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MUS 1030 Exam Questions and Correct Answers Latest Update Graded A+

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MUS 1030 Exam Questions and Correct Answers Latest Update Graded A+ What is a basic element of music? Introduction quiz - Answers melody What is the smallest unit of music? Introduction quiz - Answers a note Notes separated by large leaps exhibit what is called_____? Introduction quiz ...

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MUS 1030 Exam Questions and Correct Answers Latest Update Graded A+

What is a basic element of music?



Introduction quiz - Answers melody

What is the smallest unit of music?



Introduction quiz - Answers a note

Notes separated by large leaps exhibit what is called_____?



Introduction quiz - Answers disjunct motion

What musical element allows us to hear the difference between a piano and a trumpet playing the same
pitch?



Introduction quiz - Answers timbre

What is rhythm?



Introduction quiz - Answers the ordering of music through time

What is true of E. E. Bagley's National Emblem?



Introduction quiz - Answers it transforms the triple-meter melody of "The Star-Spangled Banner" into a
duple-meter match

A chord is ____.



Introduction quiz - Answers three or more notes played at the same time

When all the musicians of an ensemble sing or play exactly the same melody together, the resulting
texture is called _____.

,Introduction quiz - Answers unison

The Italian term for "loud" is _____.



Introduction quiz - Answers forte

What are three possible strategies for creating musical form?



Introduction quiz - Answers repetition, variation, and contrast

What is the musical texture of Play of Virtues?



The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers monophonic

What describes the rhythm of Play of Virtues?



The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers free rhythm

What best describes the overall melodic contour of each phrase in Play of Virtues?



The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers rising sharply, then gradually falling

What does Play of Virtues feature?



The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers both syllabic and melismatic setting of
the text

What change in texture occurs from the first half of Play of Virtues to the second half?



The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers the texture changes from monophonic
solo to monophonic unison

What is the texture heard during Eagle Dance?

,The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers monophony

What statements best describes the rhythm?



The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers it is free at the beginning
and then becomes metered

What is the overall melodic contour heard during this excerpt from Eagle Dance?



The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers Descending: It begins high
and gradually works its way to a low pitch

What does the Eagle Dance makes use of?



The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers vocables

What kind of rhythm does Eagle Dance have?



The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers free rhythm

The formal relationship between the soloist and chorus in Caro Mea is an example of ______.



The Middle Ages: Plainchant Alleluia, "Caro mea" - Answers responsorial chant

The texture heard throughout Caro Mea is ________.



The Middle Ages: Plainchant Alleluia, "Caro mea" - Answers monophonic

The singer embellishes and extends the word "Alleluia" by adding _____ to certain syllables.



The Middle Ages: Plainchant Alleluia, "Caro mea" - Answers a melisma

The rhythm of Behold, Spring is organized around what kind of steady pattern?

, The Middle Ages: Francesco Landini "Behold, Spring" - Answers triple meter

In Behold, Spring, Landini makes use of what type of texture?



The Middle Ages: Francesco Landini "Behold, Spring" - Answers two-part polphony

A stopping point in a song



The Middle Ages: Francesco Landini "Behold, Spring" - Answers cadence

What is the texture of No More than One Man Could Count the Stars?



The Middle Ages: Guillaume de Machaut "No More than One Man Could Count the Stars" - Answers
three-part polyphony

What structural event occurs at the end?



The Middle Ages: Guillaume de Machaut "No More than One Man Could Count the Stars" - Answers a
cadence

Describe the melodic motion in the various voices



The Middle Ages: Guillaume de Machaut "No More than One Man Could Count the Stars" - Answers the
upper voice moves slightly faster and is more active than the lower two voices

What is the texture of The Talking Sheep?



The Middle Ages: Alfonso el Sabio "Songs to the Virgin Mary, no. 147, 'The Talking Sheep' - Answers
monophonic, homophonic, and polyphonic

The long note held underneath the melodic line heard in this excerpt is called a _________.



The Middle Ages: Alfonso el Sabio "Songs to the Virgin Mary, no. 147, 'The Talking Sheep' - Answers
drone bass

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