De volledige lesnotities van 19e-eeuwse kunst: capita selecta door prof. Marjan Sterckx. Er zit een uitgebreide inhoudstafel in, alle notities zijn nagekeken en ordelijk gezet. Succes!
19e-eeuwse kunst - capita
selecta
Inhoudstafel
0. Inleiding............................................................................................................. 5
I. Kunstpraktijk & kunstwereld............................................................................... 6
1. Vorming en creatie (productie).......................................................................6
Opleiding......................................................................................................... 6
Klassieke opleiding aan officiële instituut van Academie.............................6
Parijs......................................................................................................... 7
Londen...................................................................................................... 7
België........................................................................................................ 7
Onderricht................................................................................................. 8
Competitie binnen die academie..................................................................9
Alternatieven voor academies......................................................................9
Voor m/v met talent?..................................................................................10
Methoden...................................................................................................... 11
Beaux-arts.................................................................................................. 11
Naar prenten........................................................................................... 11
Naar oude meesters................................................................................ 11
Naar de antieken..................................................................................... 11
Naar het leven......................................................................................... 12
Alternatieven.............................................................................................. 15
Roulliet.................................................................................................... 15
Uit herinnering........................................................................................ 15
Atelier(praktijken).......................................................................................... 15
A room of one’s own...................................................................................16
A house of one’s own.................................................................................16
Op café....................................................................................................... 17
Naar buiten............................................................................................. 18
2. Presentatie en circulatie (distributie)............................................................20
Salons............................................................................................................ 20
Belang........................................................................................................ 20
Organisatie................................................................................................. 20
Toelating.................................................................................................... 21
, Fantasmagorie............................................................................................... 52
Panorama...................................................................................................... 53
Diorama......................................................................................................... 54
Fotografie...................................................................................................... 55
3. Fotografie en kunst....................................................................................... 57
Vroege vrienden............................................................................................ 57
Fotografie als kunst?..................................................................................... 58
Picturalisme/pictorialisme..........................................................................59
Creatie........................................................................................................... 60
Als tussenstap............................................................................................ 60
Als model of inspiratiebron.........................................................................60
Beïnvloeding & herpositionering................................................................61
Distributie...................................................................................................... 62
Middel voor kunstreproductie, documentatie, presentatie, distributie en
promotie..................................................................................................... 62
Oneindige vermenigvuldiging.....................................................................63
Receptie........................................................................................................ 65
Foto van kunstwerk.................................................................................... 65
Foto van kunstenaar...................................................................................65
College 6: gastcollege.......................................................................................... 66
Het pittoreske in de negentiende-eeuwse schilderkunst & visuele cultuur – dr.
Stefan Huygebaert............................................................................................ 66
“strangers than dreams”:................................................................................. 68
College 7.............................................................................................................. 69
III. Fragment en monument................................................................................. 70
1. Beeldhouwpraktijk........................................................................................ 70
Waardering.................................................................................................... 70
Atelierpraktijken............................................................................................ 71
Assistentie..................................................................................................... 71
Stadia............................................................................................................ 72
Technieken.................................................................................................... 73
Modelage.................................................................................................... 73
Moulage...................................................................................................... 73
Kapwerk..................................................................................................... 74
Bronsgeut................................................................................................... 74
Kleur.............................................................................................................. 75
Patina......................................................................................................... 75
, Beschildering.............................................................................................. 75
Materiaalpolychromie.................................................................................75
Moulage sur nature........................................................................................ 76
2. Monument.................................................................................................... 78
(on)zichtbaarheid.......................................................................................... 78
De sokkel....................................................................................................... 78
Locus van herdenking.................................................................................... 78
Gemeenschap............................................................................................ 79
Nationaal pantheon.................................................................................... 80
Totstandkoming............................................................................................. 81
Opdrachten................................................................................................ 81
Methoden van financiering.........................................................................82
Samenwerking............................................................................................ 83
Inauguratie................................................................................................. 84
Typologie & topologie.................................................................................... 84
De val van de held......................................................................................... 86
3. Rodin............................................................................................................ 86
Artistieke praktijk.......................................................................................... 86
Opleiding.................................................................................................... 86
Kunstnijverheid.......................................................................................... 87
België......................................................................................................... 87
Atelier......................................................................................................... 88
Fotografie................................................................................................... 89
Artistiek oeuvre............................................................................................. 90
Betekenis.................................................................................................... 90
Monument.................................................................................................. 90
Toeval......................................................................................................... 91
Fragment.................................................................................................... 91
Herneming.................................................................................................. 92
The benefits of buying summaries with Stuvia:
Guaranteed quality through customer reviews
Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.
Quick and easy check-out
You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.
Focus on what matters
Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!
Frequently asked questions
What do I get when I buy this document?
You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.
Satisfaction guarantee: how does it work?
Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.
Who am I buying these notes from?
Stuvia is a marketplace, so you are not buying this document from us, but from seller merelvanquaille. Stuvia facilitates payment to the seller.
Will I be stuck with a subscription?
No, you only buy these notes for $5.96. You're not tied to anything after your purchase.
