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Grade 11 Visual Arts - Impressionism Summary CA$3.97   Add to cart
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Grade 11 Visual Arts - Impressionism Summary
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  • Course
  • Visual Arts and Music
  • Institution
  • 11th Grade

This guide on Impressionism covers key influences, techniques, and artists who focused on capturing fleeting moments and the effects of light. Ideal for students, it explores Impressionism’s innovative approach to modernity and visual perception in art

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Document information

  • November 1, 2024
  • 1
  • 2020/2021
  • Summary

Subjects

  • impressionism

Written for

  • 11th Grade
  • Visual Arts and Music
  • 200
All documents for this subject (21)

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TanyaChigs

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Content preview

BACKGROUND
-

Monets
IMMDTINNISM
19th
century after

/10/17795/9 , / /j /" I
"

AVANT GARDE
,


sunrise impression
concentrated on subjects immediate new and
cutting edge rejecting
appearance past (antiquity etc . )
Ideas of the
·
explored formal qualities of
INFLUENCES EDOUIRID MMAINE I different media .

Edouard Manet-vigorous Sketchy Folies-Bergere
·
>
-
A Bar at the
brushstroke visible on canvas
needthings
technology-light weight Ano
reflection
seeing a
<

·
new
they as are >
gaze is direct ,
but unreadable EID CAIR IDEGA S ,
easels paint anymore a
,
tubes and the
cera focusonhumanfuremoderne
·
Japanism -



due to trade with the east
distance andcloseness
~




· literature and music of the time (reflects
modernity)
MODERNITY Olympian
> Arrival of
like
-

(Monet)< looks a real women as compared
Normandy Train
to see
to a Venus (features =
not idealised)
starting images
sentient
and
of
technology (trains looking directly atthe
and lampposts > postritute -

sense of
vulgarity
> industrialisation flatness of the body and emphasises ↳ The tub
the unexpected (i e hands .




>
voyeurism
-
a sense of

BEINDIR CLANIDE IM BINETI intruding on a private
moment
>
- Ronen Cathedral (Series) for male
Lucheon of the
>
satisfactory
boating party during different times of
day viewers as she isnot
g) sentient and does not
< sense of mass to
figure capturing the fleeting of
day
light form
lacking sense of fightback or return

focus onthesuburba b three-dimensionality
viewers gaze (as opposed
counter weight as well
counter
>
different light reshapes the to Manet's olympial
as glancing and forms of the cathedral . sense of nakedness rather
glancing
>




wildly colorful and Water Lilies o
than
nudity
very lively
> Illusion of space Intese colour and colour
harmony
looking across the pond and
.




more around space

infinity of depth , no sense of
permanence

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