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ENG2603 Assignment 3 2024 - DUE 13 September 2024
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QUESTIONS AND ANSWERS ENG2603 Assignment 3 2024 - DUE 13 September 2024
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ENG2603 Assignment 32024 - DUE 13 September
2024
QUESTIONS WITH COMPLETE ANSWERS
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, ENG2603 Assignment 3 2024 - DUE 13 September 2024
In Welcome to Our Hilbrow, Refentše is depicted as a creative writer who
notes a problem with the suppression of writing literature in African
languages. In one of the passages in the novel Refentše is addressing
Refilwe about the difficulties of writing in a language NOT of one’s own.
Refentše says: She did not know that writing in an Afri-can language in
South Africa could be such a curse. She had not anticipated that the
publishers’ reviewers would brand her novel vulgar. Calling shit and
genitalia by their cor-rect names in Sepedi was apparently regarded as
vulgar by these reviewers, who had for a long time been reviewing works of
fiction for educational publishers, and who were deter-mined to ensure that
such works did not of-fend the systems that they served. These systems
were very inconsistent in their attitudes to education. They considered it
fine, for instance, to call genitalia by their cor-rect names in English and
Afrikaans biology books—even gave these names graphic pic-tures as
escorts—yet in all other languages, they criminalised such linguistic
honesty. . . . In 1995, despite the so-called new dispensa-tion, nothing had
really changed. The leg-acy of Apartheid censors still shackled those who
dreamed of writing freely in an African The leg-acy of Apartheid censors
still shackled those who dreamed of writing freely in an African language.
Publishers, scared of being found to be on the financially dangerous side of
the censorship border, still rejected manuscripts that too realistically called
things by their proper names—names that people of Tirag-along and
Hillbrow and everywhere in the world used every day. (Welcome to Our
Hillbrow, 56, 57) Assignment Task Read the above passage and consider
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