100% satisfaction guarantee Immediately available after payment Both online and in PDF No strings attached
logo-home
Discuss the features that characterise ‘high-concept’ filmmaking, with reference to Jaws (1975) Steven Spielberg and Speed (1994) Jan de Bont $9.84   Add to cart

Essay

Discuss the features that characterise ‘high-concept’ filmmaking, with reference to Jaws (1975) Steven Spielberg and Speed (1994) Jan de Bont

 0 view  0 purchase
  • Course
  • Institution

Filmic Analysis. Though both films were produced in contrastingly different phases of American film production, both Jaws (1975) and Speed (1994) constitute as successful high-concept films by attracting audiences and being an enormous success at box office. Particularly in both, the films marketin...

[Show more]

Preview 2 out of 8  pages

  • September 21, 2024
  • 8
  • 2024/2025
  • Essay
  • Unknown
  • A
  • Unknown
avatar-seller
EAF2502 Shots in the Dark: American Film in Profile


‘High concept addresses how [...] economic and institutional changes – including the

conglomeration of the film industry and the rise of television, new marketing methods, and

changing distribution strategies – have extended and modified some significant traits of

[Classical Hollywood]’ (Justin Wyatt, High Concept: Movies and Marketing in Hollywood)



Discuss the features that characterise ‘high-concept’ filmmaking, with reference to any TWO

post-1950s films, ONE of which should be a module film.



Films Chosen: Jaws (1975) Steven Spielberg

Speed (1994) Jan de Bont



Films with ‘high-concept’ filmmaking have several notable conventions that, if applied

according to the societal contexts of that time, can extremely contribute to the financial

success of a film. Defined by their capability to attract viewers, high concept films extremely

effected the Hollywood film industry by bringing audiences back into the cinema as well as

attracting alternative international audiences. When analysing the typical conventions ‘high-

concept’ filmmaking, I can refer to Justin Wyatt’s list on aspects that define a high-concept

film such as the combination a simple narrative, image or song association to the film, pre-

sold stars, subject matter and merchandising tie-ins can define a high-concept film (Wyatt, 3).

I will be analysing two particular films which exemplify these conventions. Though both

films were produced in contrastingly different phases of American film production, both

Jaws (1975) and Speed (1994) constitute as successful high-concept films by attracting

audiences and being an enormous success at box office. Particularly in both, the films

marketing strategies in connection to the simplicity of the initial narrative idea, contribute to

the success of both films at attracting audiences and creating profits. Typical of a high-

, EAF2502 Shots in the Dark: American Film in Profile


concept film, both plot lines are condensed and simplified in order to make room for the

spectacle and at dramatic intensity to particular moments which I will be further analysing.

Steel argues that a simplistic and clear marketable strategy is a central feature of a high

concept film, such as marketing that could be successful by films “whose themes could be

explained in a sentence or two” (Steel, 98). In relation to this, I will be arguing this idea that

an intriguing initial simple premise that can be reflected in the advertising of the film and

focus on spectacle, can be seen as the most important asset of a ‘high-concept’ film. In both

films the narrative is simple, and both plots play on this typical ‘high concept’ narrative

convention of Good versus Evil. In Speed, the villain is Howard Payne, a calculating and

temperamental terrorist who attempts to bomb a public bus full of passengers. However, in

Jaws, the shark is the force of evil that terrorizes the small seaside town of Amity Island.

Though a simple narrative, I will be analysing how both directors are successful in utilising

skilful formal compositions that exceed the audiences’ expectations set out to them by the

initial marketing of the films in relation to their individual contexts.



The most recognisable feature of high concept filmmaking can be seen to be the use

of a simple idea that can have the ability to attract a broad spectator appeal and therefore be

sold to a wider audience. Guber supports this by commenting how a “high concept can be

understood as a narrative which is very straightforward, easily communicated, and easily

comprehended” (qtd. in Wyatt, 8). This was particularly important in the context of the

1990’s in which Speed was produced. New distribution technologies such as the arrival of

home video, radically changed the Hollywood Business model and forced change the types of

films they produce in order to appeal to a variety of different audiences and produce

international revenue stream. Due to the increased variety of additional audiences,

Hollywood was forced adapt its content to change the types of films they produce in order to

The benefits of buying summaries with Stuvia:

Guaranteed quality through customer reviews

Guaranteed quality through customer reviews

Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.

Quick and easy check-out

Quick and easy check-out

You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.

Focus on what matters

Focus on what matters

Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!

Frequently asked questions

What do I get when I buy this document?

You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.

Satisfaction guarantee: how does it work?

Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.

Who am I buying these notes from?

Stuvia is a marketplace, so you are not buying this document from us, but from seller jeorgelewis. Stuvia facilitates payment to the seller.

Will I be stuck with a subscription?

No, you only buy these notes for $9.84. You're not tied to anything after your purchase.

Can Stuvia be trusted?

4.6 stars on Google & Trustpilot (+1000 reviews)

74735 documents were sold in the last 30 days

Founded in 2010, the go-to place to buy study notes for 14 years now

Start selling
$9.84
  • (0)
  Add to cart