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Summary sheets | 'Antony and Cleopatra' by Shakespeare | Includes key quotes and analysis, context and critics

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Module
Unit 2 - drama

Institution
WJEC

These are summary sheets for 'Antony and Cleopatra' by William Shakespeare. They include key quotes and a concise analysis, relevant contexts and critical quotes.

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Uploaded on September 6, 2023
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antony and cleopatra
shakespeare
drama
english literature
paper 2 drama
quotes
context
critics
a level equdas english literature
summary

alprosoymilk Member since 1 year 16 documents sold

ANTONY AND CLEOPATRA - QUOTES
Quote Brief analysis

‘This dotage of our General’s o’erflows the - Double meaning: growing senile, overly affectionate.
measure.’ - Metaphor: Egyptian excess, drinking.

‘Glowed like plated Mars’ - Godlike imagery: Mars the military god of war.
- Simile: illustrates his admirable strength and power.

‘The triple pillar of the world transform’d into a - Metaphor: demonstrates loss of power, derogatory terms.
strumpet’s fool.’

‘Let Rome in Tiber melt, and the wide arch of - Hyperbolic imagery: Antony’s values changing: indulgence and pleasure,
the ranged empire fall!’ neglecting Rome.

‘Eternity was in our lips and eyes, bliss in our - Sibilance and soft plosives: rhythm reflects their sensuality and intimacy.
brows’ bent.’

‘He fishes, drinks and wastes the lamps of - Rule of three: dishonourable behaviour.
the night in revel.’

‘It is not amiss to tumble of the bed of - Plosives: reflect the playful intimacy of their relationship but also
Ptolemy; to give a kingdom for a mirth.’ Caesar’s contempt for it.

‘O happy horse, to bear the weight of - Sexual innuendo: expresses her sexuality freely, Egyptian values of
Antony!’ pleasure. Comedic effect.

‘A morsel for a monarch’ - Food metaphor: women as consumption for men.

‘The barge she sat in, like a burnish’d throne, - Soft plosives: rhythmic movement of the barge.
burnt on the water.’ - Water imagery: sensuality, femininity.
- Juxtaposition of elements: Cleopatra’s variety, power.

‘On each side her stood pretty dimpled boys, - Reversal of gender roles: boys catering to a female monarch, luxury of
like smiling Cupids.’ Egypt.
- Cupids: connotes irresistibility of Cleopatra.

‘Age cannot wither her, nor custom stale her - Hyperbolic language: admiration for Cleopatra.
infinite variety.’

‘I’ll spurn thine eyes’, ‘I’ll unhair thy head!’ - Verbification: her physical and verbal violence.

‘Our graver business frowns at this levity.’ - Personification: shows the seriousness of matters.

‘If I lose mine honour, I lose myself.’ - Polyptoton: his honour is who he is.

‘On a tribunal silvered, Cleopatra and himself - Semantic field of royalty: silver, gold, enthroned. Egyptian values of
in chairs of gold were publicly enthroned.’ excess. Publicity, celebrity.

‘The dust should have ascended to the rood - Hyperbolic image: uncharacteristic of Caesar. Shows his care for
of heaven, raised by your populous troops.; Octavia.

‘As president of my kingdom will appear there - Imperatives: directing Enobarbus, who is not her own follower - displays
for a man.’ her dominance over men.
- Reflects Elizabeth I’s Tilbury speech.

‘By sea, by sea’ - Repetition: almost childish stubbornness.

‘Strike not by land; keep whole.’ - Imperatives, simple diction: clear, calculated instructions. Governed by
logic, not emotions, contrasting Antony.

‘Like a doting mallard leaving the fight in - Simile, bird imagery: dishonour and shame, coming from his own
height, flies after her.’ follower.

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