University of Exeter (UOEX)
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Two land law problem questions and answers high 2.1 (69%) on easements and leases. Very clear structure.
First class (75%) land law essay (mortgages) on the doctrine/rule against clogs and fetters and its impact on the equity of redemption. Analysed and criticised using established academics to support the argument. Feedback received: "This is a well-written, well-researched essay which shows an excellent understanding of the doctrine, as well as various (several) academic viewpoints on its desirability. I liked how you showed us the various other (and better) mechanisms that are in place to pr...
This is the guide I made and used to achieve 80%+ in my land law problem question. It only covers formalities, land registration, actual occupation, section 28 LRA, proprietary estoppel, mortgages
An in-depth, easy-to-understand description of protein structure, how to read Ramachandran plots, and different ways to visualise proteins.
Filmic Analysis. Though both films were produced in contrastingly different phases of American film production, both Jaws (1975) and Speed (1994) constitute as successful high-concept films by attracting audiences and being an enormous success at box office. Particularly in both, the films marketing strategies in connection to the simplicity of the initial narrative idea, contribute to the success of both films at attracting audiences and creating profits. Typical of a high-concept film, both pl...
In this essay, I will be analysing what seems to automatically happen between the screen and the spectator when watching Fish Tank (Andrea Arnold, 2009) as a result of director Andrea Arnold’s successful usage of specific images, sound and various effects throughout the film. Throughout, I will particularly be analysing the experience I gained when watching the film and analyse how Arnold uses realism to create this connection in order to prove that cinema works as an affective space through c...
Throughout both films Atlantics (Mati Diop, 2019) and Fish Tank (Andrea Arnold, 2009), it is evident that both narratives hold great compatibility with feminist film theory. Though it is more apparent when watching Andrea Arnold’s Fish Tank, one can see the ways in which both films set out to transcend patriarchal film practices. By doing this, both directors purposefully go against predictable film portrayals of patriarchy and instead enable the viewer to rethink the impact of gender roles wi...
Throughout the entirety of Inside No.9’s episode Diddle Diddle Dumpling (Morales, 2017), the director Guillem Morales demonstrates his ability to utilise specific aspects of mise-en-scéne to not only engage our attention but accentuate meaning by reflecting the narrative within the boundaries of the film frame. In this essay, I will be exploring this in more depth as well as arguing that Morales contributes to the narrative by reflecting a sense of loss, absence, and separation through mise-e...
In this essay I will be applying semiotic concepts in relation to feminist critique in order to analyse the extent of which this production of A Doll’s House creates apparent and indented meaning for the audience.
Within this essay, I will be specifically focusing on Katrina Lindsay’s successful efforts, as the costume designer, to create coherence between the costume and story as well as reflect each character’s status within the time period in which the play is set.Furthermore, in this essay, I will be exploring how to apply these key concepts in semiotics to analyze a performance and prove that theatre creates meaning through signs. I will also focus on how the creative descions made within costume...