NBCT Music
12 bar blues development - ANS-I, I, I, I, IV, IV, I, I, V, IV, I, I
three foremost vocal components involved in developing sound - ANS-air deliver, vibrator,
resonator
3 registers for guys - ANS-chest, head, falsetto
3 registers for girls - ANS-chest, center, head
A clarinet transposition and range - ANS-treble clef m3 lower; E3-C7
Aeolian - ANS-natural minor; flat three, 6, 7
Afro-Brazilian - ANS-Brazilian rhythms like samba with European and American tune
Afro-Cuban - ANS-Cuban rhythms like mambo with factors of bebop; syncopated rhythms
known as clave
Alto range - ANS-G3-D5
American hand-horn approach - ANS-hand is flat w/ metal touching returned of hand, thumb
helps
American nationalistic composers - ANS-Ives, Harris, Gershwin, and Copland
Antiquity - ANS-476-1450; marked by using fall of Rome
appogiatura - ANS-approached through bounce, left by using step
real cadence - ANS-V-I or V-i
Baritone variety - ANS-E2-Bb4
Baroque music - ANS-1600-1750; rationalism, lots of ornamentation, more objectivity
Bass variety - ANS-E2-C4
bass trombone variety - ANS-bass clef, Bb1-Bb4
bassoon transposition and variety - ANS-bass or tenor clef; Bb1-Eb5
Bb clarinet transposition and range - ANS-treble clef M2 lower; E3-C7
Bb trumpet transposition and range - ANS-treble clef M2 lower; F#3-D6
blocked phase - ANS-elements separated the front to back; pleasant proper for homophonic
pieces; singers can't listen other components
blues - ANS-originated from African paintings songs in nineteenth and 20th centuries; call and
response
blues scale - ANS-lowered 1/3 and seventh
bossa nova - ANS-began in Rio in overdue 1950s; acoustic guitar as major tool; rhythm in duple
w/ downbeat start and swung
bucket mute - ANS-softer tone; reduces piercing first-class of excessive notes
Burton multiple mallet approach - ANS-second mallet held between index and center arms, stop
is beneath all four hands
C trumpet transposition and range - ANS-treble clef; F#3-D6
Calypso music - ANS-from Trinidad, metallic drums, witty and energetic
cello variety and tuning - ANS-bass, tenor, or treble clef, C2-C6; tuned to CGDA
Characteristics of medieval chant - ANS-name and reaction, a cappella, male, no constant
meter, monophonic
, chest sign up - ANS-lower levels, heavier tonal excellent
choral balance - ANS-equal level of sound from all voices
choral mixture - ANS-uniformity of vowel formation and tone
classical making a song timbre - ANS-excessive palate, open sound, vibrato, natural vowel
tones
classical sonata form - ANS-exposition, development, recapitulation
classical symphonic form - ANS-fast first, slow 2d, dance third, rapid fourth
col legno - ANS-gambling with the timber a part of the bow rather than the hair
columnar phase - ANS-T B
S A; simpler to listen stability in polyphonic song
complete musicianship through performance - ANS-track selection turns into vessel for
discovery
Con bravura - ANS-with bravery
con brio - ANS-with spirit
con fuoco - ANS-with fire
con grazia - ANS-with grace
content material sequencing - ANS-examine content for most important concept, rank through
hierarchy
Contrary motion - ANS-traces circulate in opposite guidelines
cup mute - ANS-muffled darker tone
Czech nationalistic composers - ANS-Smetana, Dvorak, and Janacek
D clarinet transposition and range - ANS-treble clef M2 better; E3-C7
Dalcroze eurythmics - ANS-frame is the tool
misleading cadence - ANS-V to something however I
detache - ANS-one notice consistent with bow stroke
diabolus in musica - ANS-tritone
Doctrine of Ethos - ANS-music has power to determine human conduct
Dorian - ANS-flat 3, flat 7
double bass range and tuning - ANS-bass clef sounding octave decrease; tuned to EADG
durational rhythm - ANS-closely tied with meter, and encompass the thing of rhythm associated
with styles of period, emphases, and groupings.
Eb clarinet transposition and range - ANS-treble clef m3 higher; E3-C7
elaboration sequencing - ANS-content receives extra distinct because it goes
English nationalistic composers - ANS-Elgar, Vaughan Williams, and Holst
get away tone - ANS-approached by using step, left by means of soar in contrary course
falsetto voice - ANS-highest stages, breathy and airy tonal exceptional
Features of African song - ANS-call and response, repeated and improvised, polyrhythms
first inversion - ANS-1/3 is lowest sounding pitch
Fixed do - ANS-do is constantly c; focuses on affiliation of pitches to staff
flute transposition and range - ANS-treble clef; Bb3-D7
French hand-horn method - ANS-hand flat w/ palm and thumb forming right perspective w/
hand; 1st knuckles and back of hand supports weight
french horn transposition and range - ANS-treble or bass clef P5 lower; F#2-C6
Gordon's song learning idea - ANS-differentiates audiation from aural belief
