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Summary A Doll's House - Top 5 "Episodes" w/ Quotes and Analysis £8.49   Add to cart

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Summary A Doll's House - Top 5 "Episodes" w/ Quotes and Analysis

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Condensed and easy-to-memorise "episodes" from A Doll's House that can be used in any essay you'll need! Complete with thorough analysis of each "episode" and ideas you can use in your essays to get high marks.

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  • Moments of high tension or moments that contribute to the overall message of the play.
  • August 5, 2020
  • 6
  • 2020/2021
  • Summary
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A Doll’s House Notes
Top 5 Episodes

Episode 1: Opening Dialogue – the Formation of a Clichéd Marriage

 Setting: ‘a piano,’ ‘engravings on the wall,’ ‘a what-not with china,’ ‘small bookcase with
leather bound books.’
o This is clearly the setting of a middle class home.
 Use of epithets – ‘little squirrel,’ ‘little songbird,’ and ‘squanderbird.’
o Very derogatory, with ‘songbird’ having intertextual links to feminist literature.
o Representative of the mask Nora wears around Torvald.
o ‘poor little Nora.’
 Theme of dependence – ‘on New Year’s Eve a tile fell off the roof on to my head’ – T ‘Don’t
say such dreadful things!’ – N
o ‘I’ll wrap up the [money] notes in pretty gold paper and hang them on the Christmas
tree.’
 Lacks fundamental understanding of money in appearance, but in reality
she’s highly capable – this is the image Nora wants to convey to Torvald, link
to Feminist anthology = helplessness is admirable.
o ‘It’s incredible what an expensive pet she is for a man to keep.’ - T
 Paternal, dehumanising.
 Motif of the ‘bag of macaroon’ in opening stage directions.
o Nora lies about having macaroons blatantly to Torvald, ‘no, how can you say such a
thing?’
 Petty lie builds on the paternal image in their marriage’s dynamic.
 Small sign of rebellion potentially, indicative of her future rejection of
Torvald’s patriarchal love.
 Idea that her looks will spoil should she indulge herself – shallow love.
o ‘(pops a macaroon into [Rank’s] mouth).’ = symbol of pride at the discovery that
everyone at the bank comes under Torvald.

Episode 2: Confrontation with Krogstad – Inciting Incident = Turning Point

 Krogstad is met, but not fully characterised besides knowledge that he has mysterious
connections to Nora and Linde.
o Rank describes him as ‘a moral cripple,’ ‘morally twisted.’
 Question-answer structure of the scene mimics that of a lawyer interrogating a criminal,
anticipating Nora’s criminal actions and condemning her.
o ‘You have a moment to spare?’ – insinuates power is in Nora’s hands, when it is very
well known it is not = power play. - K
o ‘I imagine [Torvald] has his weaknesses like other married men.’ -> use sex to
influence him. - K
 ‘My sons are growing up: for their sake, I must try to regain what respectability I can.’ - K
o Krogstad is a humanised villain, adding to the genre of the well-made play and
directly parallels Nora later in the play.
 ‘I can assure you it is no bigger nor worse a crime than the one I had
committed and thereby ruined my whole social position.’ - K

, o ‘This job in the bank was the first step on the ladder. And now your husband wants
to kick me off that ladder back into the dirt.’ - K
 ‘If I get thrown into the gutter for a second time, I shall take you with me.’ -
K
 A humanisation of social climbers?
o Crux of the play is on the fact that ‘a wife can’t borrow money without her
husband’s consent.’ – L
 ‘Hasn’t a daughter the right to shield her father from worry and anxiety
when he’s old and dying?’ - N
 ‘Hasn’t a wife the right to save her husband’s life?’ - N

Episode 3: Things Get Worse For Nora – Conflict Deepens

 ‘I’ll do everything that you like, Torvald.’ – N whilst ‘decorating the tree.’
o Belief that Torvald is faultless in the marriage, a victim.
 ‘I’ll sing for you, dance for you.’ – N willing to play the part to retain her own
happiness = takes enjoyment from his satisfaction?
o Torvald ‘(wags his finger)’ after uncovering Nora’s lie that Krogstad had been talking
to her.
 ‘A songbird must have a clean beak to sing with.’
 Reiteration of epithet reinforces use of dramatic irony = his idea of the lie is
so trivial to its reality.
o ‘little Miss Independent’s in trouble and needs a man to rescue her.’
 Nora strokes his ego to manipulate him -> patronisation is permitted by
Nora = ironic.
 Realisation that her children are in danger of being corrupted by her own attitudes.
o ‘he must wear a mask even in the presence of those who are dearest to him, even
his own wife and children!’
 Ironic, we see both faces of Nora already.
 Later would be used against him in her recognition of being in a ‘doll’s
house.’
o ‘an atmosphere of lies contaminates and poisons every corner of the home.’
 Idea that Nora’s role in the public sphere is punished and intrudes on her
domestic sphere.
 ‘Every breath that the children draw in such a house contains the germs of
evil.’ – dramatic irony, he’s describing Nora.
o Nurse (Anne-Marie) – ‘a poor girl what’s got into trouble can’t afford to pick and
choose.’
 ‘But you daughter must have completely forgotten you.’
 Nora sees herself in the Nurse, idea that she is toxic to the children taken as
fact.
 Doesn’t even stop to consider that it’s Torvald that’s toxic.
 Ibsen voices working class motherhood through Anne-Marie.
o Contemplates suicide = dark themes to mirror real life issues.
 ‘I shan’t be able to spend so much time with [the children].’ - N
 ‘Now I have the courage.’ – N, ‘Under the ice? Down in the cold, black
water?’ – K

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