The document includes summarised notes on the area of Music for Orchestra in the Twentieth Century;, in the A2 3 unit: Responding to Music. The content of the notes is drawn from Factfile, the Eguide provided by CCEA, and some additional sources. The majority of the notes of the setworks are set ou...
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Ravel : Menuet and Rigaud on from Le Tom bean de Couperin
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Bernstein : Three Dance Episodes from on the Town
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Bartok concerto for orchestra, First movement
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,Debussy Nuages from
: 3 nocturnes
-
creates moods / atmosphere through
tneuseot non-functional harmonies + delicate orchestration
-
three nocturnes composed
between 1897-71899
-
Bminor & Ternary Form / ABA )
☒ Opening Themes
"
Main them Timpani roll
Bassoons-1 Clarinets Solo Anglais
Cor
suggest
-
in octaves
Motif B. minor
playing alt perfect 5143rd interval of tritone 1
-
-
2nd' Bassoon -1 Clarinets acciaccatura
→
_y
contradicted by
-
chromaticism
rising / falling
-
-
repetition b. 4=6-3 -
Scania movement whole tone chord
b. 2=6.1 t
3 note figure ambiguous GHB
-
descending
in oboe
Restatement of divided
b.21 develops rhythm opening theme in violins
coranglaistheme return nsinghemiola -
parallel b. 14
dominant 9th chords
+ ←
-
against ← woodwind
ostinato in ascends chromatically
divisi strings
-
diatonically
based on Golchords unrelated
calls
dominant chords
-
Tritonalhorn
answered by Bbq → GII → Eb9
-
Falling perfect 5th
by cello and basses
↓
, Transitional passage -
woodwind play
-
alternating ascend chromatic movement
[ major + F- minor chords while
violas , cellos in octave
ascending sequence
Cor Anglais Theme return ↓
answered by
Ascending sequence
-
pizzicato string altering
Em -1Gt over Bipedal restatement of
-
Pentatonic melody_ opening theme
in oboes
from Cor Anglais
Cello and basses play +
/
for Solorio 9
-
soloflnteharp Pentatonic
based on pentatonic scale scale
-
sustained # minor chord # pagodestrom
indivisi strings
Estampestor
Theme repeated solo piano
→
-
by solo violin Violoncellos/
in octaves aHE9+G# 9 chords
/
-
pentatonic solobyflute
- enhanced by
harmonics
harp
,☒ retnrnottrrst
-
coranglais theme
}
Bargo -86
-
use of repetition
-
harmonies
alternate
-
string ttremolando
sur la touche
'- violins
natural harmonics in
↓
Coranglais melody
-
accompanied only be
the 3 pitches
-
based II. Dimasa
tremolando in
cellos , double basses and timpani roll
.
↓
pentatonic tlutetneme
opening phrase →
-
Shifted -6 the off -
bent
in the bassoons by one quaver
+
subsequent fragmentation triforia / horn
_
call
*
slowing upot Tempo
-
reduction in dynamics
pizzicato B
return
↓
signifies a
← Tonal uncertainty
tothetonic
Timpani oscillates B+D
/ '
unresolved 47
,
,SPEC
, 2023
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