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Exam (elaborations)

TFM01 exam with 100% correct answers

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TFM01 exam with 100% correct answers The fire marshal shall send notice to each examinee of the results of the examination no later than - CORRECT ANSWER 30 days If the examination is conducted by a testing service the state marshal shall send notice of the results no later than - CORRECT ...

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  • October 29, 2024
  • 41
  • 2024/2025
  • Exam (elaborations)
  • Questions & answers
  • TFM01]
  • TFM01]
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TFM01 exam 2024-2025 with 100%
correct answers
The fire marshal shall send notice to each examinee of the results of
the examination no later than - CORRECT ANSWER 30 days

If the examination is conducted by a testing service the state marshal
shall send notice of the results no later than - CORRECT ANSWER 14
days
Omniscient narration - CORRECT ANSWER knows all and can tell us
whatever it wants us to know. It has unrestricted access to all
aspects of the narrative. It can provide any character's experiences
and perceptions, as well as information that no character knows. It
shows the audience whatever it needs in order to best tell the story.

Restricted narration - CORRECT ANSWER limits the information it
provides to only things already known to a single character. This
approach allows the audience to identify with the character's singular
perspective and allows us to participate in the unlocking of secrets

A movie's story consists of - CORRECT ANSWER (1) all the narrative
elements that are explicitly presented on-screen plus (2) all the events
that are implicit or that we infer to have happened but are not
explicitly presented

The plot - CORRECT ANSWER the specific actions and events the
filmmakers select and the order in which they arrange those events to
effectively convey the narrative to the viewer.

diegetic elements - CORRECT ANSWER everything in the story
except the opening and closing credits and titles and the background
music,

Non diegetic elements. - CORRECT ANSWER opening and closing
credits and titles and the background music,

,summary relationship - CORRECT ANSWER screen duration is shorter
than plot duration (The summary relationships is very familiar and
occurs much more frequently in mainstream movies than the other
two)

real time - CORRECT ANSWER screen duration corresponds directly
to plot duration

stretch relationship - CORRECT ANSWER screen duration is longer
than plot duration

Voice-over Narration - CORRECT ANSWER when we hear a
character's voice over the picture without actually seeing the
character speak words.

Direct Address Narration - CORRECT ANSWER breaks the "fourth
wall" that traditionally separates the viewer from the two-dimensional
fiction on-screen. It goes beyond the first-person narrative and voice-
over narration. This is when the first-person narrator character
interrupts the narrative.

Round Characters - CORRECT ANSWER complex; possess numerous
subtle, repressed, or even contradictory traits that can change
significantly over the course of the story—sometimes surprisingly so.
Seem more lifelike due to the complexness.

Flat Characters - CORRECT ANSWER exhibit few distinct traits and
do not change significantly as the story progresses. This doesn't mean
they are less legitimate that other characters; different types of
stories call for different approaches to character traits, behaviors, and
development.

Protagonist - CORRECT ANSWER character who pursues the goal

Antagonist - CORRECT ANSWER the person, people, creature, or
force responsible for obstructing the protagonist.

,Anti-Hero - CORRECT ANSWER seemingly unsympathetic protagonist
chasing less than noble goals

Inciting Incident (Catalyst) - CORRECT ANSWER presents the
character with the goal that will drive the rest of the narrative.

Rising Action - CORRECT ANSWER when the narrative builds towards
a peak in the second act, a breaking point of sorts, as the conflict
intensifies and the goal remains out of reach.

Crisis - CORRECT ANSWER the peak of the narrative, major obstacle

Climax - CORRECT ANSWER when the protagonist faces the crisis

Resolution - CORRECT ANSWER he third act of falling action in which
the narrative wraps up loose ends and moves towards a conclusion
once the goal is either lost or attained.

Diegesis - CORRECT ANSWER the total world of the story

Diegetic Element - CORRECT ANSWER the elements that come from
the movie's diegesis, which is the total world of the story — the
events, characters, objects, settings, and sounds that form the world
in which the story occurs.

Nondiegetic element - CORRECT ANSWER events are those things
we see and hear on the screen that comes from outside the world of
the story, such as score music, titles and credits, and voice-over
comments from a third-person voice-over narrator.

Story Duration - CORRECT ANSWER The amount of time that the
implied story takes to occur

Plot Duration - CORRECT ANSWER the elapsed time of those events
within the story that the film explicitly presents (in other words, the
elapsed time of the plot).

, Screen Duration - CORRECT ANSWER the movie's running time on
screen

mise-en-scène - CORRECT ANSWER "staging or putting an action or
scene" and is thus sometimes called staging. Everything you see on
screen was put there to help tell a story.
(Design- design of the three-dimensional space
Composition- composition of the two-dimensional frame)

production designer - CORRECT ANSWER works closely with the
director as well as the director of photography in visualizing the movie
that will appear on the screen. The PD is both an artist and an
executive, responsible for the overall design concept, the look of the
movie—and for supervising the heads of the many departments
involved in creating that look.

Composition - CORRECT ANSWER part of the process of visualizing
and planning the design of a movie
-the organization, distribution, balance, and general relationship of
stationary objects and gigues as well as of light, shade, line, and color
within the frame.
-helps ensure the aesthetic unity and harmony of the movie as well as
guide our looking and interpret the characters physical, emotional, and
psychological relationships to one another

Framing - CORRECT ANSWER the border between what the
filmmaker wants us to see and everything else
-the dimensions of height and width that provide the shape of the
movies images

Kinesis - CORRECT ANSWER -movement on screen
-the movement of objects and characters within the frame
-the apparent movement of the frame itself

Three-point Lighting - CORRECT ANSWER The best-known lighting
convention in feature filmmaking, a system that employs three
sources of light—key light, fill light, and backlight—each aimed from a
different direction and position in relation to the subject.

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