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Summary OCR Classical Civilisation A Level: Notes on Bacchae £10.56   Add to cart

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Summary OCR Classical Civilisation A Level: Notes on Bacchae

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Used for Summer 2024 exams

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Worship of Dionysus

Characteristic symbols:
 Bulls
 Serpent
 Ivy
 Wine

Had a strong association with:
 Nature
 Fertility
 Mythological creatures: satyrs, centaurs, sileni.
 Euphoria & ecstasy (pleasure)
o Achieved through ceremonies involving wine and bringing one closer to
nature.

Rituals/ Dionysiac mysteries:
 Using trance inducing substances & lots of wine (dance and music were also used) to
remove inhibition – going wild, not holding back, cathartic.
 Wine played a huge role – what one felt while drinking was caused by being
possessed by Dionysus’ spirit.
 Bulls and goats were associated with wine so worshipped:
o Bulls: horns = vessels wine drunk from.
o Goats: flesh provided wineskin.
 Offerings were left at the ritual:
o Because they hoped Dionysus would make their lives better.
o Such as fig, ivy, wine, music and frankincense.

Bacchae: Scene by Scene

Semele = Dionysus’ mother who slept with Zeus
Agave, Autonoe, Ino = Her sisters who didn’t believe her
Actaeon = son of Autonoe
Pentheus = son of Agave, King of Thebes
Cadmus = ex-king of Thebes & grandfather to P and D
Maenads/bacchants = followers of Dionysus

Chorus has strong views about what happens on-stage:
The chorus: hostile to Pentheus and rejoice in his death.

,Prologue: p2-5
Synopsis: Dionysus introduces himself and his reason for coming to Thebes disguised as the
human leader of the Dionysiac cult (telling his story)

 Euripides often opened with a single character explaining what’s going on – unlike
Sophocles who preferred dialogue.
 Many Gods deliver prologues in Euripides’ plays – BUT only in Bacchae does the God
stay on to play a major role.

 ‘I, Dionysus, son of Zeus’: starts with a God on stage not above it on the mechane –
unusual – Euripides tends to push boundaries
 ‘Green clusters of a vine’: vines & ivy are linked with Dionysus.
 He has ‘travelled’: exotic to the Greeks ‘Bactria’ ‘Medes’ ‘Rich Arabia’.
 ‘it’s fair towered cities filled with Greeks and barbarians’: barbarians were anyone
that was not Greek, Athens is used to this mix as it is a high trade spot
 ‘Revealed to mankind as a God’: he is here to be worshipped.
 ‘thyrsus’: main symbol of Dionysiac worship – staff wrapped with ivy.
 ‘I have stung them into a frenzy….on the mountain’ ‘sitting on bare rock under the
green pine trees’- REVENGE:
o Possessed the women to teach the city a lesson (Greek women ran the
household so without them everything halts)
o Semele’s sisters didn’t worship D so he is punishing them by driving ALL
women out of Thebes (they didn’t personally offend him but still don’t
worship him)
o Hubris – leads to nemesis from the God (Dionysus) who now aims to tackle
Pentheus.
 ‘Attempts to take the bacchants…I shall fight them’.
 ‘I have out aside my true form…of a mortal man’: disguised to take revenge.
 ‘Tmlous’: mountains in Lydia – his bacchants have followed him from Persia (the
chorus)
 ‘Mother rhea’: Zeus’ mother, Dionysus’ grandmother – Dionysus trying to prove
himself as Greek because he is a bit foreign
 ‘Cithaeron’: mountain just outside Thebes
 ‘Come to this royal house of Pentheus….city of Cadmus’: wants the bacchants to
annoy the royal family.
 By end: clear that his purpose behind his coming actions is to be worshipped & this
set the scene (vengeful and complicated family background)


Parodos: p5-9
Synopsis: 1st entry of the chorus – they sing a hymn in honour of Dionysus as they have come
to Greece following their cult leader.

Begins like a Greek prayer.
 ‘Bromios’: another name for Dionysus, means ‘the Thunderer’ to draw attention to
his wildness and power.
 ‘Blessed is he who is good fortune’ - aka anyone who honours these us blessed:

, o ‘Knows the rites of the God’.
o ‘Who leads a life of reverence’.
o ‘Who dances in the mountains’.
o ‘Who honours the rights of great mother Cybele’
 ‘Cybele’: Persian mother goddess embodying fertility of the earth.
 ‘ivy’

Then begins to talk about the life of Dionysus starting with his birth.
 ‘when his mother was carrying him….. hidden away from Hera’: telling the myth –
Semele dies in childbirth due to the thunder strike from Zeus, Dionysus is born
premature, Zeus saves him and sows him into his thigh to protect from Hera.
 ‘thrust him prematurely’: Dionysus is twice born as he was born then but also when
he came out of zeus’ thigh
 ‘he crowned the child….untameable beasts in their hair’: why maenads have snakes
in their hair

Then talks about what the women have done so far.
 Far from their shuttles and looms, strung into a frenzy by Dionysus’: pointing out that
they should be at home weaving – breaking from traditional domestic lives.

Then emerges into cult of Dionysus aspects:
 ‘The Curetes’: minor divinities of Crete who played a role in the story of Zeus’ birth
o (z’s father Cronus feared a prophecy where his son would overthrow him so
swallowed his children as soon as they were born – when Zeus was born Rhea
went to Crete, gave birth in a gave and the curetes beated drums to prevent
z’s cries from being heard)
 ‘corybants’: spirit of nature associated with Cybele and Dionysus
 Lexis of pleasure, music, dancing:
o ‘Dance of ecstasy’
o ‘Phrygian flutes’
o Biennial dance’
 ‘satyrs’: traditional companions of Dionysus – associated with sexual freedom, wine,
music and ecstatic dance.
 Oreibasia: mountain dancing
o Gather at night to drink, dance to loud music of drums & high-pitched flutes.
o ‘With running and dances he spurs on the stragglers’.
o ‘Ground flows with milk, flows with wine, it flows with the nectar of bees’ –
prolepsis to 1st messenger speech.
o ‘Blazing flame of the pine torch’
o ‘Eating raw flesh’.
o ‘Tossing his long, thick hair in the breeze’: shows D as sexy, fertile & feminine.
o ‘Deep booming drum’: noisy, chaotic
o ‘Joyfully singing’ ‘music of the pipes’ (aulos)
o ‘euoi’: a bacchic cry
o Participants felt joy – outsiders (Pentheus) felt suspicion, revulsion & fear.

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