⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
TFM SDSU Exam 3 with verified answers
Implicit Meaning - correct answer ✔under the surface, hidden meaning
Explicit Meaning - correct answer ✔obvious, surface meaning/story
Form - correct answer ✔the means by which a subject is expressed. the form for poetry, it's words; for
drama, it's speech and action; for movies it's pictures and sound
Content - correct answer ✔the subject, what it is about
Formal Analysis - correct answer ✔how a scene uses: narrative, cinematography, editing, sound, etc.
to convey the story/mood/meaning
Cinematic Invisibility - correct answer ✔techniques filmmakers use that are hidden from the audience
due to the passive experience and fast moving pictures of the film medium
Cultural Invisibility - correct answer ✔cultural norms unnoticed by audience of that culture, reinforce
viewer's subconscious beliefs or worldviews
Theme - correct answer ✔recurring idea that frames and defines a story
Realism - correct answer ✔interest in the actual/real life
Antirealism - correct answer ✔interest in the fatansy, abstract, or speculative
Cinematic Language - correct answer ✔accepted systems/methods/conventions how movies
communicate with viewer
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
,⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
What are the three fundamental principles of film form? - correct answer ✔light, illusion of
movement, manipulation of space and time
How do movies manipulate space? - correct answer ✔movies can move seamlessly from one space to
another or make space move
How do movies manipulate time? - correct answer ✔fragment time in many different ways or move
back and forth in time
Genre - correct answer ✔categorization of narrative films by the stories they tell and the way they tell
them
Omniscient Narration - correct answer ✔all knowing, information of any given character knows or
even what none do
Restricted Narration - correct answer ✔information only revealed as a character learns it
Protagonist - correct answer ✔primary character, pursuing goal(s)
Antagonist - correct answer ✔person/creature/group/force trying to obstruct protagonist
Anti-Hero - correct answer ✔outwardly unsympathetic protagonist in pursuit of a morally wrong goal
Diegesis - correct answer ✔entirety of a story's world
Diegetic Element - correct answer ✔takes place in the word of the story
Non-Diegetic Element - correct answer ✔on the screen, but takes place outside of the world like
background music, narration, or subtitles
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
, ⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
Inciting Incident (Catalyst) - correct answer ✔presents character with a goal to pursue
Rising Action - correct answer ✔narrative building toward peak, pursuit of goal
Crisis - correct answer ✔critical turning point, protagonist faced with obstacle
Climax - correct answer ✔highest point of conflict, protagonist's ultimate attempt of goal
Resolution - correct answer ✔concluding events, wraps up loose ends
Story - correct answer ✔all the events that are explicitly presented on-screen plus all the events that
are implicit or that we infer to have happened but are not explicitly presented
Plot - correct answer ✔events selected by filmmaker, arranged effectively to convey the narrative
Surprise - correct answer ✔viewers are unaware of the events that are about to take place
ex) bomb suddenly explodes under a dinner table without warning
Suspense - correct answer ✔viewers are aware of bomb but some or all characters are not
What is the difference between story and plot? - correct answer ✔the story includes things we did not
see on the screen, but are a part of the character's world.
plot is only what we see on screen happening
What is the difference between surprise and suspense? - correct answer ✔surprise- the audience
doesn't expect it to come
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
TFM SDSU Exam 3 with verified answers
Implicit Meaning - correct answer ✔under the surface, hidden meaning
Explicit Meaning - correct answer ✔obvious, surface meaning/story
Form - correct answer ✔the means by which a subject is expressed. the form for poetry, it's words; for
drama, it's speech and action; for movies it's pictures and sound
Content - correct answer ✔the subject, what it is about
Formal Analysis - correct answer ✔how a scene uses: narrative, cinematography, editing, sound, etc.
to convey the story/mood/meaning
Cinematic Invisibility - correct answer ✔techniques filmmakers use that are hidden from the audience
due to the passive experience and fast moving pictures of the film medium
Cultural Invisibility - correct answer ✔cultural norms unnoticed by audience of that culture, reinforce
viewer's subconscious beliefs or worldviews
Theme - correct answer ✔recurring idea that frames and defines a story
Realism - correct answer ✔interest in the actual/real life
Antirealism - correct answer ✔interest in the fatansy, abstract, or speculative
Cinematic Language - correct answer ✔accepted systems/methods/conventions how movies
communicate with viewer
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
,⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
What are the three fundamental principles of film form? - correct answer ✔light, illusion of
movement, manipulation of space and time
How do movies manipulate space? - correct answer ✔movies can move seamlessly from one space to
another or make space move
How do movies manipulate time? - correct answer ✔fragment time in many different ways or move
back and forth in time
Genre - correct answer ✔categorization of narrative films by the stories they tell and the way they tell
them
Omniscient Narration - correct answer ✔all knowing, information of any given character knows or
even what none do
Restricted Narration - correct answer ✔information only revealed as a character learns it
Protagonist - correct answer ✔primary character, pursuing goal(s)
Antagonist - correct answer ✔person/creature/group/force trying to obstruct protagonist
Anti-Hero - correct answer ✔outwardly unsympathetic protagonist in pursuit of a morally wrong goal
Diegesis - correct answer ✔entirety of a story's world
Diegetic Element - correct answer ✔takes place in the word of the story
Non-Diegetic Element - correct answer ✔on the screen, but takes place outside of the world like
background music, narration, or subtitles
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
, ⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
Inciting Incident (Catalyst) - correct answer ✔presents character with a goal to pursue
Rising Action - correct answer ✔narrative building toward peak, pursuit of goal
Crisis - correct answer ✔critical turning point, protagonist faced with obstacle
Climax - correct answer ✔highest point of conflict, protagonist's ultimate attempt of goal
Resolution - correct answer ✔concluding events, wraps up loose ends
Story - correct answer ✔all the events that are explicitly presented on-screen plus all the events that
are implicit or that we infer to have happened but are not explicitly presented
Plot - correct answer ✔events selected by filmmaker, arranged effectively to convey the narrative
Surprise - correct answer ✔viewers are unaware of the events that are about to take place
ex) bomb suddenly explodes under a dinner table without warning
Suspense - correct answer ✔viewers are aware of bomb but some or all characters are not
What is the difference between story and plot? - correct answer ✔the story includes things we did not
see on the screen, but are a part of the character's world.
plot is only what we see on screen happening
What is the difference between surprise and suspense? - correct answer ✔surprise- the audience
doesn't expect it to come
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
⪛⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙ ΙμλΜι Ιππππ ιΤΜΜτλ μτΧ⪛ ⪴⪴⪷⪱⪘ ⪞⪴⪸εΘΙΙμλΜ ιΙππππ ιΤΜΜτλ μτΧ
