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A Streetcar Named Desire Notes

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This is a small supplementation to the previous document which includes the words and phrasings of certain AOs.

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  • May 29, 2024
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Nuggets of Desire

Williams choses to have no act division which creates the sense that there is a relentless
movement towards Blanche’s final catastrophe, which subverts theatrical divisions

Stella attaches herself firmly to Stanley to prevent her sister infantilizing her ‘You messy
child’ ‘Blesses baby’ ‘precious lamb’

Blanche’s chief motivation is her need to find protection which is dictated by the
tradition of the old South which instil the desire for fantasy in another person- a male
saviour

Blanche’s sexuality and her desire to be special isolates her from others

Blanche is capable of exciting pity from the audience- which is described by Aristotle as
a hallmark of tragedy

It is a tragic irony that the only way that Blanche can attract the special attention she
craves is by exploiting the sexuality that debases her and which leads her without the
possibility of a second marriage

Williams stresses the relationship between the set and the character within the play:
- ‘atmosphere of decay’
- ‘Van Gogh's billiard-parlour at night. ‘Lurid’ ‘raw colours of childhood’s spectrum’
-demonstrates a lack of delicacy and sophistication, grotesque mix of colours
- ‘Lurid reflections appear on the walls in odd, sinuous shapes. The "Varsouviana"
is filtered into a weird distortion, accompanied by the cries and noises of the
jungle’ -demonstrates the feeling of Blanche being hunted

Blanche's illusions demonstrated through costume- Jewelry ‘Rhinestones’ ‘ Mardi Gras
outfit’

Just as Stella goes into labour: “El pan de mais, el pan de mais, El pan de mais sin sal” =
'the maze bread without salt' = showing Blanche's insanity = also, a loaf of bread
without salt will not rise and it is tasteless, similarly a woman without beauty will not be
able to find a husband and will be cast aside for being too 'bland'




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