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Introduction to Art History: Beyond the Visual CA$12.39
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Class notes

Introduction to Art History: Beyond the Visual

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class notes on western art from Greco-Roman period to modern art, architecture and sculptures

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  • June 11, 2024
  • 5
  • 2023/2024
  • Class notes
  • Evgeniya makarov
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daeunlee
05.02
Art Historical Analysis
Architecture (buildings)

Residential (houses, apartments) - Commercial (offices, stores)

Institutional (schools, hospitals) - Religious (churches, temples)

Cultural (museums, theaters)

Industrial (factories, warehouses)

Sculpture (three-dimensional)

Freestanding (statues, abstract forms) - Relief (bas-relief, high relief)

Kinetic (moving sculptures)

Installations (interactive, site-specific)

The pictorial arts (two-dimensional) - Paintings

Drawings

Prints

Photographs

Crafts (designed objects, utilitarian)

Ceramics

Metalwork

Woodwork

Textiles

Media depicts or show installation arts resemble sculptures but it usually
includes interactive feature

Christo and Jeanne-Claude

site specific

performance art does not fit into any of the category

makes a piece of art out of experience




05.02 1

, experience pictorial documented

Art history adjusts to the dynamics of the respective generation and it is
continuously expanding

Art historical questions

How old is it

physical evidence: what is the medium, (ex: oil paint started to get used
post mid-15th century in Europe — Jan van Eyck, The Arnolfini

documentary evidence

official written documents mentioning the artist or the part work or
when the building was commissioned

how much funding was dispensed to get the art piece

The ambulatory int he Abbey of St. Denis, 1140-44

internal evidence: what is represented (ex: identifiable person, hairstyle
only at a specific time)

stylistic evidence

period style: ex: Frida Kahlo The Two Fridas, used surrealism
techniques/style (unconscious, dreams)

regional style: Kahlo includes distinct regional style and merges
with surrealism, a French movement

personal style: Kahlo makes her painting personal narrative with
realistic anatomical detail with stiffness and geometrically reflective
component

What is its subject

iconography: the visual images, symbols, or modes of representation
collectively associated with a person, cult, or movement

symbolism: The Four Evangelists from The Book of Kells

narrative: some artist don’t have this (abstract art without narrative) (ex:
Kazimir Malevich Black Square)

Who made it

attribution to individuals




05.02 2

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