Samenvatting Beeld & Kunst Storytelling Jaar 1 Kwartiel 1
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Course
Storytelling Beeld En Kunst
Institution
Saxion Hogeschool (Saxion)
In de samenvatting wordt het volgende behandeld: de drieaktenstructuur; karakters; verhaalstructuren Propp, Cambell, Vogler en McKee; filmverhaal/narrativiteit; cameravoering; mise-en-scène; belichten/uitlichten; montage en beeldnabewerking
Beeld en Kunst
Storytelling
Samenvatting Jaar 1 Kwartiel 1
Marjolein In der Maur
,Inhoud
1. Verhaalstructuren ...........................................................................................................................4
1.1 De drie-akten structuur .............................................................................................................4
Proloog .......................................................................................................................................4
Episode .......................................................................................................................................4
Epiloog ........................................................................................................................................4
Vijf fasen .....................................................................................................................................5
2. Karakters ........................................................................................................................................6
2.1 Protagonist................................................................................................................................6
2.2 Antagonist.................................................................................................................................6
2.3 Tritagonist .................................................................................................................................6
3. Sprookjes en mythes .......................................................................................................................7
3.1 Vladimir Propp (1895-1970) ......................................................................................................7
3.2 Joseph Cambell (1904-1987)......................................................................................................8
Archetypes ..................................................................................................................................8
3.3 Christopher Vogler (1949) .........................................................................................................9
3.4 Robert McKee (1941) .............................................................................................................. 10
Kenmerken protagonist volgens McKee .................................................................................... 11
Overeenkomsten met Aristoteles .............................................................................................. 11
Kritiek op McKee ....................................................................................................................... 11
3. Het filmverhaal/narrativiteit ......................................................................................................... 12
3.1 Diëgetisch en non-diëgetisch ................................................................................................... 12
3.2 Story en plot............................................................................................................................ 12
3.3 Découpage .............................................................................................................................. 12
4. Cameravoering.............................................................................................................................. 13
4.1 Kadrering ................................................................................................................................ 13
4.2 Camera hoogte........................................................................................................................ 14
4.3 Camerabeweging .................................................................................................................... 14
5. Mise-en-scène............................................................................................................................... 16
5.1 Compositie .............................................................................................................................. 16
Regel van derden/gulden snede ................................................................................................ 16
Visuele balans ........................................................................................................................... 17
5.2 Matte paintings ....................................................................................................................... 18
5.3 Diepte ..................................................................................................................................... 18
6. Belichten/uitlichten ...................................................................................................................... 19
..................................................................................................................................................... 19
, 6.1 Hard licht/key light .................................................................................................................. 19
6.2 Zacht licht/fill-light .................................................................................................................. 19
..................................................................................................................................................... 19
6.3 High key .................................................................................................................................. 19
6.4 Low key ................................................................................................................................... 20
6.5 Driepuntsbelichting ................................................................................................................. 20
6.6 Lichtzones ............................................................................................................................... 20
7. Beeldenreeks en beeldnabewerking .............................................................................................. 21
7.1 Montagestijlen ........................................................................................................................ 21
Sovjet montagebeweging (ook wel associatieve of constructivistische montage) ...................... 21
Continuity editing (ook wel analytical editing of Amerikaanse school) ....................................... 21
6.2 De las ...................................................................................................................................... 22
6.3 Beeldnabewerking................................................................................................................... 23
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