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Summary A Bullet Overview of the vocal textures in the 'Introit' and 'Kyrie' of Mozart's 'Requiem'

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A Bullet Overview of the vocal textures in the 'Introit' and 'Kyrie' of Mozart's 'Requiem'

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  • August 14, 2021
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  • 2021/2022
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Vocal Textures- Introit
 Fugal entries begin “Requiem aeternam” text as the music unfolds from the basses
upwards to the sopranos at two beat intervals
 Vocal lines doubled by bassoons and basset horns
 Polyphony created throughout first vocal section
 Change to homophony between ATB for the declaration of ‘et lux perpetua’
 Brief Soprano solo allows for another variety of texture
 Imitation between men and altos in ‘exaudi’ section
 Sopranos add solo melody over the imitation
 Contrapuntal SQs on ‘dona eis’
 Change to homophony between ATB for the declaration of ‘et lux perpetua’
 Soprano imitates rest of choir
 Piece ends in homophony

Vocal Textures- Kyrie
 Extensive double fugue, two fugal ideas presented simultaneously
 Polyphony throughout
 B..30 deviation from set pattern as seen through the use of stretto in vocal texture
on Christi material
 Final close of piece is homophonic in declamatory fashion

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