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Summary CCEA GCE A2 Music Sacred vocal $13.60
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Summary CCEA GCE A2 Music Sacred vocal
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  • Course
  • A2 3 Responding to music
  • Institution
  • CCEA

The document includes summarised notes on the area of Sacred Vocal Music (Mass/Requiem Mass), in the A2 3 unit: Responding to Music. The content of the notes is drawn from Factfile, the Eguide provided by CCEA, and some additional sources. The majority of the notes of the setworks are set out in ...

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Document information

  • July 16, 2024
  • 29
  • 2023/2024
  • Summary

Subjects

  • ccea
  • gce
  • music
  • notes

Written for

  • A/AS Level
  • CCEA
  • Music
  • A2 3 Responding to music
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Sacred Vocal
Mass for b- voices , Agnus Dei
Byrd :
Kyrie and

Mozart :
Requiem Mass , Introit and Kyrie ( orchestral score )
Faure : Requiem Mass , Libebra Me ( orchestral score )

Chilcott : A little Jazz Mass , Kyrie and Agnus Dei (mixed voice version)

,Byrd : Mass for b- voices , Kyrie
Agnus Dei
-

between 1594 1595 Renaissance
-
-




-
intended for Catholic lith orgy
-
modes with added music a fi Cta ( accidentals)
E.g Aeolian mode
transposed to C
-



Time signatures ,
strict bar lines
Dynamics b. I -2
use of head motif technique Kyrie
Agnus Dei b. I -2
-




linksbeginningof each section
of the mass to provide unity
-
Word setting is sensitive
of the text
rhythm
mainly syllabic with me / ismas

-


exploits timbre
of the voices at his disposal
combinations
IS ATT B) in ever-changing

,Kyrie
C. minor

second last syllable ofelesion
"
"
Head motif lei
→
rising scallicmelisma
-



-

stepwise movement
around central note (G) -


soprano b. 3-4
-


imitation -


Soprano -

bass b. 6- 8
-

Tenor 114 -

Tenor 16-7-81
Tenor 2141
↓
-




-

At -10141
Bass (C)
Homophonically
-

-




-



Dominant / Tonic _



perfect cadence
Tenor 1- + Bass
in [ 4-3 suspension
entries altered Major +
* consonances
prepared as
Tiercedepicarde previous beat
on


( 0:40 ) Harmonic feature of
Renaissance
Christie elesioh Imitation
-
new motif
-

loweranxilary →
-


descending scale
-

harmonised in 3rd
'
_



soprano b. 9
Tenor 1 b. 11
-




Tenor 2 -

Bass / Transposed to F) b. 13
-
additional support
Alto
4-3 suspension of b. 12
descending sequence
-




perfect cadence _ -

reaches [ minor ( 2nd inversion
in F
Tierce de Picardie

, " " "
Final Kyrie Transposed -10C minor
-


falling scallicmotif -
natural appears more minor
→ than
-



dotted rhythm b- 22-1 b. ↳ modal

Introduced by →
-
Tenor 2- internal pedal G
-
Bass -


Double suspension 4-3
-

Sopranos , 2 beat intervals
-


Tenor 't by Alto -1 Tenor 1
-
Alto ↓
-


Bass return in Augmentation Imperfect Cadence
in Cminor
-

Tenor 2- ( internal pedal -


parallelisms
-


loweravxilarynote

,2021

,Agnus Dei
-

3 parts → 4 → Full choir
" "
Miserere nobis repeated
-




-
return otcyclicheadmotit

First Agnus Dei Consists otatrio
-




Miserenobis ( 0:41
-

reuses head motif -


descending
-

voices enter fugally scailicidea
treated fugally
fourth note
-




different entries
-




Minot 3rd rather than semitone cadence Soprano
-
-

Bbb .io
É%
"
"
qnitollispeccatamnndi -

Tenor 1- Ebb.it
Alto Bbb
ascending sequence
-


-
-
.
"

-

false relation lA4tAb) ↓
triad impression of
-

augmented interrupted cadence
↓ incminor
Perfect cadence in Gminor Second Miserere
-3-4suspension
-

lower auxiliary note
perfect cadence
in Eb major b. 18

, Miserere ✗ 3
second
,A9hUSDei( 0:52) 1 .

_
parallel 3rd
' / 1:09 )
Quartet for _


soprano -11-11-10
soprauoialtoienor 2. Bass 2 .

immediately takenupby
→
-



begins b
soprano -1 bass b. 26
Homophonically in [ 3. _


rising -1 falling
- modulates -10 Bb scallicmotit
+ -
Close imitation
contrapuntal ttltoonc
→ emerge
Bassonc
once Homophonically
-




# Soprano
-




Tenor one ↓ -




Agnus Dei All b- voices
( )
-




1:40
perfect cadence
striking chordal texture
Tierce de Picardie
-




Strong Harmonic progressions int
-




-




Plagal cadence b. 34
-

Tonic / Dominant/ Tonicinfbmajor b. 35
Dona nobis Pacem
-

Imperfect ( Phrygian ) cadence b. 36.37
motif
incminor rising
-




-

Chief melodic motif
-
dotted rhythm
→
-


imitatively
through all voices
by step towards sustained Bb
"
rises Dei -




then descends again -




long melisma
Tenor 2h34 Dona nobis motif
-




connote Kollur
Pickvponquaverfigure
Basses b. 39-1 Alto b. 31 at 2- beat intervals
-

repeated in forms Ptérfectcadenceincminor
( minor ↓ tierce de Picardo
-

Perfect cadence in # major motif begins one → perfect Cadence

,2018

,2022

,Mozart :
Requiem Mass lk.GG/Introit- Kyrie

-
1791
-


Requiem strings
-


SATB chorus organ continuo
-

Joseph Eybler totinishthework -


SATB soloist,
Zbassethorns

Franztxaversiissmayer -

orchestra consisting of Zbassoons
2.trumpets
3. trombones

timpani

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