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ENG2603 Assignment 3 (COMPLETE ANSWERS) 2024 - DUE 13 September 2024 $2.60   Add to cart

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ENG2603 Assignment 3 (COMPLETE ANSWERS) 2024 - DUE 13 September 2024

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Exam study book The Post-colonial Literature of Lusophone Africa of Patrick Chabal - ISBN: 9781850652502 (Guaranteed success)

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  • August 19, 2024
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ENG2603 Assignment 3 (COMPLETE ANSWERS) 2024 - DUE 13

September 2024

In Welcome to Our Hilbrow, Refentše is depicted as a creative writer

who notes a problem with the suppression of writing literature in African

languages. In one of the passages in the novel Refentše is addressing

Refilwe about the difficulties of writing in a language NOT of one’s own.

Refentše says: She did not know that writing in an Afri-can language in

South Africa could be such a curse. She had not anticipated that the

publishers’ reviewers would brand her novel vulgar. Calling shit and

genitalia by their cor-rect names in Sepedi was apparently regarded as

vulgar by these reviewers, who had for a long time been reviewing

works of fiction for educational publishers, and who were deter-mined to

ensure that such works did not of-fend the systems that they served.

These systems were very inconsistent in their attitudes to education.

They considered it fine, for instance, to call genitalia by their cor-rect

names in English and Afrikaans biology books—even gave these names

graphic pic-tures as escorts—yet in all other languages, they

criminalised such linguistic honesty. . . . In 1995, despite the so-called

new dispensa-tion, nothing had really changed. The leg-acy of

Apartheid censors still shackled those who dreamed of writing freely in

an African The leg-acy of Apartheid censors still shackled those who


For assistance whatsapp +254702715801

, dreamed of writing freely in an African language. Publishers, scared of

being found to be on the financially dangerous side of the censorship

border, still rejected manuscripts that too realistically called things by

their proper names—names that people of Tirag-along and Hillbrow and

everywhere in the world used every day. (Welcome to Our Hillbrow, 56,

57) Assignment Task Read the above passage and consider its

significance in the African writers’ debates on which languages to use

when writing African literature. Carefully consult and read Obiajunwa

Wali’s essay, The Dead end of African Literature? (2007) Ngugi wa

Thiongo essay, “The Language of African Literature” (2007), and Chinua

Achebe’s essay, “The African writer and African Language” In: Morning

Yet on Creation Day (1975) to understand this debate. Then, write an

essay of not more than three pages showing how Phaswane uses

language in Welcome to our Hillbrow. Your answer should incorporate

the views of the above scholars and you should indicate your position

regarding whether the use of a certain language but not another is still a

necessary debate in the 21st century.In Welcome to Our Hilbrow,

Refentše is depicted as a creative writer who notes a problem with the

suppression of writing literature in African languages. In one of the

passages in the novel Refentše is addressing Refilwe about the

difficulties of writing in a language NOT of one’s own. Refentše says:


For assistance whatsapp +254702715801

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