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Samenvatting Culturele & Artistieke Actualiteit
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Samenvatting Culturele & Artistieke actualiteit van de 2e bachelor Agogische wetenschappen. Samenvatting van slides, cursus en teksten. (16/20)
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CULTURELE & ARTISTIEKE ACTUALITEITInhoud
CULTUUR – KUNST - ESTHETICA 05/10/2022.........................................................................................4
Wat is cultuur?....................................................................................................................................4
Definities.........................................................................................................................................4
Basis van cultuur.............................................................................................................................4
Veronderstellingen over de locatie van cultuur..............................................................................4
Cultuur en mechanismen/processen..............................................................................................4
Socio ↔ microgenetisch................................................................................................................5
Wat is hedendaagse kunst?................................................................................................................5
Hedendaagse kunst ↔ Moderne kunst.........................................................................................5
Moderne kunst...............................................................................................................................5
Moderne kunst vs traditionele kunst..............................................................................................6
Hedendaagse kunst........................................................................................................................6
Wat is esthetica?.................................................................................................................................6
Esthetische ervaring in het dagelijks leven of de esthetische dimensie van het bestaan...............6
Esthetica houdt bezig met..............................................................................................................6
Esthetische principes......................................................................................................................6
Relatie Cultureel - Artistiek?...............................................................................................................7
ORGANISATIES EN ARTISTIEKE MEDIA 12/10/2022................................................................................8
Landschapstekening............................................................................................................................8
Algemene uitleg..............................................................................................................................8
De uitbouw van artistieke ecosystemen.........................................................................................8
Hiaten in de ecosystemen............................................................................................................12
De wind van voren........................................................................................................................13
Kansen door samenwerking.........................................................................................................14
Kanttekening: Perspectief kunstenlandschap...............................................................................14
Duality of ..........................................................................................................................................16
Commons: artist-run.........................................................................................................................17
Wat?.............................................................................................................................................17
Geschiedenis.................................................................................................................................17
Commoning kunst.........................................................................................................................17
Some rules of thumb.........................................................................................................................17
The rule of three...........................................................................................................................17
The rule of one.............................................................................................................................18
1
, The rule of two.............................................................................................................................18
The rule of none...........................................................................................................................18
The rule of all................................................................................................................................19
E.CO.LECT WORKSHOP CHANGE THE WOR(L)D 19/10/2022................................................................20
KUNST & KLIMAAT 26/10/2022............................................................................................................21
De menselijke schaal?.......................................................................................................................21
Antropoceen.................................................................................................................................21
Ecologisch denken........................................................................................................................21
Widening Identity.............................................................................................................................21
Ecological Thinking (Timothy Morton) - Posthuman Thinking (Rosi Braidotti)..................................22
Een potentiële rol van kunst met betrekking tot klimaat?................................................................23
Wat is ecosomatics?..........................................................................................................................24
Ecologisch denken........................................................................................................................24
Ecosomatics..................................................................................................................................24
Worldmaking....................................................................................................................................24
Het kunstenveld vanuit een ecologisch perspectief.....................................................................25
Klimaat & ecologie vanuit kunst...................................................................................................26
Climate Justice..................................................................................................................................29
Klimaattribunaal...........................................................................................................................29
Pre-intersectional pot of racial and ecological justice (Ama Josephine Budge)............................29
Reclaiming Vision..............................................................................................................................29
KUNST & PARTICIPATIE 09/11/2022.....................................................................................................30
Participatie........................................................................................................................................30
Ladder of participation.................................................................................................................30
Participatie in kunst......................................................................................................................30
Audience engagement..................................................................................................................32
Interactie...........................................................................................................................................32
Ladder van interactiviteit..............................................................................................................33
Interactiviteit in onderzoeksdomeinen.........................................................................................33
Strategie en tactiek...........................................................................................................................34
Tactiek in de kunst?..........................................................................................................................34
Deliberate & Emergent strategy.......................................................................................................35
Marie-Laure Ryan.........................................................................................................................36
Ontology of Care...............................................................................................................................36
Immersie...........................................................................................................................................37
Fenomenologie.................................................................................................................................37
2
, Fenomenologie als houding..........................................................................................................38
SYLLABUS DEEL 3..................................................................................................................................39
Worldmaking....................................................................................................................................39
Het concept..................................................................................................................................39
Worldmaking in de kunst..............................................................................................................39
Auto- en allopo(i)etische kunst.....................................................................................................39
Alberto de Campo => Affect theory..............................................................................................40
Affect................................................................................................................................................41
Wat is affect (niet)?......................................................................................................................41
Affect en emotie...........................................................................................................................41
Houding t.o.v. affect.....................................................................................................................41
Kwadrant van sociale verbanden......................................................................................................42
Dissensus..........................................................................................................................................44
Dissensus......................................................................................................................................44
Dissensus in het politieke.............................................................................................................44
Het concept dissensus..................................................................................................................44
Dis/Mis/Attunement.........................................................................................................................44
Podcast als introductie.................................................................................................................44
Attunement..................................................................................................................................45
Mis- & Disattunement..................................................................................................................46
Queer Worldmaking..........................................................................................................................46
Concepten van affect en worldmaking om te spreken over queer worldmaking via literatuur....46
Queer Curation.................................................................................................................................47
3
, CULTUUR – KUNST - ESTHETICA 05/10/2022
Wat is cultuur?
Definities
18e eeuw – Frankrijk: Cultuur = training of 19e eeuw - antropoloog Edward Tylor: Cultuur
verfijning van de geest of smaak. => De term = beschaving, het complexe geheel dat kennis,
werd snel uitgebreid tot de kwaliteiten van een taal, geloof, etc. en alle andere capaciteiten
opgeleid persoon, en heeft die betekenis tot omvat die de mens als lid van de samenleving
vandaag behouden. heeft verworven.
Cultuur wordt geassocieerd met de gedeelde sociale dimensie en gelijkenissen tussen de mensen die
deel uitmaken van een bepaalde groep of gemeenschap.
Basis van cultuur
1. herhaling,
2. traditie,
3. het gebonden zijn aan regels.
Veronderstellingen over de locatie van cultuur
1. alleen in de geest van de mens,
2. zowel in de geest van de mens als in de door mensen geschapen materiële wereld
3. alleen extern aan de geest van de mens.
Nadruk op kennisnetwerken die bestaan uit verworven routines van denken, voelen en interageren
met anderen. (Psychische => 1 & 2)
Erkend dat deze kennisnetwerken worden veruiterlijkt door symbolen, artefacten, sociale
constructies en instituties. Deze externe tekens en structuren dragen bij aan een gemene grond voor
communicatie. (Materiële => 2 & 3)
Voorbeeld zowel in de geest als in de materiële wereld:
“Culture consists of patterns, explicit and implicit, of and for behavior acquired and transmitted by
symbols, constituting the distinctive achievement of human groups, including their embodiments in
artefacts; the essential core of culture consists of traditional (i.e. historically derived and selected)
ideas and especially their attached values; culture systems may, on the one hand, be considered as
products of action, on the other as conditioning elements of further action”. (Kroeber & Kluckhohn
1952, 181)
Voorbeeld alleen in de geest:
“I treat culture as ‘the collective programming of the mind which distinguishes the members of one
human group from another.” (Hofstede 1984, 21)
Cultuur en mechanismen/processen
Cultuur is verbonden aan het mechanisme van Cultuur is constant in wording:
- Hegemonie = Mensen worden gevormd naar de - We ‘hebben’, ‘worden deel van’ of ‘maken deel
behoeften van een politiek georganiseerde uit van’ een cultuur.
samenleving tot volgzame, gematigde, vreedzame - Cultuur is niet statisch. We nemen deel aan
agenten van deze politieke orde. culturele processen, voortdurend in verandering
- Gedeelde kennis en waarden - Cultuur = een constant proces van
- Uitsluiting o constructie en reconstructie,
o onderhoud en transformatie,
o stabilisatie en actieve creatie.
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