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ENG2603 Assignment 3 2024 - DUE 13 September 2024

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ENG2603 Assignment 3 2024 - DUE 13 September 2024 QUESTIONS WITH DETAILED ANSWERS

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  • August 26, 2024
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ENG2603
Assignment 3 2024 -
DUE 13 September
2024
QUESTIONS WITH OMPLETE ANSWERS




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, ENG2603 Assignment 3 2024 - DUE 13 September 2024




In Welcome to Our Hilbrow, Refentše is depicted as a creative writer who notes a problem with

the suppression of writing literature in African languages. In one of the passages in the novel

Refentše is addressing Refilwe about the difficulties of writing in a language NOT of one’s own.

Refentše says: She did not know that writing in an Afri-can language in South Africa could be

such a curse. She had not anticipated that the publishers’ reviewers would brand her novel

vulgar. Calling shit and genitalia by their cor-rect names in Sepedi was apparently regarded as

vulgar by these reviewers, who had for a long time been reviewing works of fiction for

educational publishers, and who were deter-mined to ensure that such works did not of-fend the

systems that they served. These systems were very inconsistent in their attitudes to education.

They considered it fine, for instance, to call genitalia by their cor-rect names in English and

Afrikaans biology books—even gave these names graphic pic-tures as escorts—yet in all other

languages, they criminalised such linguistic honesty. . . . In 1995, despite the so-called new

dispensa-tion, nothing had really changed. The leg-acy of Apartheid censors still shackled those

who dreamed of writing freely in an African The leg-acy of Apartheid censors still shackled

those who dreamed of writing freely in an African language. Publishers, scared of being found to

be on the financially dangerous side of the censorship border, still rejected manuscripts that too

realistically called things by their proper names—names that people of Tirag-along and Hillbrow

and everywhere in the world used every day. (Welcome to Our Hillbrow, 56, 57) Assignment

Task Read the above passage and consider its significance in the African writers’ debates on

which languages to use when writing African literature. Carefully consult and read Obiajunwa

Wali’s essay, The Dead end of African Literature? (2007) Ngugi wa Thiongo essay, “The

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