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Summary Interactive Storytelling: all lectures

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This summary includes all lectures, example exam questions, and notes of the course Interactive Storytelling.

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  • October 15, 2020
  • 44
  • 2020/2021
  • Class notes
  • Unknown
  • All classes
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SUMMARY INTERACTIVE STORYTELLING
This summary includes all lectures, example exam questions and notes.


CONTENT

Lecture 1 Introduction………………………………………………………………………………2


Lecture 2 Defining Storytelling and Narratives.…………………………………………………..6


Lecture 3 Analyzing an IDN……………………………………………………………………….13


Lecture 4 Experiencing (Interactive) Narratives [1].…………………………………………….16


Lecture 5 Experiencing (Interactive) Narratives [2].…………………………………………….21


Lecture 6 Q&A……………………………………………………………………………………..26


Lecture 7 Effects of (Interactive) Narratives……….…………………………………………….27


Lecture 8 Q&A……………………………………………………………………………………..32


Lecture 9 Misleading Narratives………………………………………………………………….33


Lecture 10 Wrap Up……………………………………………………………………………….40




1

,LECTURE 1 INTRODUCTION

KNOWLEDGE CLIP 1 DEFINITIONS

Historical context
 Aristotle’s Poetica: tragedy versus comedy, narrative forms (epic/dramatic), dramatic
structure (beginning/middle/end; from complication to unravelling)
 Plato’s De Re Publica: two fundamental modes of speech: mimesis (imitation: letting the
characters speak) versus diegesis (narration, the narrator tells about a character’s speech or
thought)  showing versus telling
 Russian formalism: e.g., Vladimir Propp’s morphology: narrathemes, character roles | Viktor
Šklovskij: fabula vs. sujet
 Narratology including French structuralism: discipline studying narrative principles and
narrative representations (e.g., Tzvetan Todorov’s histoire vs. discours, Seymour Chatman’s
kernels vs. satellites, Gérard Genette’s focalization)

 Make sure you know what the underlined terms mean.

Definitions
The term story can be used in different forms. For example as an:
 Excuse: “cool story bro” with a negative undertone that is not sincere / not truthful.
 Explanation: to explain a long story about what happened
 Incident: a story about something you did
 Instagram Stories: social media use of story

All kind of definitions
 “[…] a generally accepted definition of narratives (and related terms like ‘story’ and
‘storytelling’) seems elusive and thus any hope of a simple solution on that end might be
naïve” (Koenitz, 2018, p.4)
 “[...] the term narrative has such a wide range of contradictory meanings and associations for
different people and in different theories that it is practically meaningless unless specified in
great detail” (Juul, 2005)

Narrative – schools’ definition




– Story: what it is about / what has really happened regardless of what we see on a screen or on
how it is being told (fabula)
o Character: someone who is really there in real life that is experiencing the events. In a
story you tell about the character and which events he undergoes.
– Discourse: how the story is been told / presented (sujet)
o Point of View (PoV): how the story is told (from the eyes of person A or person B)

The term narrative includes both a story and its telling (discourse). So, the combination of the story
and the telling is the narrative.

A narrative consists of a:
2

,  Story: A chronological, cause-and-effect chain of events occurring within a specific duration
and a specific spatial field, and perceived and experienced by a subject of consciousness.



 Transmitted through a discourse: the (re)presentation of the story, which is the result of the
act of narration/telling.


KNOWLEDGE CLIP 2 NARRATIVE ELEMENT: STRUCTURE

Story structure, events and discourse structure
 Story plot = Sequence of events on a timeline = Event structure
o Event = a change of state, something happening, usually involving a character
o Plot event = plot point = narrative turn
o Causality: “a cause-and-effect chain of events”,

 Discourse structure – the order of narrated events
o e.g., chronological, in medias res (starting in the middle of the story), flashbacks,
flashforwards
o Discourse structures can evoke certain emotions: surprise, curiosity and suspense

Narrative element: story structure (plot)
Freytag’s dramatic arc (“pyramid”)




Other story structures:
• Aristotle: beginning - middle - end
• Three-Act structure
• Labov & Waletzky’s story structure,
including an Evaluation
• Campbell’s hero’s journey (monomyth)
• Non-European structures (e.g., African
oral storytelling)



Labov and Waletzky’s (1967) story structure




3

, Tellability
 Newsworthiness / reportability / the “raison d’être” of the story
 A tellable event is the critical event in the story structure (see previous slide).
 The event that makes the story worth telling and worthy of the audience’s attention.
o Something extraordinary / remarkable / unexpected / wonderful.
 Finding a tellable event is the starting point when you create your story structure.
 Examples of tellable events:
o being acquitted in court after having left your child in a car on a hot summer day
o finding a medicine curing the medical condition you have been suffering from for
years
o being found by a humanitarian organization while fleeing from Syria under terrible
circumstances

Evaluation(s)
 Also part of Labov and Waletzky’s story structure
 The narrator’s comments on the significance and meaning of the events
o Answering questions like “what does this all mean?” / “so what?”
 Functions to make the point of the narrative clear, the take-home message.
 Explicitly present in the narrative
 In the case of people forgetting to take their child out of their car on a hot Summer day?
o Evaluation = it could happen to anyone – it is a horrible mistake

Or in the case of a refugee being taken care of by a humanitarian organization?

Story structure: kernels vs. satellites
Events function as either kernel or satellite:
 Kernel: obligatory event that guarantees the story’s coherence/logic | essential content of the
story | part of a story’s identity | initiates, increases, or concludes an uncertainty, so it
advances or outlines a sequence of transformations
 Satellite: serves to embellish the basic plot | content that can be omitted without changing the
identity of the story | amplify or fill in the outline of a sequence by maintaining, retarding, or
prolonging the kernel events they accompany or surround.




Discourse structure: suspense, surprise and curiosity



4

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