THL1501 Assignment 2 (ANSWERS) Semester 2 2024 (162579) - DUE 12 September 2024
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Course
Introduction to Theory of Literature (THL1501)
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University Of South Africa
Book
Theory of Literature
THL1501 Assignment 2 (COMPLETE ANSWERS) Semester 2 2024 (162579) - DUE 12 September 2024 ;100 % TRUSTED workings, Expert Solved, Explanations and Solutions. For assistance call or W.h.a.t.s.a.p.p us on ...(.+.2.5.4.7.7.9.5.4.0.1.3.2)...........
THL1501 Assignment 2 (COMPLETE ANSWERS) Semester 2 2024 (162579) - DUE 13 September 2024
THL1501 Assignment 2 Semester 2 2024 | Due 12 September 2024
THL1501 Assignment 2 (COMPLETE ANSWERS) Semester 2 2024 (162579) - DUE 13 September 2024
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THL1501
ASSIGNMENT 2 SEMESTER 2 2024
UNIQUE NO.162579
DUE DATE: 12 SEPTEMBER 2024
, THL1501
Assignment 2 Semester 2 2024
Unique Number: 162579
Due Date: 12 September 2024
Introduction to Theory of Literature
QUESTION 1
Essay: Arguing for Objective Definitions of "Beauty" and "Aesthetics"
The terms "beauty" and "aesthetics" have long been subjects of debate among
philosophers, artists, and critics. In her book Basic Issues in Aesthetics (1998), Marcia
Eaton explores the complexities and challenges associated with defining these
concepts. While many argue that "beauty" and "aesthetics" are inherently subjective,
this essay contends that it is possible to use these terms objectively. By examining the
arguments presented by Eaton and considering additional perspectives, this essay will
demonstrate that defining "beauty" and "aesthetics" in an objective manner is not only
feasible but also beneficial for philosophical and practical discussions.
Defining "Beauty" and "Aesthetics"
"Beauty" is often perceived as a subjective experience, varying from person to person
and culture to culture. Eaton acknowledges this variability but suggests that there are
underlying principles that can be identified across different instances of beauty. For
example, Eaton points to the concept of "formal beauty," which refers to the harmonious
arrangement of parts in a whole, whether in nature, art, or design. This idea is grounded
in objective criteria, such as symmetry, balance, and proportion, which can be observed
and agreed upon by multiple observers, regardless of their personal tastes (Eaton,
1998).
Similarly, "aesthetics" can be understood beyond individual preferences. Eaton argues
that aesthetics encompasses the study of sensory or perceptual experiences and the
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