Summary Hedda Gabler Character Summaries (Theatre Studies AQA A-Level)
22 views 0 purchase
Course
Hedda Gabler (7262)
Institution
AQA
Book
Hedda Gabler
Written for AQA Theatre Studies A-Level, but can be used for other exams too.
Complete grids on each character, their function in the play, character traits and the scenes they are in. Also includes a grid on each character's relationship with one another.
Written by a straight A* student. Well o...
Hedda Gabler - Character Descriptions and Relationships
HEDDA GABLER
Function in the play Character traits Sections in script
• Hedda is the daughter of the famous General Gabler; as a child she was used to • Power hungry p10 - 11 Act I: Introduction, Hedda with Tesman and Juju
luxury and high-class living • Determined p15 - 17 Act I: Hedda with Thea (insulting)
• Hedda is an intelligent, unpredictable, and somewhat dishonest young woman • Manipulative p25 - 26 Act I: Hedda with Thea (manipulative)
who is not afraid to manipulate her husband and friends • Intelligent p32 - 34 Act I: Hedda and Tesman (insulting)
• She is a mass of contradictions: irtatious and frigid; romantic and calculating; in • Unpredictable p35 - 37 Act II: Hedda and Brack ( irtatious)
love with danger yet fearing its consequences. • Bored p40 - 42 Act II: Hedda and Brack with Tesman’s Entry
• Not quite daring to break out of the constraints put upon her by her upbringing • Immature p59 - 61 Act II: Hedda with Loevborg and Thea
and social status, she contents herself with meddling in other peoples’ lives, • Destructive p63 - 64 Act II: Hedda with Thea (bullying)
fancying herself as the puppet-master for whom others will perform • Aristocratic p73 - 74 Act III: Hedda and Brack ( irtatious)
• As an actor it is hard to know how far an audience should feel sympathy with • Jealous p83 - 85 Act III: Hedda with Loevborg and the Manuscript
Hedda. She has been described as a ‘monster’, and it is hard to like the person • Irritated p89 - 91 Act IV: Hedda and Tesman (manipulative)
who is so bitchy about Thea Elvsted and who burns Thea and Eilert’s ‘love-child’ • Trapped p97 - 99 Act IV: Hedda and Brack (submissive)
- the manuscript • Ruthless p102 - 104 Act IV: Death
• Hedda is unable to listen. This is because she is so self obsessed, only seeing • Apathetic
the world as it a ects her and she can a ect it. • Insulting
GEORGE TESMAN
Function in the play Character traits Sections in script
• He tries very hard to please his young wife, Hedda, and often does not realise • Amiable p8 - 9 Act I: Tesman and Juju
that she is manipulating him • Foolish p14 - 16 Act I: Tesman and Hedda
• He often seems foolish for his age, and when he annoys Hedda, the audience • Naive p32 - 34 Act I: Tesman and Hedda with Brack
has reason to sympathise with her • Driven p52 - 53 Act II: Tesman with Hedda and Loevborg (ignorant)
• His book, which is on small domestic trivia in history, is indicative of the • Sentimental p89 - 91 Act IV: Tesman and Hedda (naive)
smallness and triviality of his mind • Conventional p102 - 104 Act IV: Tesman with Thea, Brack and Hedda
• Sheltered all his life by the over-coddling adoration of his Aunts, George has • Ridiculous
never had to get to grip with real life • Compassionate
• It is clear that his mind is not sparky, like Eilert’s; he is a note-taker and sifter • Careful
of other peoples’ work and not particularly bright • Mundane
• George is jolted out of his tramlines by his profound shock at Hedda’s • Mothered
burning of his rival’s manuscript - the only time we see him thinking and • Enthusiastic
feeling for someone else • Intelligent
Page 1 of 8 A Level Theatre Studies
ff fl flfl ff
, Hedda Gabler
JUDGE BRACK
Function in the play Character traits Sections in script
• He is a friend of both Tesman and Hedda, and he visits their house regularly • Generous p28 - 29 Act I: Brack with Tesman
• He is a clever man with high social rank, in a period when a man can dally with women, • Manipulative p35 - 37 Act II: Brack with Hedda ( irtatious)
so long as he is discreet, although the same rules are less applicable to women • Denigrates others p73 - 74 Act III: Brack with Hedda ( irtatious)
• He sees ahead of him many more years without any responsibility to any other than • Power p97 - 99 Act IV: Brack with Hedda (power)
himself and is an extremely sel sh perso • Insecure p101 - 102 Act IV Brack with Hedda (power)
• A married woman is far more desirable to a man like Brack: providing they are both • Intelligence p102 - 104 Act IV: Brack with Hedda and Death
careful, there is much mutual pleasure to be had and no threat of being tied down • Flirtatious
• Experience of women has given him enough perception to know what pleases a woman: • Innuendo
discreet attery, companionship, a willing ear [up to a point] and intelligent and witty • Suave/charming
conversation, but he still lacks that extra degree of perception that can only come when • Sportive
one truly cares for someone other than oneself • Teasing
• He has connections around the city, and is often the rst to give Tesman information • Worldly
about alterations in the possibility of his professorship
• He seems to enjoy meddling in other people's a airs
EILERT LOEVBORG
Function in the play Character traits Sections in script
• A genius, is Tesman’s biggest competitor in the academic world • Intelligent p47 - 49 Act II: Loevborg with Tesman and Brack
• Born to a powerful family with high social standing, we know little about his • Outcast p52 - 53 Act II: Loevborg with Hedda
upbringing - his background may have given him the opportunity to be a • Weak-minded p57 - 59 Act II: Loevborg with Thea and Hedda
wild young man and perhaps he has rebelled against too strict a family, or • Ill-adapted p80 - 81 Act III: Loevborg with Thea and Hedda (manipulated)
perhaps they were the opposite and did not care enough • Confesser
• After a series of scandals related to drinking, he was once a public outcast • Guilty
but has now returned to the city and has published a book to rave reviews • Con icted
• He also has another manuscript that is even more promising • Temperamental
• Mrs Elvsted helped him with both manuscripts • Dependant
• He once shared a close relationship with Hedda • Lustful
Page 2 of 8 A Level Theatre Studies
fl
fl fi flfl ff fi
The benefits of buying summaries with Stuvia:
Guaranteed quality through customer reviews
Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.
Quick and easy check-out
You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.
Focus on what matters
Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!
Frequently asked questions
What do I get when I buy this document?
You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.
Satisfaction guarantee: how does it work?
Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.
Who am I buying these notes from?
Stuvia is a marketplace, so you are not buying this document from us, but from seller izzyjohns1. Stuvia facilitates payment to the seller.
Will I be stuck with a subscription?
No, you only buy these notes for $10.36. You're not tied to anything after your purchase.
