Exam (elaborations)
HISTORY OF ROCK AND ROLL: QUESTIONS & ANSWERS
- Course
- Institution
HISTORY OF ROCK AND ROLL: QUESTIONS & ANSWERS
[Show more]
Seller
Follow
Studyhall
Reviews received
Content preview
HISTORY OF ROCK AND ROLL: QUESTIONS & ANSWERS12 bar blues Right Ans - classic blues structure; I I I I IV IV I I V IV I I
Tin Pan Alley form Right Ans - form AABA
Robert Johnson, "Crossroad Blues" (1936) Right Ans - a blues song;
recorded by Okeh Records, the singer had a mythology about him that he sold
his soul to the devil to play in the fashion he did; style includes acoustic guitar,
rhythmic method of playing
Bessie Smith, "St. Louis Blues" (1925) Right Ans - a classic blues song; 12
bar blues, call and response method, has an organ backing it up; the singer
goes off the written music quite a bit and formed her own "swing" type style;
Louis Armstrong was on the cornet
BB King, "Three O'Clock Blues" (1952) Right Ans - Mississippi Delta style
blues, produced by Sam Phillips (later Sun Records), gospel influence in the
vocals (melisma), voice and guitar call and response; was known for using
vibrato and pitch-blending on the guitar, 12 bar blues
Muddy Waters, "Hoochie Coochie Man" (1954) Right Ans - Mississippi
Delta style blues, used amplification almost to the point of distortion, had the
stop time band for this song; 16 bar blues (8 bars of stop time riff [blues riff]);
mixes sexuality and voodoo/hoodoo, has urban sound but Delta blues
elements
Howlin' Wolf, "Smokestack Lightnin'" (1956) Right Ans - Mississippi Delta
style blues; based on trains he saw when he was younger, themes include
trains and migration; used amplification, harmonica, 1 chord, 1 riff, "howling"
vocals
Jean Ritchie, "Barbara Allen" (1961) Right Ans - originally a 17th century
Scottish ballad; a "hillbilly" song, about ill-fated lovers; 1960s folk revival
The Carter Family, "Can the Circle Be Unbroken" (1935) Right Ans -
hillbilly/country song; has religious context, close vocal harmony - sacred
harp/shape note singing; known for "Carter Scratch;" form is verse/chorus;
image of the band tended to be serious and quiet
, Bob Wills and his Texas Playboys, "New San Antonio Rose" (1938) Right
Ans - western swing with influences from country, blues, swing, big band,
Tejano. Uses strings, guitar, big band, trumpets (mariachi sound); has Tin Pan
Alley form. Big band leaders tended to not sing and instead led the band,
which was the case in this song.
Jimmie Rodgers, "Waitin' On a Train" (1928) Right Ans - country + western
(eventually); singer was a brakeman working on trains, style included blues,
jazz, vaudeville, yodeling. The form is strophic (same form every time). The
singer presented himself as having a "rambler" persona (wanderer, hard-
living, authentic), known for blues yodels
Hank William, Sr. "Move It On Over" (1947) Right Ans - country; 12 bars
blues, Jimmie Rodgers-style rambler persona. His life played out the theme of
alienation and he died at 29; sounded older than he was, utilizes a guitar solo.
Fusion between vocals (smooth/nasal), urbanizing, also rural; drums are
featured in song); the lyrics line up with the hard living rambler persona;
compare to Bill Haley's "Rock Around the Clock"
Kitty Wells, "It Wasn't God Who Made Honky-Tonk Angels" (1952) Right
Ans - country; singer possessed a sweetheart persona; answer song to Hank
Thompson's "Wild Side of Life." Country women did not have much choice for
a persona - girl next door or sweetheart were their main choices.
Johnny Cash, "I Walk the Line" (1956) Right Ans - country; possessed a
persona of contradiction (rambler), emphasized "simplicity," lyrics of song
address marital fidelity, has a train motif and blues crossover elements
Louis Armstrong, "West End Blues" (1928) Right Ans - jazz; written by his
mentor, the recording includes the artist and his Hot 5, Earl Hines plays the
piano, 12 bar blues form, emphasizes instrumental solos with a trumpet
cadenza, scat vocal (duet with clarinet), piano solo, ends with trumpet solo
Bing Crosby, "Brother Can You Spare a Dime" (1932) Right Ans - solo artist,
jazz style; utilizes a swing jazz band and the crooner style (thanks to the new
microphones), AABA form, major/minor modes, themes of the Great
Depression; unlike most Tin Pan Alley-type songs, which tended not to
The benefits of buying summaries with Stuvia:
Guaranteed quality through customer reviews
Stuvia customers have reviewed more than 700,000 summaries. This how you know that you are buying the best documents.
Quick and easy check-out
You can quickly pay through credit card or Stuvia-credit for the summaries. There is no membership needed.
Focus on what matters
Your fellow students write the study notes themselves, which is why the documents are always reliable and up-to-date. This ensures you quickly get to the core!
Frequently asked questions
What do I get when I buy this document?
You get a PDF, available immediately after your purchase. The purchased document is accessible anytime, anywhere and indefinitely through your profile.
Satisfaction guarantee: how does it work?
Our satisfaction guarantee ensures that you always find a study document that suits you well. You fill out a form, and our customer service team takes care of the rest.
Who am I buying these notes from?
Stuvia is a marketplace, so you are not buying this document from us, but from seller Studyhall. Stuvia facilitates payment to the seller.
Will I be stuck with a subscription?
No, you only buy these notes for CA$14.51. You're not tied to anything after your purchase.
Can Stuvia be trusted?
4.6 stars on Google & Trustpilot (+1000 reviews)
75632 documents were sold in the last 30 days
Founded in 2010, the go-to place to buy study notes for 14 years now