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Summary Hamlet Critical Interpretation - Gillian Woods - for OCR English Literature A-Level £5.49   Add to cart

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Summary Hamlet Critical Interpretation - Gillian Woods - for OCR English Literature A-Level

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Gillian Woods critical interpretations for Hamlet questions, perfect for essays. Used to get 100% in OCR English Literature A-Level.

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  • December 14, 2023
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  • 2020/2021
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Hamlet – Critical Interpretations

‘Hamlet: The play within the play’, Gillian Woods

 “From The Murder of Gonzago to Hamlet's pretence of madness, Hamlet is a
work obsessed with acting and deception.”
 “Hamlet – both the character and the play in which he appears – is deeply
concerned with performance”
 “In his very first scene, Hamlet polices the boundaries between performance
and reality.”
 “Outward displays of emotion are untrustworthy, Hamlet reasons, because a
person could ‘play’ or mimic them.”
 “his own sincere demonstrations of sadness are compromised because it
would be easy to feign them.“
 “Hamlet insists [his outward grief is] not significant: his inner feelings are his
true meaning.”
 “When he discovers that his uncle has murdered his father, Hamlet interprets
the news as a lesson in deceitful appearances: ‘meet it is I set it down / That
one may smile, and smile, and be a villain!’ (1.5.107–08)”
 “At the very moment Hamlet insists that his mourning is authentic and
internal, he seems deliberately to parade his grief for all to see.”
 “Renaissance plays are particularly self-conscious about their own
theatricality, as their writers explored the technical possibilities and ethical
implications of the form.”
 “The play staged at Elsinore gave audiences at the Globe an opportunity to
reflect on the nature of the entertainment they had paid to view.”
 “Hamlet’s enthusiastic welcome of the players reveals his affection for
theatre, in spite of his distaste for ‘seeming’.”
 “Hamlet is tormented by the ‘monstrous’ relationship he perceives between
acting and authenticity.”

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