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LICA102 Complete Lecture Notes

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All my lecture notes from the LICA102 module at Lancaster University. The module covers British cinema, from Simon and Laura (1955) to Blinded by the Light (2019). The document includes all the notes I made during the lectures and seminars of this module. I got a first in my first year using th...

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  • July 20, 2023
  • 15
  • 2022/2023
  • Class notes
  • Nathan jones
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LICA102 Notes
Contents
LICA102 Notes..........................................................................................................................1

Muriel Box and the Women’s Picture........................................................................................3

Muriel Box.............................................................................................................................4

Key features in her films........................................................................................................4

The Woman’s Picture.............................................................................................................4

Cinemagoing in 1930s Britain....................................................................................................4

History of British cinemas......................................................................................................5

Why we look at cinemagoing.................................................................................................5

Annette Kuhn: 3 types of approaches to film studies.........................................................5

Laura Mulvey: Visual Pleasure and Narrative Cinema......................................................5

Pygmalion...............................................................................................................................5

British Romantic Comedies........................................................................................................6

History....................................................................................................................................6

Key Figures:.......................................................................................................................6

Working Title Films...........................................................................................................6

Romcom Tropes.....................................................................................................................6

Misc....................................................................................................................................6

Setting.................................................................................................................................6

Characterisation..................................................................................................................6

Narrative.............................................................................................................................7

Stylistic traits......................................................................................................................7

, 2



Ideology..................................................................................................................................7

Most common criticisms....................................................................................................7

Notting Hill (1999).................................................................................................................8

Victim: Sexuality and Social Class............................................................................................8

Basil Dearden and Michael Relph: A Filmmaking Duo........................................................8

Phase One: 1940s and 50s..................................................................................................8

Phase Two: 1950s and early 60s........................................................................................8

Phase Three........................................................................................................................8

Social Problem Films.................................................................................................................8

Examples of their social problem films..................................................................................9

The Blue Lamp (1950).......................................................................................................9

I Believe in You (1952).......................................................................................................9

Violent Playground (1958).................................................................................................9

Sapphire (1959)..................................................................................................................9

Victim (1961) — the last of their social problem films.....................................................9

James Bond Franchise..............................................................................................................10

The Origins of James Bond..................................................................................................10

How do you keep a franchise alive?.....................................................................................10

Villains.................................................................................................................................10

Legacy..................................................................................................................................11

British Crime Cinema: Brit Noir..............................................................................................11

Classical Hollywood Gangster Films formula:....................................................................11

American Film Noir.............................................................................................................11

Examples of British Crime Films.........................................................................................11

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