Summary
Samenvatting foto en video ap
- Course
- Institution
Dit is een samenvatting van de lessen en de powerpoint.
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InhoudsopgaveVIDEO................................................................................................................................................2
1. INLEIDING......................................................................................................................................3
2. BEELDTAAL....................................................................................................................................3
DE CAMERAOPSTELLING.........................................................................................................................3
BEELDGROOTTES..................................................................................................................................3
COMPOSITIE.......................................................................................................................................3
CAMERABEWEGINGEN...........................................................................................................................3
BASIC SHOTS.......................................................................................................................................4
FILMEN IN FUNCTIE VAN DE MONTAGE......................................................................................................4
MONTAGETECHNIEKEN..........................................................................................................................4
3. A.V. PRODUCTIE = AUDIOVISUELE PRODUCTIE..............................................................................5
DE PRE-PRODUCTIE..............................................................................................................................5
A. HET CONCEPT.........................................................................................................................................5
B. DE SYNOPSIS...........................................................................................................................................5
C. HET TREATMENT......................................................................................................................................5
D. HET SCENARIO........................................................................................................................................5
E. SCENARIOSCHRIJVEN.................................................................................................................................5
F. HET SCRIPT = DRAAIBOEK..........................................................................................................................6
G. HET STORYBORD......................................................................................................................................6
H. DE PREPRODUCTION MEETING...................................................................................................................6
I. DE OPNAMEPLANNING...............................................................................................................................6
J. DE EFP CREW.........................................................................................................................................6
DE PRODUCTIE....................................................................................................................................7
A. VIDEO...................................................................................................................................................7
B. AUDIO...................................................................................................................................................7
DE POST-PRODUCTIE.............................................................................................................................7
A. VISIONEREN............................................................................................................................................7
B. CAPTUREN EN IMPORTEREN.......................................................................................................................7
C. DE MONTAGE.........................................................................................................................................7
D. EXPORTEREN..........................................................................................................................................8
FOTOGRAFIE......................................................................................................................................8
4. INLEIDING......................................................................................................................................9
5. DE CAMERA...................................................................................................................................9
LICHTDOSERING...................................................................................................................................9
A. HET DIAFRAGMA.....................................................................................................................................9
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,B. DE SLUITER.............................................................................................................................................9
C. HET STATIEF.........................................................................................................................................10
D. DE VERHOUDING TUSSEN DIAFRAGMA EN SLUITER........................................................................................10
SCHERPTESTELLING.............................................................................................................................10
A. STANDAARDOBJECTIEF............................................................................................................................10
B. GROOTHOEKOBJECTIEF............................................................................................................................11
C. TELEOBJECTIEF......................................................................................................................................11
D. ZOOMOBJECTIEF....................................................................................................................................11
E. FISH-EYE..............................................................................................................................................11
F. MACRO-OBJECTIEF.................................................................................................................................11
RECEPTIE..........................................................................................................................................11
A. DE BEELDSENSOR...................................................................................................................................11
B. ISO = INTERNATIONAL ORGANISATION FOR STANDARDIZATION.......................................................................12
OPSLAG...........................................................................................................................................12
A. GEHEUGENKAARTEN...............................................................................................................................12
B. BESTANDTYPES......................................................................................................................................13
CAMERA INSTELLINGEN........................................................................................................................13
A. SCENES................................................................................................................................................13
B. LICHTMETING........................................................................................................................................14
C. OFF-CENTER FOCUS................................................................................................................................14
6. LICHT...........................................................................................................................................14
KLEURTEMPERATUUR..........................................................................................................................14
LICHTBRONNEN.................................................................................................................................15
A. NATUURLIJK LICHT.................................................................................................................................15
B. KUNSTLICHT..........................................................................................................................................16
SOORTEN LICHTEN..............................................................................................................................16
A. HARD LICHT..........................................................................................................................................16
B. ZACHT LICHT.........................................................................................................................................16
LICHTSTERKTE....................................................................................................................................16
RICHTING.........................................................................................................................................16
VIDEO
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, 1. Inleiding
- Beweging registreren en achter elkaar plaatsen
- Een video is vluchtig en tijdgerelateerd
- Shots worden in een bepaalde volgorde geplaatst = montage
- Een realistische registratie en optische weergave van bewegend beeld en geluid
2. Beeldtaal
De cameraopstelling
- De voorwerpafstand: tss camera en onderwerp
- De beeldhoek: van gebruikte objectief
- De opnamehoek: hoek camera en onderwerp
• Normaal standpunt
• Kikkerperspectief
• Vogelperspectief
• Schuin kader
• topshot
Beeldgroottes
- Extreme long shot, ELS
- Long shot, LS (= wideshot of totaalopname)
- Medium long shot, MLS (= knee shot)
- Medium shot, MS
- Medium close-up, MCU
- Close-up, CU
- Extreme close-up, ECU
Compositie
= schikking van de beeldelementen tegenover elkaar en de plaatsing van dit geheel in een kader,
mise en scène
- Heeft zowel een functionele als een esthetische waarde
- Contrast is belangrijk
- Lichtcontrast
- Lattitude (=max verschil in lichtcontrast dat camera kan vastleggen)
- Stijl van belichting, sfeer
• Graduated tonality, diverse lichtbronnen
• High key, zacht licht
• Low key, hard licht
- Dieptecontrast
- Kleurencontrast, complementaire kleuren (tegengestelde)
- Hoofdruimte
- Kijkruimte
- Sterke beeldpunten, gulden snede
- Invoerende lijnen
Camerabewegingen
- Fix = met je camera een vast standpunt aanhouden (statief)
- Pano = horizontale camerabeweging rond de as van het statief
- Tilt = op- of neerwaartse beweging rond de as van het statief
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