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Post-1994 South African theatre R100,00
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Post-1994 South African theatre
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This document consists of post-1994 South African theatre notes, includes characteristics of the theatre, as well as notes on the set work that I studied which was 'Tshepang: The Last Testament' by Lara Foot

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Document information

  • July 31, 2023
  • 7
  • 2022/2023
  • Interview
  • Unknown
  • Unknown

Subjects

  • tshepang the last testament

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All documents for this subject (14)

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kushdaya1

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Modern
Post Theatre
Post-1994
The
Tshepong: Last
Testament

, ⑰
Modernism

->
despises classification, structure, truth
->
Subverts/challenges ideologies, beliefs,
-> creates multiple truths -> multiperspectives
↳ multiexploration

teristics

·

Deconstruction/subversion

3
-


breaking down the truth/idea In 'shepang'
and
putting itback
together >viewing of
s ex as a
loving thing
to form whole deconstruction blame
of
a new
meaning ->




Supermarketof styles
·




Ih'Tshepang'
combination of
styles
-




Realism
·

Epic theate
wine, bread, carvings
->
-
narration
·
Absurdism
->
existential situation
↳) two ostracised
characters wait
in a barren landscape

->
dep characters


Intertextuality
·



-reference to other
literatures
i.e the Bible


narratives
·
Rejection master
of



-> follows multiple stories
is
Ruth's, Simon's, Alfreds


·
Fragmentation
from the next
->
jumping one story to

↳ achronological structure


Simon jumps from to
i.e one
story
the next.

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