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English Lit - Poems of the De

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how the villanelle form informs meaning in terms of form and structure -rhymes and repetitions not exact, reflecting that genetics do not produce an exact carbon copy of the previous generation -personal and autobiographical in perspective, with references to her parents' divorce and physical sep...

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  • April 8, 2024
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English Lit - Poems of the Decade
- 'Genetics'STUDY NOTES

how the villanelle form informs meaning in terms of form and
structure
-rhymes and repetitions not exact, reflecting that genetics do not
produce an exact carbon copy of the previous generation
-personal and autobiographical in perspective, with references to her
parents' divorce and physical separation
-remain together spiritually through her existence, she is a result
of them
-poem repeats two key lines and when they come together, they explain
the miracle of genetics
-lines repeated to symbolize the sequential and generational nature
of genetics within families and relevance within own life
-rhyme, cross-stanza rhyme - genetics are continual
-intricate process of writing in this form shows the complexity of
genetics with last line repeated in anaphora offering closure and
direction
How is imagery used?
-key imagery in reference to 'hands', suggestive of completion and
unity. she's spiritually contempt in the knowledge she's inherited
her 'father's fingers' and 'mother's palms'
-also depicts divergence between physical and spiritual elements.
they may be physically separate - 'repelled to separate lands' - but
still spiritually connected in the 'hands', where 'fingers link to
palms', which are like maps of inheritance - a vastness that's
contained within us
-also 'shaped' around childhood rhyme: 'shape a chapel where a
steeple stands'. image shapes entire poem, with people and
relationships being embodied and symbolized by 'hands' (something
small with a big concept)
-imagery of genetics in 'bequeath': committing to having children to
continue cycle
evidence that it's a positive poem
-optimistic and hopeful - although her parents are now physically
separated, their togetherness in spirit still lives on
-she exists as a result of their marriage, (unification through the
'hands'). 'hands' also where the ring goes, emphasizing idea
-happiness and clarity, switching from a meditation about the past to

, the present, where as a grown woman, she can find more evidence of
the hope she's now fulfilled in marrying and planning to have
children (foreshadowing the future, continuation of genetics)
-genetics therefore hold personal relevance within her outlook on the
importance of life and also giving of life
general notes about poem
-a wistful recollection of the poet as a celebration of the coming
together of her parents
-key line repeated, giving anaphoric/cyclical structure: 'I know my
parents made me by my hands'
-parents no longer together - 'repelled to separate lands' - but as a
daughter, she can still celebrate their marriage by her existence
key points from audio
-'I shape a chapel where a steeple stands' - symbol of her parents'
marriage and its importance to her
from a child's rhyme. folding fingers and joining knuckles, with
fingers interlaced: "this is the church, this is the steeple, open
the doors, and there are the people" (we're all a result of
something). when doors open, turn hands upside down to make fingers
look like people in a church. childhood game at back of image, also
shapes poem, with people and relationships being embodied and
symbolized by hands
-inspiration - in a library studying, looked down at hands. noticed
she had her 'father's fingers' - long and thin - and 'mother's palms'
- square. first line already there, when coupled with other main line
poem shaped itself and came together like hands and more deeply,
genetics
-theme of separation: divorced parents, mother went to New Zealand
(personal resonance in 'separate hemispheres'), more permanent
-references to parents' separation are therefore autobiographical
-talks about 'bequeathing' of genetics to next generation, in
deciding to have children. last stanza embodies this with a positive,
present-day outlook
techniques mentioned in audio
-sibilance in 'steeple stands' = strong, more rhythm. lasting memory
to her. their marriage important
-last line repeated in anaphora: 'we know out parents make us by our
hands' = closure and clarity, more definite with a sense of direction
-cross-stanza rhyme in 'hands... lands' = maintains flow of poem
(like genetics)
-complex structure known as villanelle form
Villanelle Form
poetic form that's structured around the repetition of two lines all
the way through poem

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