Summary
Samenvatting Culturele & Artistieke Actualiteit
- Course
- Institution
Samenvatting Culturele & Artistieke actualiteit van de 2e bachelor Agogische wetenschappen. Samenvatting van slides, cursus en teksten. (16/20)
[Show more]
Seller
Follow
Sud3nt123
Content preview
CULTURELE & ARTISTIEKE ACTUALITEITInhoud
CULTUUR – KUNST - ESTHETICA 05/10/2022.........................................................................................4
Wat is cultuur?....................................................................................................................................4
Definities.........................................................................................................................................4
Basis van cultuur.............................................................................................................................4
Veronderstellingen over de locatie van cultuur..............................................................................4
Cultuur en mechanismen/processen..............................................................................................4
Socio ↔ microgenetisch................................................................................................................5
Wat is hedendaagse kunst?................................................................................................................5
Hedendaagse kunst ↔ Moderne kunst.........................................................................................5
Moderne kunst...............................................................................................................................5
Moderne kunst vs traditionele kunst..............................................................................................6
Hedendaagse kunst........................................................................................................................6
Wat is esthetica?.................................................................................................................................6
Esthetische ervaring in het dagelijks leven of de esthetische dimensie van het bestaan...............6
Esthetica houdt bezig met..............................................................................................................6
Esthetische principes......................................................................................................................6
Relatie Cultureel - Artistiek?...............................................................................................................7
ORGANISATIES EN ARTISTIEKE MEDIA 12/10/2022................................................................................8
Landschapstekening............................................................................................................................8
Algemene uitleg..............................................................................................................................8
De uitbouw van artistieke ecosystemen.........................................................................................8
Hiaten in de ecosystemen............................................................................................................12
De wind van voren........................................................................................................................13
Kansen door samenwerking.........................................................................................................14
Kanttekening: Perspectief kunstenlandschap...............................................................................14
Duality of ..........................................................................................................................................16
Commons: artist-run.........................................................................................................................17
Wat?.............................................................................................................................................17
Geschiedenis.................................................................................................................................17
Commoning kunst.........................................................................................................................17
Some rules of thumb.........................................................................................................................17
The rule of three...........................................................................................................................17
The rule of one.............................................................................................................................18
1
, The rule of two.............................................................................................................................18
The rule of none...........................................................................................................................18
The rule of all................................................................................................................................19
E.CO.LECT WORKSHOP CHANGE THE WOR(L)D 19/10/2022................................................................20
KUNST & KLIMAAT 26/10/2022............................................................................................................21
De menselijke schaal?.......................................................................................................................21
Antropoceen.................................................................................................................................21
Ecologisch denken........................................................................................................................21
Widening Identity.............................................................................................................................21
Ecological Thinking (Timothy Morton) - Posthuman Thinking (Rosi Braidotti)..................................22
Een potentiële rol van kunst met betrekking tot klimaat?................................................................23
Wat is ecosomatics?..........................................................................................................................24
Ecologisch denken........................................................................................................................24
Ecosomatics..................................................................................................................................24
Worldmaking....................................................................................................................................24
Het kunstenveld vanuit een ecologisch perspectief.....................................................................25
Klimaat & ecologie vanuit kunst...................................................................................................26
Climate Justice..................................................................................................................................29
Klimaattribunaal...........................................................................................................................29
Pre-intersectional pot of racial and ecological justice (Ama Josephine Budge)............................29
Reclaiming Vision..............................................................................................................................29
KUNST & PARTICIPATIE 09/11/2022.....................................................................................................30
Participatie........................................................................................................................................30
Ladder of participation.................................................................................................................30
Participatie in kunst......................................................................................................................30
Audience engagement..................................................................................................................32
Interactie...........................................................................................................................................32
Ladder van interactiviteit..............................................................................................................33
Interactiviteit in onderzoeksdomeinen.........................................................................................33
Strategie en tactiek...........................................................................................................................34
Tactiek in de kunst?..........................................................................................................................34
Deliberate & Emergent strategy.......................................................................................................35
Marie-Laure Ryan.........................................................................................................................36
Ontology of Care...............................................................................................................................36
Immersie...........................................................................................................................................37
Fenomenologie.................................................................................................................................37
2
, Fenomenologie als houding..........................................................................................................38
SYLLABUS DEEL 3..................................................................................................................................39
Worldmaking....................................................................................................................................39
Het concept..................................................................................................................................39
Worldmaking in de kunst..............................................................................................................39
Auto- en allopo(i)etische kunst.....................................................................................................39
Alberto de Campo => Affect theory..............................................................................................40
Affect................................................................................................................................................41
Wat is affect (niet)?......................................................................................................................41
Affect en emotie...........................................................................................................................41
Houding t.o.v. affect.....................................................................................................................41
Kwadrant van sociale verbanden......................................................................................................42
Dissensus..........................................................................................................................................44
Dissensus......................................................................................................................................44
Dissensus in het politieke.............................................................................................................44
Het concept dissensus..................................................................................................................44
Dis/Mis/Attunement.........................................................................................................................44
Podcast als introductie.................................................................................................................44
Attunement..................................................................................................................................45
Mis- & Disattunement..................................................................................................................46
Queer Worldmaking..........................................................................................................................46
Concepten van affect en worldmaking om te spreken over queer worldmaking via literatuur....46
Queer Curation.................................................................................................................................47
3
, CULTUUR – KUNST - ESTHETICA 05/10/2022
Wat is cultuur?
Definities
18e eeuw – Frankrijk: Cultuur = training of 19e eeuw - antropoloog Edward Tylor: Cultuur
verfijning van de geest of smaak. => De term = beschaving, het complexe geheel dat kennis,
werd snel uitgebreid tot de kwaliteiten van een taal, geloof, etc. en alle andere capaciteiten
opgeleid persoon, en heeft die betekenis tot omvat die de mens als lid van de samenleving
vandaag behouden. heeft verworven.
Cultuur wordt geassocieerd met de gedeelde sociale dimensie en gelijkenissen tussen de mensen die
deel uitmaken van een bepaalde groep of gemeenschap.
Basis van cultuur
1. herhaling,
2. traditie,
3. het gebonden zijn aan regels.
Veronderstellingen over de locatie van cultuur
1. alleen in de geest van de mens,
2. zowel in de geest van de mens als in de door mensen geschapen materiële wereld
3. alleen extern aan de geest van de mens.
Nadruk op kennisnetwerken die bestaan uit verworven routines van denken, voelen en interageren
met anderen. (Psychische => 1 & 2)
Erkend dat deze kennisnetwerken worden veruiterlijkt door symbolen, artefacten, sociale
constructies en instituties. Deze externe tekens en structuren dragen bij aan een gemene grond voor
communicatie. (Materiële => 2 & 3)
Voorbeeld zowel in de geest als in de materiële wereld:
“Culture consists of patterns, explicit and implicit, of and for behavior acquired and transmitted by
symbols, constituting the distinctive achievement of human groups, including their embodiments in
artefacts; the essential core of culture consists of traditional (i.e. historically derived and selected)
ideas and especially their attached values; culture systems may, on the one hand, be considered as
products of action, on the other as conditioning elements of further action”. (Kroeber & Kluckhohn
1952, 181)
Voorbeeld alleen in de geest:
“I treat culture as ‘the collective programming of the mind which distinguishes the members of one
human group from another.” (Hofstede 1984, 21)
Cultuur en mechanismen/processen
Cultuur is verbonden aan het mechanisme van Cultuur is constant in wording:
- Hegemonie = Mensen worden gevormd naar de - We ‘hebben’, ‘worden deel van’ of ‘maken deel
behoeften van een politiek georganiseerde uit van’ een cultuur.
samenleving tot volgzame, gematigde, vreedzame - Cultuur is niet statisch. We nemen deel aan
agenten van deze politieke orde. culturele processen, voortdurend in verandering
- Gedeelde kennis en waarden - Cultuur = een constant proces van
- Uitsluiting o constructie en reconstructie,
o onderhoud en transformatie,
o stabilisatie en actieve creatie.
4
The benefits of buying summaries with Stuvia:
Guaranteed quality through customer reviews
Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.
Quick and easy check-out
You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.
Focus on what matters
Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!
Frequently asked questions
What do I get when I buy this document?
You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.
Satisfaction guarantee: how does it work?
Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.
Who am I buying these notes from?
Stuvia is a marketplace, so you are not buying this document from us, but from seller Sud3nt123. Stuvia facilitates payment to the seller.
Will I be stuck with a subscription?
No, you only buy these notes for $7.72. You're not tied to anything after your purchase.
Can Stuvia be trusted?
4.6 stars on Google & Trustpilot (+1000 reviews)
72042 documents were sold in the last 30 days
Founded in 2010, the go-to place to buy study notes for 14 years now