Samenvatting muziekmanagement 3de jaar eventmanagement Vives
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Course
Muziekmanagement
Institution
Katholieke Hogeschool VIVES (VIVES)
De vier delen financiering, organisatievormen, uitbetalingsvormen en auteursrechten zijn volledig samengevat.
Het vak wordt gegeven in het derde jaar eventmanagement op Vives hogeschool door meneer Pauly.
5 Deel 4 Auteursrechten ......................................................................................................................... 33
5.1 Geschiedenis van het auteursrecht .................................................................................................... 33
5.1.1 Conventie van Bern (CvB) .............................................................................................................. 33
5.1.2 Conventie van Rome (CvR) ............................................................................................................ 34
5.2 Auteurswetgeving in België ................................................................................................................ 34
5.2.1 Hoofdstuk 2 ................................................................................................................................... 34
5.2.2 Hoofdstuk 3 ................................................................................................................................... 34
5.2.3 Hoofdstuk 4 ................................................................................................................................... 35
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, 5.2.4 Hoofdstuk 5 ................................................................................................................................... 35
5.2.5 Hoofdstuk 7: gebruik van werken voor onderwijs en wetenschappelijk onderzoek ..................... 35
5.2.6 Hoofdstuk 8: .................................................................................................................................. 35
5.2.7 Hoofdstuk 9 Collectief beheer ....................................................................................................... 35
5.3 Hoe auteursrechten beschermen........................................................................................................ 35
5.4 Auteursrechten vs naburige rechten .................................................................................................. 36
5.4.1 Auteursrechten van de auteur en componist................................................................................ 36
5.4.1.1 Vermogensrechten............................................................................................................... 36
5.4.1.2 Morele rechten .................................................................................................................... 37
5.4.2 Naburige rechten van de uitvoerende kunstenaar en producent ................................................. 37
5.4.2.1 Vermogensrechten............................................................................................................... 37
5.4.2.2 Morele rechten .................................................................................................................... 37
5.5 Beheersvennootschappen .................................................................................................................. 38
5.5.1 Sabam (1922) ................................................................................................................................. 38
5.5.2 Playricht (1974) ............................................................................................................................. 39
5.5.3 SIMIM (1995) ................................................................................................................................. 39
5.6 Overdracht van auteursrechten: werken met een platenfirma of publisher ...................................... 40
5.6.1 Artiestencontract of platencontract .............................................................................................. 40
5.6.2 Licentiecontract ............................................................................................................................. 42
5.6.3 Publishingcontract ......................................................................................................................... 43
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