Perfect cadence - Study guides, Class notes & Summaries

Organisation of pitch (melodically and harmonically) ֎ -:- 'Pitch' refers how high or low a sound is Augmented 6th chord ֎ -:- A chord containing the interval of an augmented 6th (e.g. A flat to F sharp in the chord A flat, C, E flat, F sharp) Cadence ֎ -:- The chords that conclude a musical phrase (e.g. a perfect cadence with chords V‒I or an imperfect cadence with I (or other non-dominant chord) and V) Chord ֎ -:- The simultaneous sounding together of two or more notes Ci...

OAE Music Test Question and answers verified to passOAE Music Test Natural Minor - correct answer Lowered third, sixth, and 7th Dorian - correct answer Melodic Minor - correct answer Lowered 3rd (Ascending) Natural Minor (Descending) Harmonic Minor - correct answer Lowered 3rd, Lowered 6th, Raised 7th Half Cadence - correct answer Feels like it needs something else Deceptive Cadence - correct answer Deceives you Perfect Authentic Cadence - correct answer Jaw...

Authentic Cadence - The dominant sounding cadence that goes from a five chord to the tonic chord. This cadence is considered to be the strongest sounding cadence due to the presence of the supertonic to tonic progression as well as the leading tone to tonic progression. Perfect Authentic Cadence - Has both the roots of the five and one chords sounding in the bass with the tonic as the highest-sounding note on the final chord. Imperfect Authentic Cadence - This cadence may not have the toni...

OAE Study guide Music Question and answers rated A+OAE Study guide Music Root position triad - correct answer When the lowest sounding pitch is the root 1st inversion triad - correct answer 3rd of chord is lowest sounding 2nd inversion triad - correct answer 5th of chord is lowest sounding 3rd inversion 7th chord - correct answer 7th of chord is lowest sounding Authentic cadence - correct answer V - I or V - i Perfect authentic cadence - correct answer V - I or V - ...

Authentic Cadence (Full Cadence) - ANSWER-V - I (dominant to tonic in root position) Phrases that end 2-1, 7-1, 4-3, 2-3 imply authentic cadences. Perfect Authentic Cadence - ANSWER-V - I (dominant to tonic in root position) Soprano: 2-1 or 7-1 Bass: 5-1 Imperfect Authentic Cadence - ANSWER-V - I (dominant to tonic in root position) Soprano closes on 5 or 3 Bass: 5-1 or contrapuntal cadence (such as 7-1 or 2-1) Contrapuntal Cadence - ANSWER-Cadence in which either the dominant or t...

NBCT Music Exam Questions and Answers 100% Pass Antiquity - Answer- 476-1450; marked by fall of Rome monophonic - Answer- one line with one sound homophonic - Answer- melody with harmony polyphonic - Answer- multiple melodies Pythagoras - Answer- weighed hammers to discover intervals Doctrine of Ethos - Answer- music has power to determine human behavior musica mandana - Answer- cosmic music musica humana - Answer- movement of spirits inside humans musica instrumentalis - Answer- music...

Authentic Cadence - Answer The dominant sounding cadence that goes from a five chord to the tonic chord. This cadence is considered to be the strongest sounding cadence due to the presence of the supertonic to tonic progression as well as the leading tone to tonic progression. Perfect Authentic Cadence - Answer Has both the roots of the five and one chords sounding in the bass with the tonic as the highest-sounding note on the final chord. Imperfect Authentic Cadence - Answer This ca...

Organisation of pitch (melodically and harmonically) 'Pitch' refers how high or low a sound is Augmented 6th chord A chord containing the interval of an augmented 6th (e.g. A flat to F sharp in the chord A flat, C, E flat, F sharp) Cadence The chords that conclude a musical phrase (e.g. a perfect cadence with chords V‒I or an imperfect cadence with I (or other non-dominant chord) and V) Chord The simultaneous sounding together of two or more notes Circle of fifths A chord progressi...

Authentic Cadence The dominant sounding cadence that goes from a five chord to the tonic chord. This cadence is considered to be the strongest sounding cadence due to the presence of the supertonic to tonic progression as well as the leading tone to tonic progression. Perfect Authentic Cadence Has both the roots of the five and one chords sounding in the bass with the tonic as the highest-sounding note on the final chord. Imperfect Authentic Cadence This cadence may not have the...

A cappella Italian for 'in church style'. A term that refers to unaccompanied singing (as in NAM 26). Accented passing note A dissonant note sounded on the beat and filling the gap between two harmony notes. In NAM 22 the notes F and A in the right hand of bar 53 beat 4 are accented passing notes, clashing with the underlying C7 chord. See also Appoggiatura and Passing note. Acciaccatura An ornament printed as a small note with a slash through its stem and flag (l» that is either played...