Spanning a range of Twelfth Night's themes and characters within the overall lens of comedy, this bundle of 12 exemplar essays from both sections of the paper provide a clear indication of what must be written to achieve an A* in the AQA English Literature A Level.
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‘In Twelfth Night, men are presented as having a greater depth of feeling than women.’ To what extent do you agree with this view?
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Add to cart‘In Twelfth Night, men are presented as having a greater depth of feeling than women.’ To what extent do you agree with this view?
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‘Twelfth Night disrupts ideas of class, status and gender.’ How far do you agree with this view of the play?
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Add to cart‘Twelfth Night disrupts ideas of class, status and gender.’ How far do you agree with this view of the play?
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‘In Twelfth Night, love causes complications but leads ultimately to joy.’ To what extent do you agree with this view?
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Add to cart‘In Twelfth Night, love causes complications but leads ultimately to joy.’ To what extent do you agree with this view?
'In Twelfth Night, love is always presented as an irrational and uncontrollable force.' To what extent do you agree with this view?
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Add to cart'In Twelfth Night, love is always presented as an irrational and uncontrollable force.' To what extent do you agree with this view?
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'Because Malvolio is the comic villain of the play, it is impossible for audiences to sympathise with him'. To what extent do you agree with this view?
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Add to cart'Because Malvolio is the comic villain of the play, it is impossible for audiences to sympathise with him'. To what extent do you agree with this view?
'In Twelfth Night, the discomfort of the characters always excites laughter rather than concern.' To what extent do you agree with this view?
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Add to cart'In Twelfth Night, the discomfort of the characters always excites laughter rather than concern.' To what extent do you agree with this view?
Act 4, Scene 2; Feste visits Malvolio during his imprisonment, disguised as Sir Topas.
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Add to cartAct 4, Scene 2; Feste visits Malvolio during his imprisonment, disguised as Sir Topas.
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Act 3, Scene 4; Malvolio professes his love for Olivia.
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Act 4, Scene 2; Feste visits Malvolio during his imprisonment, disguised as Sir Topas.
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Add to cartAct 4, Scene 2; Feste visits Malvolio during his imprisonment, disguised as Sir Topas.
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Act 3, Scene 1; Olivia declares her love for Cesario (Viola in disguise).
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Add to cartAct 3, Scene 1; Olivia declares her love for Cesario (Viola in disguise).
Act 1, Scene 4; the Duke Orsino sends Cesario (Viola in disguise) to woo the Countess Olivia.
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Add to cartAct 1, Scene 4; the Duke Orsino sends Cesario (Viola in disguise) to woo the Countess Olivia.
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Act 2, Scene 3; Maria devises a plan to ridicule the household's steward, Malvolio.
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Add to cartAct 2, Scene 3; Maria devises a plan to ridicule the household's steward, Malvolio.
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