Summary
Samenvatting Mediacultuur
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Dit is een samenvatting van de lessen van professor Aupers in het jaar . Aan de hand van dit document behaalde in zelf een 16/20:)
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MEDIACULTUURSociale wetenschappen
2022 - 2023
,Inhoudsopgave
INLEIDING..........................................................................................................................................6
MEDIA: EFFECTEN VS BETEKENISSEN (VB GAMES EN GEWELD).......................................................................6
LES 1: WAT IS CULTUUR?...................................................................................................................6
DE BREDE SOCIOLOGISCHE BETEKENIS.......................................................................................................6
MEDIACULTUUR / GEMEDIATISEERDE CULTUUR = SPANNING TSS HOOGCULTUUR & VOLKSCULTUUR...........7
WAT IS MEDIACULTUUR?.......................................................................................................................7
MEDIACULTUUR: DE KRITISCHE POSITIE.....................................................................................................7
DE EMPIRISCHE STUDIE VAN MEDIACULTUUR..............................................................................................8
3 DIMENSIES.......................................................................................................................................8
MEDIAPRODUCTIE EN CULTURELE BETEKENIS..............................................................................................8
MEDIATEKST EN CULTURELE BETEKENIS.....................................................................................................8
MEDIAPUBLIEK EN CULTURELE BETEKENIS..................................................................................................8
LES 2: MORELE PANIEK ROND MEDIACULTUUR.................................................................................9
VOORBEELDEN....................................................................................................................................9
MORELE PANIEK OVER COMPUTERGAMES..................................................................................................9
1. BEDREIGING VAN MODERNE MEDIACULTUUR?.......................................................................................11
2. BEDREIGING VAN ‘CIVILISATIE’...........................................................................................................11
3 HISTORISCH-SOCIOLOGISCHE VERKLARINGEN..........................................................................................11
BEDREIGING VAN MODERNE CIVILISATIE?.................................................................................................12
3. BEDREIGING ELITAIRE CULTUUR EN KUNST............................................................................................12
CONCLUSIE & DISCUSSIE......................................................................................................................12
LES 3: CULTUURINDUSTRIE..............................................................................................................12
CULTUURINDUSTRIE IN MEERVOUD.........................................................................................................13
MACHT VAN DE CULTUURINDUSTRIE EN KRITISCHE INTERPRETATIE: HORKHEIMER EN ADORNO.............................13
INVLOED MAX WEBER: STANDAARDISERING VAN CULTUUR.........................................................................13
INVLOED KARL MARX: COMMODIFICATIE VAN CULTUUR..............................................................................14
KOLONISERING VAN DE LEEFWERELD EN PSEUDO-INDIVIDUALISME.................................................................15
KRITIEKEN!.......................................................................................................................................15
PUBLIEKSONDERZOEK VS DE CULTUURINDUSTRIE.............................................................................................15
ONLINE IDENTITEIT IN GAMES...............................................................................................................15
LES 4: IDEOLOGIE EN HEGEMONIE...................................................................................................15
1
,WAT IS EEN IDEOLOGIE?......................................................................................................................15
IDEOLOGIE, HEGEMONIE EN MEDIACULTUUR.............................................................................................16
IDEOLOGIE EN HEGEMONIE...................................................................................................................16
CASUS 1: HEGEMONIE VAN MASCULINITEIT.....................................................................................................17
CASUS 2: HEGEMONIE VAN (NEO)LIBERALISME................................................................................................17
HEGEMONIE VAN HET NEO-LIBERALISME?................................................................................................17
NEO-LIB IDEOL IN MEDIACULTUUR..........................................................................................................17
‘THE APPRENTICE’ (2004)..........................................................................................................................17
SURVIVOR (REALITY SHOW).........................................................................................................................18
WORLD OF WARCRAFT...............................................................................................................................18
NEO-LIB (MAAKBARE) LICHAAM............................................................................................................18
AFVALPROGRAMMA’S ALS ‘THE BIGGEST LOSER’ (PROGRESSIEF).........................................................................18
IS DIT ‘NATUURLIJK’? (VB PLASTISCHE CHIRURGIE)............................................................................................19
IDEOLOGIE EN HEGEMONIE...................................................................................................................19
LES 5: SMAAK EN ONGELIJKHEID.....................................................................................................19
ONGELIJKHEID EN MEDIACULTUUR.........................................................................................................19
SMAAK: EEN INDIV EIGENSCHAP?...........................................................................................................19
SOCIOLOGIE VAN SMAAK.....................................................................................................................20
SPANNING HOOG- EN LAAGCULTUUR......................................................................................................20
HISTORISCH-SOCIOLOGISCH PERSPECTIEF........................................................................................................20
SOCIALE KLASSE EN SMAAK...................................................................................................................20
HOE VERWERFT MEN ‘CULTUREEL KAPITAAL’?...........................................................................................21
HOE MANIFESTEERT ‘CULTUREEL KAPITAAL’ ZICH CONCREET?........................................................................21
CULTUREEL KAPITAAL:.........................................................................................................................22
DISTINCTIE: SYMBOLISCH GEWELD?...............................................................................................................22
BOURDIEU ACHTERHAALD?...................................................................................................................22
ARGUMENT 1...........................................................................................................................................22
ARGUMENT 2...........................................................................................................................................22
LES 6: CULTURE BRANDING EN RECLAME........................................................................................22
SEMIOTIEK: RECLAME ALS BETEKENISVOLLE TAAL.......................................................................................23
NATIONALE MYTHOLOGIE.....................................................................................................................23
DOUGLAS HOLT (2006)......................................................................................................................23
COUNTERCULTURE BRANDING...............................................................................................................24
VOORBIJ MASSAPRODUCTIE.........................................................................................................................24
AMBACHTELIJKE/ARTISANALE PRODUCTIE................................................................................................24
NATUURLIJKHEID/DUURZAAMHEID.........................................................................................................24
HISTORISCHE EN LOKALE WORTELING......................................................................................................25
HISTORISCHE WORTELING.....................................................................................................................25
LOKALE WORTELING............................................................................................................................25
TEGENCULTUUR EN RECLAME................................................................................................................25
2
, SUBCULTURAL BRANDING.....................................................................................................................25
LES 7: FANTASY EN SCIENCE-FICTION...............................................................................................25
GENRES: FANTASY, SCIENCE FICTION, PARANOIA THRILLERS..........................................................................25
MODERNITEIT EN ROMANTISCH ONBEHAGEN............................................................................................26
WORTELS: 18E/19E EEUW..........................................................................................................................26
DE ROMANTISCHE ERFENIS....................................................................................................................27
AUPERS (2006): EEN SOCIOLOGISCHE ANALYSE VAN DE AANTREKKINGSKRACHT VAN FANTASY IN ONLINE GAMES.....27
MODERNE ONVREDE EN ROMANTIEK......................................................................................................27
3 SOCIOLOGISCHE VERKLARINGEN VOOR FANTASY............................................................................................27
EEN (VIRTUELE) ‘HERTOVERING VAN DE WERELD’?.....................................................................................27
MODERNE ONVREDE EN SCIENCE FICTION.................................................................................................27
TUSSEN SCIENCE FICTION EN SCIENCE FACTION..........................................................................................27
SURVEILLANCE SAMENLEVING................................................................................................................28
INTERNET EN “SURVEILLANCE CAPITALISM”..............................................................................................28
SOSHANNA ZUBOFF (2018)........................................................................................................................28
TUSSEN SCIENCE FICTION EN SCIENCE FACTION..........................................................................................28
HUMANISME VS POSTHUMANISME........................................................................................................28
HET EINDE VAN DE MENS?..........................................................................................................................28
TRANSHUMANISME............................................................................................................................29
ZIJN WIJ AL CYBORGS?................................................................................................................................29
CONCLUSIE EN DISCUSSIE......................................................................................................................29
LES 8: PARANOIA THRILLER..............................................................................................................29
COMPLOTDENKEN OVER MEDIACULTUUR.................................................................................................29
EEN VERBOND VAN DE ILLUMINATI???..........................................................................................................29
COMPLOTTHEORIEËN OVER CORONAVIRUS VIA MEDIA................................................................................29
CD IN MEDIATEKST.............................................................................................................................30
EEN GROEIEND GENRE?..............................................................................................................................30
COMPLOTDENKEN (CD) ALS CULTUURVERSCHIJNSEL...................................................................................30
CD: POPULARISERING EN NORMALISERING...............................................................................................30
POPULARISERING EN NORMALISERING VAN CD IN NDL...............................................................................31
DE TRANSFORMATIE VAN CD IN HET W..................................................................................................31
1. ONBETROUWBARE KENNIS................................................................................................................32
“THE TRUTH IS OUT THERE”!.......................................................................................................................32
2. SOCIALE SYSTEMEN ZIJN ONDOORGRONDELIJK.......................................................................................32
“NOTHING IS WHAT IT SEEMS”.....................................................................................................................33
3. DE ONTTOVERING VAN DE WERELD?...................................................................................................33
“I WANT TO BELIEVE”!...............................................................................................................................33
LES 9: MEDIATEKST EN POSTMODERNISERING................................................................................33
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