................................................. 65
Rubens ............................................................................................................................................... 66
Rembrandt......................................................................................................................................... 68
Beeldhouwkunst .................................................................................................................................... 68
16de eeuw .......................................................................................................................................... 68
Laat Maniërisme tot ca. 1630-40 ...................................................................................................... 69
Rubens’ invloed ................................................................................................................................. 70
Laatbarok en Classicisme na 1640-1650 ........................................................................................... 71
Commemoratieve sculptuur in de Noordelijke Nederlanden ........................................................... 71
3
, Artistieke uitwisseling en innovatie
INLEIDING
- Jan I Brueghel en Hendrick van Balen, Madonna in bloemenkrans, 1607-1608
- Voor Kardinaal Borromeo
o Bekende opdrachtgever van Bruegel
o Compositie bedacht
- Geschilderd op koper en zilver
- Bloemenrand door Jan Bruegel, middenstuk door Hendrick van balen.
- Genre eerst gemaakt in de Nederlanden, bedacht in Italië.
Innovatief nieuw genre met meer voorbeelden vroege 17de eeuw
Genre wordt heel populair
Artistieke uitwisseling
- Reizen belangrijk
- Handel
o prenten verspreidden alles
- Emigratie
o van Zuid naar Noord, maar ook omgekeerd
- Italië en de Nederlanden
- De Zuidelijke en Noordelijke Nederlanden
o gezamenlijk cultureel verleden maar er komen meer verschillen (economisch, religieus
en ander patronen groei en verval en zo andere doelgroepen en opdrachtgevers)
Innovatie
- Beeldtaal
- Organisatie van de werkplaats
- Specialisatie en samenwerking (Rubens)
- Nieuwe genres
- Groot vs klein
- Materialen
ITALIË
Voor de beeldenstorm naar Italië
- Michiel Coxcie
o Michiel Coxcie, Twee vleugels van een triptiek
o nu minder bekend maar meest succesvolle historieschilders 16de eeuw
o geliefd bij Habsburgse hof bijv. ook kopie van lam Gods maken
- Lambert Lombard
- Frans Floris
o Oordeel van Paris, Frans Floris
o klassieke Italiaanse naakten
o verschil met barok want het is nog vrij statisch
o onderwerp is klassiek
▪ Venus en de Smidse van Vulcanus, Frans Floris
• Vulcanus populair in zuidelijke Nederlanden want werd geassocieerd
met kunstenaars en ambachtslieden
4
The benefits of buying summaries with Stuvia:
Guaranteed quality through customer reviews
Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.
Quick and easy check-out
You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.
Focus on what matters
Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!
Frequently asked questions
What do I get when I buy this document?
You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.
Satisfaction guarantee: how does it work?
Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.
Who am I buying these notes from?
Stuvia is a marketplace, so you are not buying this document from us, but from seller kersenboom. Stuvia facilitates payment to the seller.
Will I be stuck with a subscription?
No, you only buy these notes for $7.64. You're not tied to anything after your purchase.