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Summary Critics Critics for Antony and Clepoatra by Themes £7.49
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  2.  
  3. PEARSON (PEARSON)
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  5. English Literature 2015
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  7. Antony and Cleopatra

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Summary Critics Critics for Antony and Clepoatra by Themes
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This document presents a comprehensive thematic analysis of William Shakespeare's "Antony and Cleopatra," designed to provide critical insights and perspectives for scholars, students, and enthusiasts alike. Through a systematic exploration of key themes, motifs, and character dynamics, these notes...

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  • April 2, 2024
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  • 2023/2024
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Anthony and Cleo Critics by Themes
Love, Pleasure, Passion, Hate, and Decadence
 love is "described in terms of power: languages of possession, subjugation and
conspicuous wealth" – Jonathon Dollimore
 Antony and Cleopatra "dying together" constitutes the supreme consummation of
love. – Noman Holland
 The conflict of Rome and Egypt mirrors the conflicts within the two main characters
"who become at war with themselves" – Norman Holland
 'Better to win with Antony than loose with Caesar' – Bevington
 'In Antony an Cleopatra the game of love has been a game of politics and been a game
of power' – Bowers
 exemplars of noble and true love - Hamilton

Honour, Loyalty, Friendship, Tragedy, and Betrayal
 'Could have done much more to create dramatic tension.'
'For a tragedy it is not painful'
'Fault tragedy' - A C Bradley
 'Some critics have had issues with seeing Antony as a tragic hero as he lacks stature
compared to other tragedies' – Robert Frost
 people 'loyal only to masters whose will is unconditionally free' – Yachnin
 'The tragedy of Antony and Cleopatra is, above all, the tragedy of Antony.' – Danby
 'Honour pretends to integrity' - Dollimore

Power, Manipulation and Strategy
 "lead us from multiplicity and chaos to unity, simplicity and coherence" – G Wilson
Knight
 "forces and relations of power" rather than individual bravery – Johnathon Dollimore
 "A Machiavellian sense of political reality is the entirety of Octavius' mentality" –
Frank Kermode

Cultures, Setting, Imagery and Nature
 "world imagery- the most general pattern of imagery in the play" – Maurice Charney
 "a many-sided picture of imperial Rome refracted through the mind of a keen political
observer in his own day" – Victor Kiernan
 The conflict of Rome and Egypt mirrors the conflicts within the two main characters
"who become at war with themselves" – Norman Holland
 Rome is portrayed as "cold", "white", "male", "logical", and "sexless".
Egypt is portrayed as "hot", "erotic", "exotic", and "irrational". – Lennard
 Antony and Cleopatra is one of Shakespeare's most "temporally and geographically
distended play" which reminds the audience just what was at stake. This was a play
based on grand political tensions. The characters were literally quarrelling over who
should control the 'known world'. – Lennard

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