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AQA A Level Philosophy paper 2 Mark scheme June 202-3 $18.09   Add to cart

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AQA A Level Philosophy paper 2 Mark scheme June 202-3

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AQA A Level Philosophy paper 2 Mark scheme June 202-3

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  • March 9, 2024
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A-level
PHILOSOPHY
7172/2
Paper 2 Th e metaphysics of God and th e metaphysics of
mind

Mark scheme
June 2023
Version: 1.0 Final

, Section A

Metaphysics of God

0 1 What does Swinburne mean by ‘temporal order/regularity’ in his design argument?
[3 marks]

AO1 = 3

Marks Levels of response mark scheme
3 A full and correct answer, given precisely, with little or no redundancy.
2 Th e substantive content of th e answer is correct, but th ere may be some
redundancy or minor imprecision.
1 Relevant, but fragmented, points.
0 Nothing written worthy of credit.

Indicative content

Context

 In ‘Th e Argument from Design’ Swinburne identifies “two kinds of regularity or order”:
“spatial order” (or “regularities of copresence”) and “temporal order” (or “regularities of
succession”).
 Where “spatial order” is used as evidence in design arguments it is open to famous objections:
eg Hume’s critique of analogy and Darwin’s th eory of evolution by natural selection.
Swinburne thinks that “temporal order” is not vulnerable to those objections.
 If students explain th e meaning of “temporal order” though reference to this distinction it
should not be classed as redundancy. It is important, however, that students do not confuse th
e two kinds of order in th eir explanations.

Awarding marks

 Responses awarded maximum marks will contain (1) a reference to th e ‘temporal’ dimension
of this ‘order’, since this is th e most salient feature [NB: This must be in connection with a
relevant aspect of Swinburne’s design argument]; and (2) explain th e ‘order/regularity’ in terms
of some relevant feature of Swinburne’s design argument oth er than th e fact it concludes in
favour of a designer: eg “regularities of succession”, “simple patterns of behaviour of objects”,
th e “laws of nature”.
 Students do not need to refer to God (or a designer) to access full marks. Some will, and that is
fine, but if th ey do th en th ey must of course represent Swinburne’s argument accurately: that
‘temporal order/regularity’ is best explained by a personal agent (or cause) and so a designer
(God) probably exists.

Examples of responses for 3 marks

 Temporal regularity refers to th e order(s) of succession in nature/th e world.
 Th e temporal arrangement (or regular patterns/behaviours) of physical objects / features of th
e universe (such as those explained by th e laws of nature).
 Th e constancy/consistently in how events follow each oth er in time.

, Examples of responses for 2 marks

 Th e laws of nature (which Swinburne thinks are best explained personally, by God).
NB: If students mention ‘fine tuning’, th ey can still get 2 marks if th ey are
connecting temporal order to th e laws of nature, but it is not a 3-mark response if th
ey do this, as Swinburne treats th em as separate (although of course related)
design arguments.
 Th e regularity/order of events in time (which Swinburne argues is evidence for a designer).

Examples of responses for 1 mark

 A temporal feature of th e universe that requires a designer (or personal agency) to explain it.
 Th e kind of (temporal) order found in human activities (like dancing or singing) which require
a personal explanation.


NB: Examples are not asked for or required, but students should not be penalised for redundancy if th
ey make use of relevant ones.
 If students only refer to human activities in th eir examples of ‘temporal order/regularity’, this
should not be penalised so long as th ey have not defined ‘temporal order/regularity’ in terms
of human activities alone. Th e latter is clearly too narrow a definition for Swinburne’s
purposes but is worthy of some credit.

Notes:

Swinburne gives various examples of natural temporal order/regularity: eg: “behaviour in accordance
with th e laws of nature – for example, Newton’s law of gravitation”.

Swinburne also gives examples of human order/regularity: eg. “regularities of succession produced by
men are th e notes of a song sung by a singer or th e movements of a dancer’s body when he
performs a dance in time with th e accompanying instrument”.

This indicative content is not exhaustive: oth er creditworthy responses should be rewarded with
reference to th e generic mark scheme.

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