Television: Times, Trends and Technologies (EAF2511)

In this essay, I will be questioning why David Simon’s The Wire (HBO, 2002), a prime example of quality television within an American context, must strive for an immersive viewing experience in order for viewers to understand the complexity of the narrative. Specifically, I will be analysing the extent to which The Wire possesses the power to control the behaviour of its viewers, whether promoting or resisting narrative engagement, through its complex structure and visual approach.

n this viewing diary, I will be reflecting and recording my developing ideas surrounding the representation of societal issues in two impactful episodes from Delhi Crime (Netflix, 2019) directed by Richie Mehta. Particularly, I will be considering the development of my judgements surrounding Mehta’s choices to successfully and sensitively present a traumatic event on television. Central to my argument is recognising televisions evolution by recording my evolving opinions on Mehta’s conveymen...