De volledige lesnotities van 19e-eeuwse kunst: capita selecta door prof. Marjan Sterckx. Er zit een uitgebreide inhoudstafel in, alle notities zijn nagekeken en ordelijk gezet. Succes!
19e-eeuwse kunst - capita
selecta
Inhoudstafel
0. Inleiding............................................................................................................. 5
I. Kunstpraktijk & kunstwereld............................................................................... 6
1. Vorming en creatie (productie).......................................................................6
Opleiding......................................................................................................... 6
Klassieke opleiding aan officiële instituut van Academie.............................6
Parijs......................................................................................................... 7
Londen...................................................................................................... 7
België........................................................................................................ 7
Onderricht................................................................................................. 8
Competitie binnen die academie..................................................................9
Alternatieven voor academies......................................................................9
Voor m/v met talent?..................................................................................10
Methoden...................................................................................................... 11
Beaux-arts.................................................................................................. 11
Naar prenten........................................................................................... 11
Naar oude meesters................................................................................ 11
Naar de antieken..................................................................................... 11
Naar het leven......................................................................................... 12
Alternatieven.............................................................................................. 15
Roulliet.................................................................................................... 15
Uit herinnering........................................................................................ 15
Atelier(praktijken).......................................................................................... 15
A room of one’s own...................................................................................16
A house of one’s own.................................................................................16
Op café....................................................................................................... 17
Naar buiten............................................................................................. 18
2. Presentatie en circulatie (distributie)............................................................20
Salons............................................................................................................ 20
Belang........................................................................................................ 20
Organisatie................................................................................................. 20
Toelating.................................................................................................... 21
, Fantasmagorie............................................................................................... 52
Panorama...................................................................................................... 53
Diorama......................................................................................................... 54
Fotografie...................................................................................................... 55
3. Fotografie en kunst....................................................................................... 57
Vroege vrienden............................................................................................ 57
Fotografie als kunst?..................................................................................... 58
Picturalisme/pictorialisme..........................................................................59
Creatie........................................................................................................... 60
Als tussenstap............................................................................................ 60
Als model of inspiratiebron.........................................................................60
Beïnvloeding & herpositionering................................................................61
Distributie...................................................................................................... 62
Middel voor kunstreproductie, documentatie, presentatie, distributie en
promotie..................................................................................................... 62
Oneindige vermenigvuldiging.....................................................................63
Receptie........................................................................................................ 65
Foto van kunstwerk.................................................................................... 65
Foto van kunstenaar...................................................................................65
College 6: gastcollege.......................................................................................... 66
Het pittoreske in de negentiende-eeuwse schilderkunst & visuele cultuur – dr.
Stefan Huygebaert............................................................................................ 66
“strangers than dreams”:................................................................................. 68
College 7.............................................................................................................. 69
III. Fragment en monument................................................................................. 70
1. Beeldhouwpraktijk........................................................................................ 70
Waardering.................................................................................................... 70
Atelierpraktijken............................................................................................ 71
Assistentie..................................................................................................... 71
Stadia............................................................................................................ 72
Technieken.................................................................................................... 73
Modelage.................................................................................................... 73
Moulage...................................................................................................... 73
Kapwerk..................................................................................................... 74
Bronsgeut................................................................................................... 74
Kleur.............................................................................................................. 75
Patina......................................................................................................... 75
, Beschildering.............................................................................................. 75
Materiaalpolychromie.................................................................................75
Moulage sur nature........................................................................................ 76
2. Monument.................................................................................................... 78
(on)zichtbaarheid.......................................................................................... 78
De sokkel....................................................................................................... 78
Locus van herdenking.................................................................................... 78
Gemeenschap............................................................................................ 79
Nationaal pantheon.................................................................................... 80
Totstandkoming............................................................................................. 81
Opdrachten................................................................................................ 81
Methoden van financiering.........................................................................82
Samenwerking............................................................................................ 83
Inauguratie................................................................................................. 84
Typologie & topologie.................................................................................... 84
De val van de held......................................................................................... 86
3. Rodin............................................................................................................ 86
Artistieke praktijk.......................................................................................... 86
Opleiding.................................................................................................... 86
Kunstnijverheid.......................................................................................... 87
België......................................................................................................... 87
Atelier......................................................................................................... 88
Fotografie................................................................................................... 89
Artistiek oeuvre............................................................................................. 90
Betekenis.................................................................................................... 90
Monument.................................................................................................. 90
Toeval......................................................................................................... 91
Fragment.................................................................................................... 91
Herneming.................................................................................................. 92
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