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Theory of Travel Writing - Literary and Commercial
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  • Course
  • Travel Writing
  • Institution
  • Southampton Solent University (SSU)
  • Book
  • Specialist Journalism

The following document consists of the summary and description of both Literary Travel Writing and Commercial Travel Writing premises. These notes are also followed by Harvard-referenced quotes.

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Document information

  • May 4, 2023
  • 5
  • 2022/2023
  • Class notes
  • Graham bond
  • All classes

Subjects

  • travel writing
  • travel journalism
  • travel reporting
  • travel
  • travel journalist
  • travel theory
  • travel writer values
  • travel writer principles

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  • Southampton Solent University (SSU)
  • Unknown
  • Travel Writing
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Literary Travel Writing

Structure

 Rhythmical paragraphs, where these are linear and regard to each individual

experience in a particular moment, being chronologically written in the first-

person, commonly narrated in the form of a dialogue - before the author

introducing the called “bridge paragraph” (Hay 1990), after having reflected

upon the background story of the travel.



o “The key critical theoretical issues around travel writing do not involve its

tired structures or tendency to repeat itself; they focus instead on its

relationship with its subject matter” (Hannigan 2013).



o “A feature is structured as a first-person narrative, with the impressions and

experiences of the writer paramount. One of those impressions or

experiences – a dramatic or particularly colourful one – will be used for the

intro and will often be followed by a ‘flashback’ to introduce the

destination and the background of the journey described” (Hannigan 2013).



o “The feature will end with a neat narrative close – in most cases the

writer’s own departure” (Hannigan 2013).




Style




1

,  Intertextuality: use of references through the work of others to illustrate and

guide the narrative intended.




 Descriptive and Introspective: reflective and analytical of the “self” emotions

instigated by a particular place, culture or encounter, where the author

focusses on its own sensory feelings instigated by the uniqueness of a specific

setting.



o Throughout the feature as much ‘colour’ as possible will be described –

the sights, the sounds, the smells – to convey the exotic image and

atmosphere of the place” Hannigan 2013).



 Historical Research: contextual and succinct description of the cultural

background of the visited place.



o “A brief potted history of the destination will be included in the

narrative, probably tied to a description of the writer’s visit to a

monument or historic site” (Hannigan 2013).



 Othering: travel pieces always include a positive encounter with a foreigner,

where this individual is “representative of his race, nationality or culture, (…)

where the local people who feature in it are simply actors playing the well-

rehearsed role of the Other, decided for them by the writer” (Hannigan 2013).




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