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COM3705
- Institution
- University Of South Africa (Unisa)
COM3705 - International Communication
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Table of ContentsBrief History of Each Industry......................................................................................................................3
Nollywood:..................................................................................................................................................3
"In just 20 years, against all the odds, Nigeria’s low-budget film industry has become an increasingly
influential multi-million-dollar business. A growing number of quality productions are making their way
to international film festivals and enjoying premieres screenings in major film markets and leading
Nigerian actors are gaining international prominence. Despite the industry’s many on-going challenges,
the resilience, creative ingenuity and entrepreneurialism of Nigerian filmmakers coupled with the
industry’s unique style and broad popular appeal mean that it is no longer a question of whether a
Nollywood film will become an international box office hit, it is simply a matter of when." (Sandra
Oyewole, 2014)............................................................................................................................................4
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, Bollywood:...................................................................................................................................................4
Hollywood:..................................................................................................................................................5
Differences between Hollywood, Nollywood and Bollywood......................................................................6
Firstly, we look at Hollywood the annual production in revenue is $43.3 billion in 2018.The quality
production from Hollywood has always been of the highest standard, its l has led technological
innovations again and again. It is also the most profitable industry as the oldest. The most major genres
are adventure, action, drama and comedy. Prominent storylines are self-discovery, love-story, aliens,
vampires, Outcast, self-acceptance and most recently superheroes..........................................................6
In regards, to distribution Intellectual Property (Ulin, pg. 56).....................................................................6
It is vitally important to note that the majority of filmmakers establish their own production company,
usually an LLC. This production company holds the copyright to the intellectual property, thus allowing
the creator some control over how the property gets made. At this point the filmmaker would sell the
rights to a producer, who would give the filmmaker an option fee. There is no standard option fee.........6
Conclusion.................................................................................................................................................10
Sources......................................................................................................................................................10
Transnational Issues:.................................................................................................................................11
Introduction...............................................................................................................................................11
Definition of Culture Shock........................................................................................................................11
Four Phases in detail and examples...........................................................................................................11
The Honeymoon Phase..........................................................................................................................11
Irritability and Hostility..........................................................................................................................11
Gradual Adjustment...............................................................................................................................12
The Acceptance.....................................................................................................................................12
Overcoming Culture Shock........................................................................................................................12
Conclusion.................................................................................................................................................12
Sources......................................................................................................................................................13
Works Cited...............................................................................................................................................13
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