100% satisfaction guarantee Immediately available after payment Both online and in PDF No strings attached
logo-home
Previously searched by you
Previously searched by you
logo
Summary Theories of Entrepreneurship and Management in the Creative Industries, All Materials (passed, 8) CA$15.97   Add to cart
Quickly navigate to
Preview
  2.  
  3. Universiteit Van Amsterdam (UvA)
  4.  
  5. Theories Of Entrepreneurship And Management In The Creative Industries (6314M0212Y)

Summary

Summary Theories of Entrepreneurship and Management in the Creative Industries, All Materials (passed, 8)

3 reviews
 210 views  23 purchases
  • Course
  • Theories Of Entrepreneurship And Management In The Creative Industries (6314M0212Y)
  • Institution
  • Universiteit Van Amsterdam (UvA)

This is all the literature & topics incorporated: Lecture 1: Business models in the creative industries Peltoniemi, M. (2015), Cultural industries: Product–market characteristics, management challenges and industry dynamics. International Journal of Management Reviews, 17(1), 41- 68. Frey...

[Show more]

Preview 2 out of 112  pages

Document information

  • November 6, 2022
  • 112
  • 2022/2023
  • Summary

Subjects

  • business models
  • fashion
  • museums
  • creativity
  • innovation
  • networks
  • value creation
  • fads
  • authenticity
  • release strategies
  • recommender systems

Written for

  • Universiteit van Amsterdam (UvA)
  • Master Business Administration Entrepreneurship In The Creative Industries
  • Theories Of Entrepreneurship And Management In The Creative Industries (6314M0212Y)
All documents for this subject (4)

3  reviews

review-writer-avatar

By: kersje149 • 3 weeks ago

review-writer-avatar

By: jettekerkhoff • 1 year ago

review-writer-avatar

By: kristinaarnaudova • 1 year ago

Seller

avatar-seller
SupremeSummaries

Reviews received

Content preview

Theories of Entrepreneurship & Management in the Creative Industries

Lecture 1: Business models in the creative industries
Peltoniemi, M. (2015), Cultural industries: Product–market characteristics, management
challenges and industry dynamics. International Journal of Management Reviews, 17(1), 41- 68.
Frey, B. S. & Steiner, L. (2010): Pay as you go: A new proposal for museum pricing, CESifo working
paper, Public Choice, No. 3045.
Caves, R.E. (2003). Contracts between art and commerce. Journal of Economic Perspectives, 17(2),
73-83.
Wijnberg, N.M. & Gemser, G (2000). Adding value to innovation: Impressionism and the
transformation of the selection system in visual arts, Organization Science, 11(3), 323-329.



Lecture 2: Creativity and innovation in creative markets
Voss, G. B., Sirdeshmukh, D. & Voss, Z. G. (2008). The effects of slack resources and
environmental threat on product exploration and exploitation, Academy of Management
Journal, 51(1), 147-164.
Castaner, X., & Campos, L. (2002). The determinants of artistic innovation: bringing in the role of
organizations, Journal of Cultural Economics, 26(1), 29-52.
Accominotti, F. (2009). Creativity from interaction: Artistic movements and the creativity careers
of modern painters, Poetics, 37(3), 267-294.
Phillips, D.J. & Owens, D.A. (2004). Incumbents, innovation, and competence: the emergence of
recorded jazz, 1920 to 1929, Poetics, 32, 281–



Lecture 3: Networks and value creation
Currid, E. (2007). The economics of a good party: Social mechanics and the legitimization
of art/culture. Journal of Economics and Finance, 31(3), 386-394.
Hinz, O., Skiera, B., Barrot, C., & Becker, J. U. (2011). Seeding strategies for viral marketing: An
empirical comparison. Journal of Marketing, 75(6), 55-71.
Cui, G., Lui, H. K., & Guo, X. (2012). The effect of online consumer reviews on new product sales.
International Journal of Electronic Commerce, 17(1), 39-58.
Chung, T. S., Wedel, M., & Rust, R. T. (2016). Adaptive personalization using social networks.
Journal of the Academy of Marketing Science, 44(1), 66-87
Case week 3: Crowdfunding for the arts
Mollick, E. (2014). The dynamics of crowdfunding: An exploratory study. Journal of Business
Venturing, 29, 1-16.




1 of 112

, Lecture 4: Fads and fashions
Salganik, M.J & Watts, D.J. (2008) Leading the herd astray: An experimental study of self-
ful lling prophecies in an arti cial cultural market, Social Psychology Quarterly, 71, 4: 338-
355.
De Groot, J.; Kackovic, M. & Wijnberg, N.M. (2020) Cultural Consumption as a Sign of Status in
the Workplace, research paper (there is a link to the pdf of this paper in the module of this
week's literature on Canvas).
Yoganarasimhan, H. (2012) Cloak or aunt? The fashion dilemma. Marketing Science, 13(1), 74-95.
Gemser, G. & Wijnberg, N.M. (2001) Effects of reputational sanctions and inter- rm linkages on
competitive imitation, Organization Studies, 22(4), 563-591.


Lecture 5: Authenticity and reality
Wei, J. (2012). Dealing with reality: Market demands, artistic integrity, and identity work in
reality television production, Poetics, 40(5), 444-466.
Beverland, M.B. & Farrely F.J. (2009). The quest for authenticity in consumption: Consumers’
purposive choice of authentic cues to shape experienced outcomes, Journal of Business
Research, 36, 838-856.
Ouellet, J.F., Savard, M.A., Colbert, F. (2008). The personality of performing art venues:
Developing a measurement scale, International Journal of Arts Management, 10(3), 49-59.
Mol, J.M. & Wijnberg, N.M. (2007). Competition, selection and rock & roll: the economics of
payola and authenticity. Journal of Economic Issues, 41(3), pp. 701-714.


Lecture 6: Release strategies and recommender systems
Krider, R. E., & Weinberg, C. B. (1998). Competitive dynamics and the introduction of new
products: The motion picture timing game. Journal of Marketing Research, 35(1), 1-15.
Elberse, A., & Eliashberg, J. (2003). Demand and supply dynamics for sequentially released
products in international markets: The case of motion pictures. Marketing Science, 22(3),
329- 354.
Koren, Y., Bell, R., & Volinsky, C. (2009). Matrix factorization techniques for recommender
systems. Computer, 42(8), 30-37.
Aguiar, L., & Waldfogel, J. (2018). Platforms, promotion, and product discovery: Evidence from
Spotify playlists (No. w24713). National Bureau of Economic Research, 1-42.
Knox, G., & Datta, H. (2020). Streaming services and the homogenization of music consumption.
Working paper (downloaded July 3, 2020)




2 of 112




fi

fi fl fi

The benefits of buying summaries with Stuvia:

Guaranteed quality through customer reviews

Guaranteed quality through customer reviews

Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.

Quick and easy check-out

Quick and easy check-out

You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.

Focus on what matters

Focus on what matters

Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!

Frequently asked questions

What do I get when I buy this document?

You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.

Satisfaction guarantee: how does it work?

Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.

Who am I buying these notes from?

Stuvia is a marketplace, so you are not buying this document from us, but from seller SupremeSummaries. Stuvia facilitates payment to the seller.

Will I be stuck with a subscription?

No, you only buy these notes for CA$15.97. You're not tied to anything after your purchase.

Can Stuvia be trusted?

4.6 stars on Google & Trustpilot (+1000 reviews)

81989 documents were sold in the last 30 days

Founded in 2010, the go-to place to buy study notes for 14 years now

Start selling
CA$15.97  23x  sold
  • (3)
  Add to cart