Perfect cadence Study guides, Class notes & Summaries

Authentic Cadence The dominant sounding cadence that goes from a five chord to the tonic chord. This cadence is considered to be the strongest sounding cadence due to the presence of the supertonic to tonic progression as well as the leading tone to tonic progression. Perfect Authentic Cadence Has both the roots of the five and one chords sounding in the bass with the tonic as the highest-sounding note on the final chord. Imperfect Authentic Cadence This cadence may not have the...

OAE Study guide Music Question and answers rated A+OAE Study guide Music Root position triad - correct answer When the lowest sounding pitch is the root 1st inversion triad - correct answer 3rd of chord is lowest sounding 2nd inversion triad - correct answer 5th of chord is lowest sounding 3rd inversion 7th chord - correct answer 7th of chord is lowest sounding Authentic cadence - correct answer V - I or V - i Perfect authentic cadence - correct answer V - I or V - ...

ccurring in any order) Cadence - CORRECT ANSWER-The chords that conclude a musical phrase Perfect Cadence - CORRECT ANSWER-chords V‒

Authentic Cadence - Answer The dominant sounding cadence that goes from a five chord to the tonic chord. This cadence is considered to be the strongest sounding cadence due to the presence of the supertonic to tonic progression as well as the leading tone to tonic progression. Perfect Authentic Cadence - Answer Has both the roots of the five and one chords sounding in the bass with the tonic as the highest-sounding note on the final chord. Imperfect Authentic Cadence - Answer This ca...

Music Theory for CBMT Questions and Answers 2023, Graded A+ I Tonic ii Supertonic iii Mediant IV Subdominant V dominant vi Submediant vii leading tone 12 bar blues I, I, I, I, IV, IV, I, I, V, IV, I, I Blues Scale a major scale in which the 3rd, the 7th, and sometimes the 5th degrees are lowered 1 b3 4 b5 5 b7 Minor 2nd 1 half step Major 2 2 half steps minor 3 3 halfsteps Perfect 4th A perfect in...

Cadence Exam Questions & Answers 100% Correct! Authentic Cadence (Full Cadence) - ANSWER-V - I (dominant to tonic in root position) Phrases that end 2-1, 7-1, 4-3, 2-3 imply authentic cadences. Perfect Authentic Cadence - ANSWER-V - I (dominant to tonic in root position) Soprano: 2-1 or 7-1 Bass: 5-1 Imperfect Authentic Cadence - ANSWER-V - I (dominant to tonic in root position) Soprano closes on 5 or 3 Bass: 5-1 or contrapuntal cadence (such as 7-1 or 2-1) Contrapuntal Cadenc...

OAE Music Test Question and answers correctly solved OAE Music Test Motif - correct answer short musical fragment or idea that dominates and characterizes a piece Similar motion - correct answer Both parts moving in similar direction, but at different intervals Parallel motion - correct answer Both parts move in the same direction by the same interval Contrary motion - correct answer Two parts which move in opposite directions, eg as one part ascends the other part descends....

Cadence Types Questions & Answers (Graded A) Cadence Types Questions & Answers (Graded A) Cadence Types Questions & Answers (Graded A) Cadence Types Questions & Answers (Graded A) Cadence Types Questions & Answers (Graded A) authentic cadence - ANSWER-A cadence that involves the harmonic movement of the V chord to the I chord. imperfect authentic - ANSWER-V-I where one of the chords are inverted or the soprano does not end on the tonic. perfect authentic - ANSWER-V-I where both chords ...

Cadence Exam 2024 Questions & Answers 100% CorrectCadence Exam 2024 Questions & Answers 100% CorrectCadence Exam 2024 Questions & Answers 100% CorrectCadence Exam 2024 Questions & Answers 100% Correct Authentic Cadence (Full Cadence) - ANSWER-V - I (dominant to tonic in root position) Phrases that end 2-1, 7-1, 4-3, 2-3 imply authentic cadences. Perfect Authentic Cadence - ANSWER-V - I (dominant to tonic in root position) Soprano: 2-1 or 7-1 Bass: 5-1

Cadence Types(Graded A) authentic cadence - ANSWER-A cadence that involves the harmonic movement of the V chord to the I chord. imperfect authentic - ANSWER-V-I where one of the chords are inverted or the soprano does not end on the tonic. perfect authentic - ANSWER-V-I where both chords are in root position and the soprano ends on the tonic. conclusive cadence - ANSWER-Any cadence ending on the tonic chord. deceptive cadence - ANSWER-A cadence in which the dominant is followed by...