THE 131 Exam 3 Questions and Correct Answers, Complete Solution Updated 2024.

THE 131 Exam 3 Questions and Correct Answers, Complete Solution Updated 2024. The major festival of plays in ancient Greece was called the: A. City Zeusia. B. City Dionysia. C. City Athena. D. City Dionysus. B. City Dionysia. What term that we use today for contrived endings came about because of the overuse of gods to resolve difficult dramatic situations? A. Paradoi B. Skene C. Deus ex machina D. Eccyclema C. Deus ex machina Performances in ancient Greek theatres seem to have begun when, due in part to the lack artificial lighting? A. At sunset B. At dawn C. Late morning D. In the afternoon B. At dawn Which of the following did NOT write Roman comedy? A. Seneca B. Terence C. Plautus Seneca Like the Greek theatre which influenced it, the Roman theatre used a chorus to perform songs between the Episodes. True False False It was a theatrical convention in the performance of Greek tragedy for all of the speaking roles to be played by a total of ____ actors. A. one B. two C. three D. four C. three Plays were presented at all ancient Greek festivals honoring the gods. True False False Short, comic presentations, often parodying Greek myths, were called what? A. Satyr plays B. Dithyrambs C. Olio acts D. Thespians A. Satyr plays Similar to a modern parade float, which device was used to accomplish the processional staging of the English Wakefield Cycle? A. Tiring house B. Mansion C. Pageant wagon D. Plateau C. Pageant wagon Which of the following statements is true? A. All surviving Roman comedies are concerned with social or political satire. B. All surviving Roman comedies are based on Roman myths. C. All surviving Roman comedies are adaptations of Greek plays. C. All surviving Roman comedies are adaptations of Greek plays. Acting was a highly valued profession in Elizabethan England with many actors achieving celebrity and successful economic status during their lives. True False True French neoclassicism advocated all of the following EXCEPT A. The goal of using theatre to teach as well as to entertain B. The mixing of tragedy and comedy in the same play C. The use of lower to middle-class characters for comedy D. Adherence to the Unity of time, place and action B. The mixing of tragedy and comedy in the same play Which did NOT influence the development of Elizabethan drama? A. The short lifespan for continuous performances of the same play B. The regular basis of performances over a playgoing season lasting several months C. Strict adherence to neoclassical unities of time, place, and action D. Competition for a limited audience C. Strict adherence to neoclassical unities of time, place, and action Since the background for all scenes in the Globe Theatre, and others like it, was a formalized facade, specific locations of scenes were established primarily through dialogue in a convention known as what? A. Platea B. Mansions C. Spoken decor D. Allegory C. Spoken decor Italian playwright Carlos Goldoni's play _The Servant of Two Masters_ allows for moments of improvisation in its scripted text. True False True The Elizabethan staging conventions were an adaptation of medieval staging conventions. True False True In Venetian opera houses the cheapest and least desirable seating was located in the A. boxes. B. gallery. C. seats set on the stage. D. pit. B. Gallery Elizabethan theatre was a shift from professional, secular and regularly performed theatre to communal, religious and occasionally performed theatre. True False False Elizabethan theatre companies were fully financially supported by a noble patron. True False False In order for theatre to survive in Elizabethan England, professional groups had to: A. use a touring house, moving productions from space to space in order to capitalize on ticket sales for one theatrical performance. B. hire actors and theatre technicians on a temporary basis for each play. C. make the material sufficiently attractive and remunerative to keep their limited audiences coming back. D. borrow and rent costumes for each production. C. make the material sufficiently attractive and remunerative to keep their limited audiences coming back. In nineteenth-century melodramas, the audience always knew the characters' motives and feelings thanks to the actors' prevalent use of __________. A. remarks B. asides