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Class notes

LICA150 Complete Lecture Notes
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  • Course
  • Film (LICA150)
  • Institution
  • Lancaster University (LU)

A compilation of all the notes I made during the LICA150 module at Lancaster University. It covers the basic of film production, as well as lectures on cinema history from all across the globe. I got an A on my open book exam with only these notes. The document includes all the notes I made in l...

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Document information

  • July 20, 2023
  • 27
  • 2022/2023
  • Class notes
  • Jonathan munby
  • All classes

Subjects

  • film
  • film studies
  • cinema
  • lica150
  • lancaster university

Written for

  • Lancaster University (LU)
  • Unknown
  • Film (LICA150)
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1




LICA150 Notes
Contents
LICA150 Notes..........................................................................................................................1

Cinematography.........................................................................................................................5

Types of shot......................................................................................................................6

Other things to take into consideration...............................................................................7

Lens types...........................................................................................................................7

Jaws (1975)................................................................................................................................7

Camera Angles...................................................................................................................7

Composition.......................................................................................................................8

Camera movement and shot types......................................................................................8

Space and frame.................................................................................................................8

Colour and camera angle....................................................................................................8

Editing........................................................................................................................................8

Questions to ask when editing:...........................................................................................9

Mise-en-scene.............................................................................................................................9

3 point lighting system.......................................................................................................9

Sound..........................................................................................................................................9

Definitions............................................................................................................................10

History..................................................................................................................................10

Technical Stuff.....................................................................................................................10

Realism vs dramatic clarity and continuity......................................................................10

Hierarchy of sonic importance.........................................................................................10

, 2



Dimensions of film sound................................................................................................10

Spatial aspects..................................................................................................................10

Function of film sound + music.......................................................................................11

Types of sound.................................................................................................................11

Performance..............................................................................................................................11

Definitions............................................................................................................................11

The difference between stage & screen performances:........................................................11

On stage:...........................................................................................................................11

In film:..............................................................................................................................11

The move to method acting..................................................................................................12

Method acting techniques.....................................................................................................12

Emotional Memory:.........................................................................................................12

The Magic If:....................................................................................................................12

Classical Hollywood.................................................................................................................12

Definitions............................................................................................................................12

Classical Hollywood history................................................................................................12

Problems with early narratives:........................................................................................13

Fixes:................................................................................................................................13

Advantages of continuity scripts:.....................................................................................13

Problems that classical filmmakers faced:.......................................................................13

Ten traits of a Classical Hollywood film:........................................................................13

Postclassical Films...................................................................................................................14

History of postclassical film.................................................................................................14

Economic factors behind postclassical cinema....................................................................14

, 3



Traits of a postclassical narrative.........................................................................................14

Other ways of looking at postclassical films........................................................................15

Genre........................................................................................................................................15

Why is genre useful?............................................................................................................15

The Western.........................................................................................................................15

Genre films + capitalism......................................................................................................16

Theories............................................................................................................................16

How do you make genre films different?.............................................................................16

Developing a genre...............................................................................................................16

Phases in generic development:.......................................................................................16

All genres share some of the same traits:.........................................................................17

Essay Writing...........................................................................................................................17

Step One: Formulate Your Thesis........................................................................................17

Step Two: Evidence..............................................................................................................17

Step Three: Plan...................................................................................................................17

Step Four: Check Your Formatting......................................................................................17

French New Wave....................................................................................................................18

History of French Cinema....................................................................................................18

1895-1920: The Rise and Fall of French Silent Cinema..................................................18

1920-1930: Competing With the Americans....................................................................18

1930-1945: Poetic Realism..............................................................................................18

1945-1958: ‘Cinema of Quality’......................................................................................18

French New Wave................................................................................................................18

Historical Conditions........................................................................................................18

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